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encodinganalog=\"3.1.2\"\u003eSeries 4: Administrative files\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eSeries 4: Administrative files\u003c/unittitle\u003e, 1970 - 2001"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#3","_nest_parent_":"global-campus-records","_root_":"global-campus-records","timestamp":"2026-04-30T11:44:09.001Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"global-campus-records","title_ssm":["Global Campus records"],"title_tesim":["Global Campus records"],"ead_ssi":"global-campus-records","unitdate_ssm":["1951 - 2007"],"unitdate_other_ssim":["1951 - 2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"normalized_date_ssm":["1951 - 2007"],"normalized_title_ssm":["Global Campus records, 1951 - 2007"],"text":["Global Campus records, 1951 - 2007","There are nine 5'' flip top letter size box, one 5\" flip top legal size box, one 2.5'' flip top letter size and 175 cubic foot boxes in this Global Campus records collection, making 199 boxes in total.","This collection is divided into five series: 1) Credit Courses (1975-2002); 2) Conference and Non-credit Programs (1980-2007); 3) Conferences (1989-2007); 4) Administrative (1989-2007); 5) Dean’s Office (1983-1997). The Dean’s Office series is organized by office files pertaining to Fiscal Years first and then followed by general office files. The Administrative series is also organized by office files pertaining to Fiscal Years first and then followed by general office files of employees from Global Campus.","Throughout its history, K-State’s Global Campus (formerly the Division of Continuing Education) has provided educational opportunities for adult learners. Since 1966 Global Campus has offered thousands of conferences, seminars, courses, and degree programs to distance education students and working professionals. In 1967 they received the name Division of Continuing Education and have expanded to many academic programs, including the establishment of distant learning in 1997. Sue Maes was named the interim dean in 2007, a position which was solidified in 2009. In 2014, the Division of Continuing Education was renamed as the Kansas State University Global Campus under the leadership of former dean Sue Maes, who held that position from 2007 to 2017. Today, Global Campus provides distance education to students from across the country and around the world. In addition to distance education, Global Campus provides coordination of professional meetings, conferences, and professional development through the Conferences and Noncredit Programs office. Global Campus also believes in fostering strong ties to community and the importance of lifelong learning and personal development for all through the UFM Community Learning Center.","Published","Processed and described by processing students Dakota Boyles, Meghan Luttrell, and AJ January with oversight by Processing Archivist Helena Egbert, 2022. ","The Global Campus Records, formally known as Division of Continuing Education, consists of material from 1951 to 2007. The material found in this collection partly pertains to the credit courses offered through Global Campus from 1975 to 2002. It contains files from courses offered during the semester and intersession (winter, spring, summer) periods. Some of the colleges that are highlighted in the Global Campus Records include the College of Arts \u0026 Sciences, College of Education, and College of Engineering; the bulk of these files are related to the College of Arts \u0026 Sciences. These files are typically composed of resources and manuals for distance and online courses, enrollment statistics, course information packets, photographs, videotapes, credit course promotional material, course evaluations, course financing, reports and reviews related to credit courses, and correspondence related to credit courses. Some of the material found in this collection pertains to Conference and Non- Credit Programs (CNCP) and opportunities provided across campus. Files possess materials related to conference and program agendas, enrollment and attendee lists, budget and financial information, speaker presentations, brochures and pamphlets, correspondence related to conferences and programs, and promotional materials. Along with CNCP there are also conference files incorporated into this collection. There are also brochures and marketing material for the conferences, final budgets, attendance reports, and notes from the conferences that occurred from 1989-2007. The bulk of the material in this collection is contained in the Dean’s Office and Administrative series. These contain files taken from the office of the Dean of Global Campus or related offices. These also contain files from organizations such as Western Kansas Community Services Consortium (WKCSC), National University Degree Consortium (NUDC) along with files from the National Academic Advising Association (NACADA) and National University Continuing Education Association (NUCEA). The Administrative series specifically contains some files from the office of David Stewart, on non-traditional studies. Along with those files it contains things from the Kansas Board of Regents, reading files, meeting minutes and notes, and final budgeting reports.  The Dean’s office series contains files from the offices of Elizabeth Unger and Robert Kruh, both previous Deans of Global Campus. There are also some files pertaining to Army education through Fort Riley. Lastly, files and correspondence on academic outreach and how to go about campus improvements.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Global Campus","Global Campus"],"collection_title_tesim":["Global Campus records, 1951 - 2007"],"collection_ssim":["Global Campus records, 1951 - 2007"],"creator_ssm":["Global Campus"],"creator_ssim":["Global Campus"],"creator_corpname_ssim":["Global Campus"],"creators_ssim":["Global Campus"],"has_online_content_ssim":["false"],"physdesc_tesim":["There are nine 5'' flip top letter size box, one 5\" flip top legal size box, one 2.5'' flip top letter size and 175 cubic foot boxes in this Global Campus records collection, making 199 boxes in total."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into five series: 1) Credit Courses (1975-2002); 2) Conference and Non-credit Programs (1980-2007); 3) Conferences (1989-2007); 4) Administrative (1989-2007); 5) Dean\u0026#x2019;s Office (1983-1997). The Dean\u0026#x2019;s Office series is organized by office files pertaining to Fiscal Years first and then followed by general office files. The Administrative series is also organized by office files pertaining to Fiscal Years first and then followed by general office files of employees from Global Campus.\u003c/p\u003e"],"arrangement_tesim":["This collection is divided into five series: 1) Credit Courses (1975-2002); 2) Conference and Non-credit Programs (1980-2007); 3) Conferences (1989-2007); 4) Administrative (1989-2007); 5) Dean’s Office (1983-1997). The Dean’s Office series is organized by office files pertaining to Fiscal Years first and then followed by general office files. The Administrative series is also organized by office files pertaining to Fiscal Years first and then followed by general office files of employees from Global Campus."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThroughout its history, K-State\u0026#x2019;s Global Campus (formerly the Division of Continuing Education) has provided educational opportunities for adult learners. Since 1966 Global Campus has offered thousands of conferences, seminars, courses, and degree programs to distance education students and working professionals. In 1967 they received the name Division of Continuing Education and have expanded to many academic programs, including the establishment of distant learning in 1997. Sue Maes was named the interim dean in 2007, a position which was solidified in 2009. In 2014, the Division of Continuing Education was renamed as the Kansas State University Global Campus under the leadership of former dean Sue Maes, who held that position from 2007 to 2017. Today, Global Campus provides distance education to students from across the country and around the world. In addition to distance education, Global Campus provides coordination of professional meetings, conferences, and professional development through the Conferences and Noncredit Programs office. Global Campus also believes in fostering strong ties to community and the importance of lifelong learning and personal development for all through the UFM Community Learning Center.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Throughout its history, K-State’s Global Campus (formerly the Division of Continuing Education) has provided educational opportunities for adult learners. Since 1966 Global Campus has offered thousands of conferences, seminars, courses, and degree programs to distance education students and working professionals. In 1967 they received the name Division of Continuing Education and have expanded to many academic programs, including the establishment of distant learning in 1997. Sue Maes was named the interim dean in 2007, a position which was solidified in 2009. In 2014, the Division of Continuing Education was renamed as the Kansas State University Global Campus under the leadership of former dean Sue Maes, who held that position from 2007 to 2017. Today, Global Campus provides distance education to students from across the country and around the world. In addition to distance education, Global Campus provides coordination of professional meetings, conferences, and professional development through the Conferences and Noncredit Programs office. Global Campus also believes in fostering strong ties to community and the importance of lifelong learning and personal development for all through the UFM Community Learning Center."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"processinfo_html_tesm":["\u003cp\u003eProcessed and described by processing students Dakota Boyles, Meghan Luttrell, and AJ January with oversight by Processing Archivist Helena Egbert, 2022. \u003c/p\u003e"],"processinfo_tesim":["Processed and described by processing students Dakota Boyles, Meghan Luttrell, and AJ January with oversight by Processing Archivist Helena Egbert, 2022. "],"scopecontent_html_tesm":["\u003cp\u003eThe Global Campus Records, formally known as Division of Continuing Education, consists of material from 1951 to 2007. The material found in this collection partly pertains to the credit courses offered through Global Campus from 1975 to 2002. It contains files from courses offered during the semester and intersession (winter, spring, summer) periods. Some of the colleges that are highlighted in the Global Campus Records include the College of Arts \u0026amp; Sciences, College of Education, and College of Engineering; the bulk of these files are related to the College of Arts \u0026amp; Sciences. These files are typically composed of resources and manuals for distance and online courses, enrollment statistics, course information packets, photographs, videotapes, credit course promotional material, course evaluations, course financing, reports and reviews related to credit courses, and correspondence related to credit courses.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSome of the material found in this collection pertains to Conference and Non- Credit Programs (CNCP) and opportunities provided across campus. Files possess materials related to conference and program agendas, enrollment and attendee lists, budget and financial information, speaker presentations, brochures and pamphlets, correspondence related to conferences and programs, and promotional materials. Along with CNCP there are also conference files incorporated into this collection. There are also brochures and marketing material for the conferences, final budgets, attendance reports, and notes from the conferences that occurred from 1989-2007.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe bulk of the material in this collection is contained in the Dean\u0026#x2019;s Office and Administrative series. These contain files taken from the office of the Dean of Global Campus or related offices. These also contain files from organizations such as Western Kansas Community Services Consortium (WKCSC), National University Degree Consortium (NUDC) along with files from the National Academic Advising Association (NACADA) and National University Continuing Education Association (NUCEA).\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe Administrative series specifically contains some files from the office of David Stewart, on non-traditional studies. Along with those files it contains things from the Kansas Board of Regents, reading files, meeting minutes and notes, and final budgeting reports.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e The Dean\u0026#x2019;s office series contains files from the offices of Elizabeth Unger and Robert Kruh, both previous Deans of Global Campus. There are also some files pertaining to Army education through Fort Riley. Lastly, files and correspondence on academic outreach and how to go about campus improvements.\u003c/p\u003e"],"scopecontent_tesim":["The Global Campus Records, formally known as Division of Continuing Education, consists of material from 1951 to 2007. The material found in this collection partly pertains to the credit courses offered through Global Campus from 1975 to 2002. It contains files from courses offered during the semester and intersession (winter, spring, summer) periods. Some of the colleges that are highlighted in the Global Campus Records include the College of Arts \u0026 Sciences, College of Education, and College of Engineering; the bulk of these files are related to the College of Arts \u0026 Sciences. These files are typically composed of resources and manuals for distance and online courses, enrollment statistics, course information packets, photographs, videotapes, credit course promotional material, course evaluations, course financing, reports and reviews related to credit courses, and correspondence related to credit courses. Some of the material found in this collection pertains to Conference and Non- Credit Programs (CNCP) and opportunities provided across campus. Files possess materials related to conference and program agendas, enrollment and attendee lists, budget and financial information, speaker presentations, brochures and pamphlets, correspondence related to conferences and programs, and promotional materials. Along with CNCP there are also conference files incorporated into this collection. There are also brochures and marketing material for the conferences, final budgets, attendance reports, and notes from the conferences that occurred from 1989-2007. The bulk of the material in this collection is contained in the Dean’s Office and Administrative series. These contain files taken from the office of the Dean of Global Campus or related offices. These also contain files from organizations such as Western Kansas Community Services Consortium (WKCSC), National University Degree Consortium (NUDC) along with files from the National Academic Advising Association (NACADA) and National University Continuing Education Association (NUCEA). The Administrative series specifically contains some files from the office of David Stewart, on non-traditional studies. Along with those files it contains things from the Kansas Board of Regents, reading files, meeting minutes and notes, and final budgeting reports.  The Dean’s office series contains files from the offices of Elizabeth Unger and Robert Kruh, both previous Deans of Global Campus. There are also some files pertaining to Army education through Fort Riley. 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The Administrative Series partially contains files from David Stewarts office on non-Traditional studies and Western Kansas Community Services Consortium (WKCSC). 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2007","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/global-campus-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#eadid","type":"document_value","attributes":{"value":"global-campus-records","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/global-campus-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/global-campus-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/global-campus-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/global-campus-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a"}},{"id":"shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd","type":"Series","attributes":{"title":"Series 5: Literary Works","breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_30424567b6f9de35fd880c3a12c649be6464badd","ref_ssm":["al_30424567b6f9de35fd880c3a12c649be6464badd","al_30424567b6f9de35fd880c3a12c649be6464badd"],"id":"shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd","title_filing_ssi":"Series 5: Literary Works","title_ssm":["Series 5: Literary Works"],"title_tesim":["Series 5: Literary Works"],"normalized_title_ssm":["Series 5: Literary Works"],"text":["Series 5: Literary Works","Shirley Smith papers, 1937-2011","40730","Published"],"component_level_isim":[1],"parent_ssi":"shirley-smith-papers","parent_ids_ssim":["shirley-smith-papers"],"parent_unittitles_ssm":["Shirley Smith papers, 1937-2011"],"parent_unittitles_tesim":["Shirley Smith papers, 1937-2011"],"parent_levels_ssm":["collection"],"unitid_ssm":["40730"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":99,"parent_access_restrict_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"parent_access_terms_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"barcode_ssim":["Box 13|A83412143365","Box 1|A83412003890","Box 2|A83411997711","Box 3|A83411997703","Box 4|A83412004105","Box 5|A83412004113","Box 6|A83412004121","Box 7|A83412003989","Box 8|A83412003997","Box 9|A83412004008","Box 10|A83412003777","Box 11|A83412003654","Box 12|A83412153899","Box 14|A83412153548","Box 15|A83412001482","Box 16|A83412001490","Box 17|A83412003882","Box 13|A83412143373"],"barcode_tesim":["A83412143365","A83412003890","A83411997711","A83411997703","A83412004105","A83412004113","A83412004121","A83412003989","A83412003997","A83412004008","A83412003777","A83412003654","A83412153899","A83412153548","A83412153425","A83412001482","A83412001490","A83412003882","A83412143373"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eSeries 5: Literary Works\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eSeries 5: Literary Works\u003c/unittitle\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#4","_nest_parent_":"shirley-smith-papers","_root_":"shirley-smith-papers","timestamp":"2026-04-30T11:33:43.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"shirley-smith-papers","title_ssm":["Shirley Smith papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#normalized_title","type":"document_value","attributes":{"value":"Series 5: Literary Works","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#level","type":"document_value","attributes":{"value":"Series","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd"}},{"id":"college-of-veterinary-medicine-records_al_586b621e9a7659a847cedf694a57a83df94294a9","type":"Box","attributes":{"title":"Veterinary Medicine Photographs, 1918 - 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Consisting of 61 Cubic Foot Boxes, 2 Flip Top Boxes (5\" Letter), 1 Oversize Flat Box (16\" x 20\"), 2 irregular boxes (12\" x 5.5\" x 5\" and 11.5\" x 2.5\" x 2.5\"), and 13 Oversize Folders (1 is 30\" x 24\", 12 are 48\" x 36\").","No access restrictions: All materials are available for research.","This collection is arranged into 7 series by type of material: 1) Administrative Records; 2) Interview Transcripts and Tapes; 3) Scrapbooks and Yearbooks; 4) Video Materials, CDs, and Tapes; 5) Class Composites; 6) Photographs; 7) Photographic Negatives and Slides. Slide Various Box 1 contains slides from this collection in Box 1E.","The College of Veterinary Medicine grew out of the College of Agriculture with the increased number and value of livestock in Kansas creating a demand for veterinarians. By 1886 Kansas State University had begun offering courses in veterinary science for those in the agriculture program, but these courses were just supplements and not a degree program. But Bby 1905 the demand became enough that the Board of Regents authorized the beginning of the four-year veterinary science course and the Department of Veterinary Medicine was formed. From the beginning, the veterinary science course included students operating a daily veterinary clinic for sick or injured animals in the area. In 1908 Veterinary Hall, later Leasure Hall, was built and became the first building to house the College. When K-State was reorganized in 1909, the department was put in the Division of Agriculture. By 1919 the program was large enough that it was separated from the Division of Agriculture and was formed into the Division of Veterinary Medicine. The Veterinary Hospital, Burt Hall, was completed in 1923. In 1932, a five-year curriculum was instated, with this being extended to a six-year curriculum in 1948. The division was renamed the School of Veterinary Medicine in 1942, and in 1963 the College of Veterinary Medicine was created after University reorganization. At that time the College occupied three large buildings, Leasure, Burt, and Dykstra Halls, spread across campus. The College is currently housed in its own complex, which contains Coles, Trotter, and Mosier Halls. Of the present colleges of veterinary medicine nationwide, Kansas State University is one of the oldest in the United States to grant the degree of Doctor of Veterinary of Medicine. Deans of the College – 1919 – 1948: Ralph R. Dykstra 1948 – 1964: Eldon E. Leasure 1964 – 1965: Ralph L. Kitchell 1966 – 1971: Charles E. Cornelius 1971 – 1984: Donald M. Trotter 1984 – 1987: James R. Coffman 1988 – 1994: Michael D. Lorenz 1994 – 1997: Ron J. Marler 1998 – 2015: Ralph C. Richardson 2015 – 2017: Tammy Beckham 2017 – present: Bonnie Rush","Published","Preferred Citation: [Item title], [item date], College of Veterinary Medicine records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: AJ January  Processing Info: Processed and described by processing student AJ January from February to June 2023. Prior processing and description was done for previous iterations of this finding aid by Project Archivist James Smith in July 2013 and Project Archivist Assistant Grace Heidebrecht in April 2015.  Publication date: 2023-06-23.","This collection comprises material related to the Kansas State University College of Veterinary Medicine between 1855-2014. This collection contains administrative records from this college, including handbooks and manuals, proposals and applications, various records, reports, publications, presentation materials, records related to international programs, material pertaining to campus and its buildings, and a film catalogue which describes some of the collection’s video material. It also contains recordings and transcripts of interviews, most of which featured alumni from the College of Veterinary Medicine for the history book “A Century of Excellence: Kansas State University College of Veterinary Medicine” by Howard H. Erickson and Ronnie G. Elmore. Drafts of this book are also present in this collection. Moreover, this collection contains yearbooks and scrapbooks, including auxiliaries and photo albums, from the college spanning nearly a century. There are also audio and video materials related to the College of Veterinary Medicine on cassette tapes, microcassette tapes, VHS tapes, CDs, and DVDs, and film reels which record college events, interviews, teaching aids, and virtual tours of the college. This collection includes class and faculty composites for the College of Veterinary Medicine spanning the majority of the 20th century, and even features a composite from the St. Joseph Veterinary College. These composites are either photographic negatives or oversize photographs. Other photographs that can be found in this collection depict people, including faculty, staff, students, and other notable individuals. Photos of buildings, including diagrams and photos of buildings on the Kansas State campus and the Veterinary Medicine campus, as well. There are also photos of animals, which were either pets, farm animals, or lab animals, as well as the labs performed on these animals. Additionally, photographs of college events, miscellaneous photos, and oversize photos also contribute to this collection’s material. Lastly, this collection features photographic negatives and photographic slides which depict people, like faculty, staff, students, exchange students, and Student Chapter of the American Veterinary Medical Association members. Also pictured are labs, lab equipment, and associated animals, which were often pets, farm animals, or wildlife/exotic animals. Locations within the Manhattan area (especially within the Kansas State University campus and the College of Veterinary Medicine Complex/Campus specifically) are also an important subject to this collection. Negatives of these locations feature buildings, layouts, maps, construction, maintenance, renovations, and damage to buildings. Formal, casual, recreational, donation-based, food-based, and sporting events related to the college can be found in this collection as well. Miscellaneous photo negatives and slides make up the remainder of the undeveloped photographic material in this collection.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Veterinary Medicine","College of Veterinary Medicine","English","Latin"],"collection_title_tesim":["College of Veterinary Medicine records, 1855 - 2014"],"collection_ssim":["College of Veterinary Medicine records, 1855 - 2014"],"creator_ssm":["College of Veterinary Medicine"],"creator_ssim":["College of Veterinary Medicine"],"creator_corpname_ssim":["College of Veterinary Medicine"],"creators_ssim":["College of Veterinary Medicine"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"has_online_content_ssim":["false"],"physdesc_tesim":["63.25 cubic feet total. Consisting of 61 Cubic Foot Boxes, 2 Flip Top Boxes (5\" Letter), 1 Oversize Flat Box (16\" x 20\"), 2 irregular boxes (12\" x 5.5\" x 5\" and 11.5\" x 2.5\" x 2.5\"), and 13 Oversize Folders (1 is 30\" x 24\", 12 are 48\" x 36\")."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are available for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are available for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 7 series by type of material: 1) Administrative Records; 2) Interview Transcripts and Tapes; 3) Scrapbooks and Yearbooks; 4) Video Materials, CDs, and Tapes; 5) Class Composites; 6) Photographs; 7) Photographic Negatives and Slides.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSlide Various Box 1 contains slides from this collection in Box 1E.\u003c/p\u003e"],"arrangement_tesim":["This collection is arranged into 7 series by type of material: 1) Administrative Records; 2) Interview Transcripts and Tapes; 3) Scrapbooks and Yearbooks; 4) Video Materials, CDs, and Tapes; 5) Class Composites; 6) Photographs; 7) Photographic Negatives and Slides. Slide Various Box 1 contains slides from this collection in Box 1E."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe College of Veterinary Medicine grew out of the College of Agriculture with the increased number and value of livestock in Kansas creating a demand for veterinarians. By 1886 Kansas State University had begun offering courses in veterinary science for those in the agriculture program, but these courses were just supplements and not a degree program. But Bby 1905 the demand became enough that the Board of Regents authorized the beginning of the four-year veterinary science course and the Department of Veterinary Medicine was formed. From the beginning, the veterinary science course included students operating a daily veterinary clinic for sick or injured animals in the area. In 1908 Veterinary Hall, later Leasure Hall, was built and became the first building to house the College. When K-State was reorganized in 1909, the department was put in the Division of Agriculture.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBy 1919 the program was large enough that it was separated from the Division of Agriculture and was formed into the Division of Veterinary Medicine. The Veterinary Hospital, Burt Hall, was completed in 1923. In 1932, a five-year curriculum was instated, with this being extended to a six-year curriculum in 1948. The division was renamed the School of Veterinary Medicine in 1942, and in 1963 the College of Veterinary Medicine was created after University reorganization. At that time the College occupied three large buildings, Leasure, Burt, and Dykstra Halls, spread across campus.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe College is currently housed in its own complex, which contains Coles, Trotter, and Mosier Halls. Of the present colleges of veterinary medicine nationwide, Kansas State University is one of the oldest in the United States to grant the degree of Doctor of Veterinary of Medicine.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDeans of the College \u0026#x2013;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e1919 \u0026#x2013; 1948: Ralph R. Dykstra\u003clb\u003e\u003c/lb\u003e1948 \u0026#x2013; 1964: Eldon E. Leasure\u003clb\u003e\u003c/lb\u003e1964 \u0026#x2013; 1965: Ralph L. Kitchell\u003clb\u003e\u003c/lb\u003e1966 \u0026#x2013; 1971: Charles E. Cornelius\u003clb\u003e\u003c/lb\u003e1971 \u0026#x2013; 1984: Donald M. Trotter\u003clb\u003e\u003c/lb\u003e1984 \u0026#x2013; 1987: James R. Coffman\u003clb\u003e\u003c/lb\u003e1988 \u0026#x2013; 1994: Michael D. Lorenz\u003clb\u003e\u003c/lb\u003e1994 \u0026#x2013; 1997: Ron J. Marler\u003clb\u003e\u003c/lb\u003e1998 \u0026#x2013; 2015: Ralph C. Richardson\u003clb\u003e\u003c/lb\u003e2015 \u0026#x2013; 2017: Tammy Beckham\u003clb\u003e\u003c/lb\u003e2017 \u0026#x2013; present: Bonnie Rush\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The College of Veterinary Medicine grew out of the College of Agriculture with the increased number and value of livestock in Kansas creating a demand for veterinarians. By 1886 Kansas State University had begun offering courses in veterinary science for those in the agriculture program, but these courses were just supplements and not a degree program. But Bby 1905 the demand became enough that the Board of Regents authorized the beginning of the four-year veterinary science course and the Department of Veterinary Medicine was formed. From the beginning, the veterinary science course included students operating a daily veterinary clinic for sick or injured animals in the area. In 1908 Veterinary Hall, later Leasure Hall, was built and became the first building to house the College. When K-State was reorganized in 1909, the department was put in the Division of Agriculture. By 1919 the program was large enough that it was separated from the Division of Agriculture and was formed into the Division of Veterinary Medicine. The Veterinary Hospital, Burt Hall, was completed in 1923. In 1932, a five-year curriculum was instated, with this being extended to a six-year curriculum in 1948. The division was renamed the School of Veterinary Medicine in 1942, and in 1963 the College of Veterinary Medicine was created after University reorganization. At that time the College occupied three large buildings, Leasure, Burt, and Dykstra Halls, spread across campus. The College is currently housed in its own complex, which contains Coles, Trotter, and Mosier Halls. Of the present colleges of veterinary medicine nationwide, Kansas State University is one of the oldest in the United States to grant the degree of Doctor of Veterinary of Medicine. Deans of the College – 1919 – 1948: Ralph R. Dykstra 1948 – 1964: Eldon E. Leasure 1964 – 1965: Ralph L. Kitchell 1966 – 1971: Charles E. Cornelius 1971 – 1984: Donald M. Trotter 1984 – 1987: James R. Coffman 1988 – 1994: Michael D. Lorenz 1994 – 1997: Ron J. Marler 1998 – 2015: Ralph C. Richardson 2015 – 2017: Tammy Beckham 2017 – present: Bonnie Rush"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], College of Veterinary Medicine records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], College of Veterinary Medicine records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: AJ January \u003clb\u003e\u003c/lb\u003eProcessing Info: Processed and described by processing student AJ January from February to June 2023. Prior processing and description was done for previous iterations of this finding aid by Project Archivist James Smith in July 2013 and Project Archivist Assistant Grace Heidebrecht in April 2015. \u003clb\u003e\u003c/lb\u003ePublication date: 2023-06-23.\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: AJ January  Processing Info: Processed and described by processing student AJ January from February to June 2023. Prior processing and description was done for previous iterations of this finding aid by Project Archivist James Smith in July 2013 and Project Archivist Assistant Grace Heidebrecht in April 2015.  Publication date: 2023-06-23."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises material related to the Kansas State University College of Veterinary Medicine between 1855-2014. This collection contains administrative records from this college, including handbooks and manuals, proposals and applications, various records, reports, publications, presentation materials, records related to international programs, material pertaining to campus and its buildings, and a film catalogue which describes some of the collection\u0026#x2019;s video material. It also contains recordings and transcripts of interviews, most of which featured alumni from the College of Veterinary Medicine for the history book \u0026#x201C;A Century of Excellence: Kansas State University College of Veterinary Medicine\u0026#x201D; by Howard H. Erickson and Ronnie G. Elmore. Drafts of this book are also present in this collection. Moreover, this collection contains yearbooks and scrapbooks, including auxiliaries and photo albums, from the college spanning nearly a century. There are also audio and video materials related to the College of Veterinary Medicine on cassette tapes, microcassette tapes, VHS tapes, CDs, and DVDs, and film reels which record college events, interviews, teaching aids, and virtual tours of the college. This collection includes class and faculty composites for the College of Veterinary Medicine spanning the majority of the 20th century, and even features a composite from the St. Joseph Veterinary College. These composites are either photographic negatives or oversize photographs.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eOther photographs that can be found in this collection depict people, including faculty, staff, students, and other notable individuals. Photos of buildings, including diagrams and photos of buildings on the Kansas State campus and the Veterinary Medicine campus, as well. There are also photos of animals, which were either pets, farm animals, or lab animals, as well as the labs performed on these animals. Additionally, photographs of college events, miscellaneous photos, and oversize photos also contribute to this collection\u0026#x2019;s material.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eLastly, this collection features photographic negatives and photographic slides which depict people, like faculty, staff, students, exchange students, and Student Chapter of the American Veterinary Medical Association members. Also pictured are labs, lab equipment, and associated animals, which were often pets, farm animals, or wildlife/exotic animals. Locations within the Manhattan area (especially within the Kansas State University campus and the College of Veterinary Medicine Complex/Campus specifically) are also an important subject to this collection. Negatives of these locations feature buildings, layouts, maps, construction, maintenance, renovations, and damage to buildings. Formal, casual, recreational, donation-based, food-based, and sporting events related to the college can be found in this collection as well. Miscellaneous photo negatives and slides make up the remainder of the undeveloped photographic material in this collection.\u003c/p\u003e"],"scopecontent_tesim":["This collection comprises material related to the Kansas State University College of Veterinary Medicine between 1855-2014. This collection contains administrative records from this college, including handbooks and manuals, proposals and applications, various records, reports, publications, presentation materials, records related to international programs, material pertaining to campus and its buildings, and a film catalogue which describes some of the collection’s video material. It also contains recordings and transcripts of interviews, most of which featured alumni from the College of Veterinary Medicine for the history book “A Century of Excellence: Kansas State University College of Veterinary Medicine” by Howard H. Erickson and Ronnie G. Elmore. Drafts of this book are also present in this collection. Moreover, this collection contains yearbooks and scrapbooks, including auxiliaries and photo albums, from the college spanning nearly a century. There are also audio and video materials related to the College of Veterinary Medicine on cassette tapes, microcassette tapes, VHS tapes, CDs, and DVDs, and film reels which record college events, interviews, teaching aids, and virtual tours of the college. This collection includes class and faculty composites for the College of Veterinary Medicine spanning the majority of the 20th century, and even features a composite from the St. Joseph Veterinary College. These composites are either photographic negatives or oversize photographs. Other photographs that can be found in this collection depict people, including faculty, staff, students, and other notable individuals. Photos of buildings, including diagrams and photos of buildings on the Kansas State campus and the Veterinary Medicine campus, as well. There are also photos of animals, which were either pets, farm animals, or lab animals, as well as the labs performed on these animals. Additionally, photographs of college events, miscellaneous photos, and oversize photos also contribute to this collection’s material. Lastly, this collection features photographic negatives and photographic slides which depict people, like faculty, staff, students, exchange students, and Student Chapter of the American Veterinary Medical Association members. Also pictured are labs, lab equipment, and associated animals, which were often pets, farm animals, or wildlife/exotic animals. Locations within the Manhattan area (especially within the Kansas State University campus and the College of Veterinary Medicine Complex/Campus specifically) are also an important subject to this collection. Negatives of these locations feature buildings, layouts, maps, construction, maintenance, renovations, and damage to buildings. Formal, casual, recreational, donation-based, food-based, and sporting events related to the college can be found in this collection as well. Miscellaneous photo negatives and slides make up the remainder of the undeveloped photographic material in this collection."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. 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encodinganalog=\"3.1.2\"\u003eBox 107\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eBox 107\u003c/unittitle\u003e, 1996"],"parent_access_phystech_tesm":["\u003cp\u003eOriginal materials available during open hours of repository and any digitized materials that are online are available with Internet access.\u003c/p\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#2/components#76","_nest_parent_":"farmland-industries-inc-records_al_2616922c8a3b784cf1b804be6caede1894160c27","_root_":"farmland-industries-inc-records","timestamp":"2026-04-30T11:52:40.491Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"farmland-industries-inc-records","title_ssm":["Farmland Industries, Inc., records"],"title_tesim":["Farmland Industries, Inc., records"],"ead_ssi":"farmland-industries-inc-records","unitdate_ssm":["1878, 1912-2004"],"unitdate_other_ssim":["1878, 1912-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2004.12","136"],"text":["P2004.12","136","Farmland Industries, Inc., records, 1878, 1912-2004","Farming and ranching","379.50 Linear Feet, 208.00 Boxes","No access restriction: All materials are open for research.","The collection is arranged into 13 series: 1) Union Equity 2) Women's Cooperative Guild 3) Farmland Industries 4) Cooperative Refinery Association (CRA) 5) Consumers Cooperative Association (CCA) 6) Cooperative Farm Chemical Association (CFCA 7) Far-Mar-Co 8) Union Oil Company 9) Agricultural Hall of Fame 10) Farmland Artifacts 11) Farmland, Oversize Items 12) Audio Visual Materials 13) Printed Material Bound Volumes","On January 27, 1928, Howard A. Cowden formed Cowden Oil Company in Columbia, Missouri. During this year, Cowden saw a worth-while cause in the growing cooperative movement. In late 1928, he moved the offices of Cowden Oil Company to Kansas City and made plans to establish a regional wholesale cooperative. On January 5, 1929, Cowden Oil Company dissolved and its assets were transferred to a new corporation named Union Oil Company on February 16, 1929. In 1931, the trade name \"CO-OP\" was used and in 1932 the first CO-OP tires, tubes, and batteries were produced. The first issue of the Cooperative Consumer newspaper appeared on December 10, 1933. It provided a regular tie between the company and its patrons.  In 1935, the Union Oil Company changed its name to Consumers Cooperative Association (CCA). At this time it served 259 local cooperatives and had $2 million in annual revenues. The growing company needed to expand its physical facilities so it purchased the property at 1500 Iron Street in Kansas City. It was during this same year that the first Co-Op grease was produced. The company continued to grow adding products such as paint, groceries, Co-Op tractors in 1936, Co-Op appliances, and a Consumers Insurance Agency in 1937.  A Cooperative Refinery Association was established in 1938. In 1940, the first CRA refinery was opened at Phillipsburg, Kansas and the first Co-Op oil well was launched at Layton, Kansas. Additional refineries were opened at Scottsbluff, Nebraska (1941) and Coffeyville, Kansas (1944).  As the company grew it formed new divisions such as the National Cooperative Refinery Association (NCRA) and Cooperative Finance Association (CFA) in 1943, and Cooperative Farm Chemicals Association (CFCA) in 1951. It also established feed mills, soybean plants, fertilizer plants, ammonium phosphate plants, meat packing plants, steel product plants, gas products plants, a pork plant, a battery plant, a nitrogen plant, phosphoric acid plants, and wheat products plants throughout the central plains.  The company moved headquarters to 10th \u0026 Oak, Kansas City (1944) then moved to 3315 N. Oak Trafficway (1956). In 1960, Howard A. Cowden saw the company's first $1 million sales day. The next year, in 1961, he retired and Homer Young was named the president of the company. In 1966, the company changed its name to Farmland Industries, Inc. Under Young's tenure, the company expanded its headquarters building, was instrumental in the establishment of the North Kansas City industrial complex, launching of a phosphate plant in Bartow, Florida, and exceeded $300 million in sales.  Ernest Lindsey was named company president in 1967. During his reign, the company acquired several companies such as Farmers Life Insurance Company, Des Moines, Iowa (1967), Southern Farm Supply Association, Amarillo, Texas (1968), Woodbury Chemical Company, St. Joseph, Missouri (1969). Farmland merged with companies such as Minnesota Farm Bureau Service Company and Producers Packing Company, Garden City, Kansas in 1968 and with Far-Mar-Co, the United States largest grain co-op in 1977.  John Anderson was named the president of Farmland in 1978. During his time the company celebrated its 50th Anniversary (1979), produced the television series \"American Trail,\" organized Farmland World Trade Company with an export elevator located at Galveston, Texas, introduced the Co-op computer-based farm accounting system, and saw the first negative earnings for the company.  In 1983, Kenneth Nielson became president and three years later the company experienced a major loss in earnings even though it sold Terra Resources (1983), a gas plant in Lamont, Oklahoma (1984), the grain business (1985), and the steel products business (1985).  James Rainey became president in 1986 and made major expense reduction and organizational restructuring. Rainey eliminated nine divisional sales offices, and the Equipment and Supplies Division. He sold the pork plant in Iowa Falls, Iowa, and the Texas gas plants. He introduced the Master Commitment Agreement (1989), acquired a meat facility in San Leandro, California (1989), established a base capital plan, formed broadcast partners, and introduced the Farmland logo (1990).  In 1991, Harry D. Cleberg was named the president of Farmland. He sold the battery and paint plants and the export elevator at Houston, Texas, and closed the Phillipsburg Refinery. Several companies were acquired in 1993 such as Tradigrain, National Beef, Supreme Feeders, and National Carriers. The first international office was opened in Mexico City (1993), the construction of an ammonia plant took place in Trinidad (1996), and a Farmland National Beef office opened in Tokyo (1998). Several Limited Liabilities Companies (LLC) were formed under Cleberg's tenure such as Livestock Services of Indiana, LLC (1996), Triton Tire \u0026 Battery, LLC (1997), Agriland Technologies, LLC (1998), Agrifarm Industries, LLC (1998), Triumph Pork Group, LLC (1999), and Rocky Mountain Milling, LLC (1999).  Bob Honse became the president of Farmland Industries in 2000. In 2001, Farmland ranked #170 on the Fortune 500 company list. Its annual revenues were in excess of $11.8 billion. In 2002, the company had 16,000 employees and faced a liquidity crisis resulting from fluctuations in commodity prices and increased operational and capital costs as well as the tightening of credit terms from suppliers and increased demands from its stockholders. The company filed for Chapter 11 in May 2002. Farmland Foods, Inc., organized in 1970, produces, sells, and exports pork products in the United States and Internationally. In 2002, the pork processing division was sold to Smithfield Foods for $367 million, and in 2014, it was acquired by The Smithfield Packing Company. Farmland National Beef Packing Company was sold to U.S. Premium Beef for $232 million. The fertilizer production division was sold to Koch Industries and the company's refinery and coke-to-nitrogen fertilizer plant were sold to a hedge fund.  On June 28, 2006, JPMorgan Bankruptcy \u0026 Settlement Services reported that all unsecured creditors were paid $1.04 for every dollar.","It received accession number P2004.12.","Published","[Item title], [item date], Farmland Industries, Inc. Records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original materials available during open hours of repository and any digitized materials that are online are available with Internet access.","Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, Library Assistant III, processed the collection and it was reviewed by curator, Dave Allen.  Publication Date: 2018-02-28","Related Materials: John Minor Papers, Accession Number 2016-17.043 and Roderic Simpson Papers, Accession Number 2016-17.040","The Union Equity series includes Articles of Incorporation, By-Laws, correspondence, export records, financial and audit records, meeting minutes, meeting agendas, speeches, publicity materials, printed material, audiovisual materials, and photographs.  Women's Cooperative Guild includes annual reports, correspondence, financial records, member records, meeting minutes, newsletters, photographs, scrapbooks, yearbooks, and artifacts.  The Farmland Series is made up of corporation records, correspondence, financial records, historical records, photographs, negatives, slides, printed material, and scrapbooks.   Cooperative Refinery Association (CRA) series includes information pertaining to the Coffeyville and Phillipsburg, Kansas refineries, CRA meeting minute books (1939-1981), and CRA of Peru, Inc.  Consumers Cooperative Association (CCA) series includes the organization's Administrative Orders, Articles of Incorporation, correspondence, conferences, farm program and problems, history of the organization, lists of Board of Directors, minutes, policies, list of personnel, speeches by  Cooperative Farm Chemical Association (CFCA) series includes Articles of Incorporation and By-Laws, annual stockholders meetings and minutes, correspondence, newspaper clippings, revolving fund certificates (1959-1985), and photographs and printed material of the dedication of the Lawrence Nitrogen Plant, Lawrence, Kansas (1951-1954).  Far-Mar-Co series includes correspondence to the Board of Directors (1976-1985), news releases, newspaper clippings, and the organization meeting of the incorporators of Far-Mar-Co/Farmland Acquisition Corporation (1976-1980).  Union Oil Company series includes the Certificate of Incorporation, Articles of Agreement, Affidavit of Dissolution of Cowden Oil Company, correspondence, minutes, magazines and newspaper publicity and advertising, radio talks, and speeches, and three (3) scrapbooks with photographs.  The Agricultural Hall of Fame series contains the Articles of Incorporation and By-Laws (1958-1961), newspaper clippings (1980-1990), visitors guides (1960-1981), photographs, and printed materials.  The Farmland Artifacts series contains awards, a keychain, a coffee cup, and deck of cards. The series also includes one (1) ceremonial shovel dated December 1, 1959, a Recognition Board dated June 1, 1968-March 1969, and a silver metal sign dated 1956. It also includes a Bell \u0026 Howell Model 1550B 16mm film projector.  Farmland Oversize series includes advertising posters, newspaper clippings, bound advertising pages, photographs, calendars, two (2) scrapbooks, Ken Burdette Sketches, a drawing of Farmland Foods Plant, banners, blueprints, and watercolor paintings.   The Audio-Visual Materials series includes 16mm films, CDs, cassette tapes, filmstrips, LPs, and VHS tapes.   There are nineteen shelves of printed material that are bound volumes contained are The Daily Scoop, Inside Farmland, Farmland Circles, Co-Op News Digest, Leadership, Bulletin, Teammates, The Cooperative Farmer, Co-Op Reporter, The Cooperative Consumer, Insider, Managers Newsletter, Advantage, The Plant Connection, Farmland Supervisor, and Home-Maker. Note The Cooperative Consumer name changed to Farmland in September 1966 and Farmland changed to Farmland News in 1971.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Farmland Industries INC","Farmland Industries INC","English","Latin"],"unitid_tesim":["P2004.12","136"],"normalized_date_ssm":["1878, 1912-2004"],"normalized_title_ssm":["Farmland Industries, Inc., records, 1878, 1912-2004"],"collection_title_tesim":["Farmland Industries, Inc., records, 1878, 1912-2004"],"collection_ssim":["Farmland Industries, Inc., records, 1878, 1912-2004"],"creator_ssm":["Farmland Industries INC"],"creator_ssim":["Farmland Industries INC"],"creator_corpname_ssim":["Farmland Industries INC"],"creators_ssim":["Farmland Industries INC"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Farmland Industries, Inc. Acqusition Method: Donation. 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Cowden formed Cowden Oil Company in Columbia, Missouri. During this year, Cowden saw a worth-while cause in the growing cooperative movement. In late 1928, he moved the offices of Cowden Oil Company to Kansas City and made plans to establish a regional wholesale cooperative. On January 5, 1929, Cowden Oil Company dissolved and its assets were transferred to a new corporation named Union Oil Company on February 16, 1929. In 1931, the trade name \"CO-OP\" was used and in 1932 the first CO-OP tires, tubes, and batteries were produced. The first issue of the Cooperative Consumer newspaper appeared on December 10, 1933. It provided a regular tie between the company and its patrons.  In 1935, the Union Oil Company changed its name to Consumers Cooperative Association (CCA). At this time it served 259 local cooperatives and had $2 million in annual revenues. The growing company needed to expand its physical facilities so it purchased the property at 1500 Iron Street in Kansas City. It was during this same year that the first Co-Op grease was produced. The company continued to grow adding products such as paint, groceries, Co-Op tractors in 1936, Co-Op appliances, and a Consumers Insurance Agency in 1937.  A Cooperative Refinery Association was established in 1938. In 1940, the first CRA refinery was opened at Phillipsburg, Kansas and the first Co-Op oil well was launched at Layton, Kansas. Additional refineries were opened at Scottsbluff, Nebraska (1941) and Coffeyville, Kansas (1944).  As the company grew it formed new divisions such as the National Cooperative Refinery Association (NCRA) and Cooperative Finance Association (CFA) in 1943, and Cooperative Farm Chemicals Association (CFCA) in 1951. It also established feed mills, soybean plants, fertilizer plants, ammonium phosphate plants, meat packing plants, steel product plants, gas products plants, a pork plant, a battery plant, a nitrogen plant, phosphoric acid plants, and wheat products plants throughout the central plains.  The company moved headquarters to 10th \u0026 Oak, Kansas City (1944) then moved to 3315 N. Oak Trafficway (1956). In 1960, Howard A. Cowden saw the company's first $1 million sales day. The next year, in 1961, he retired and Homer Young was named the president of the company. In 1966, the company changed its name to Farmland Industries, Inc. Under Young's tenure, the company expanded its headquarters building, was instrumental in the establishment of the North Kansas City industrial complex, launching of a phosphate plant in Bartow, Florida, and exceeded $300 million in sales.  Ernest Lindsey was named company president in 1967. During his reign, the company acquired several companies such as Farmers Life Insurance Company, Des Moines, Iowa (1967), Southern Farm Supply Association, Amarillo, Texas (1968), Woodbury Chemical Company, St. Joseph, Missouri (1969). Farmland merged with companies such as Minnesota Farm Bureau Service Company and Producers Packing Company, Garden City, Kansas in 1968 and with Far-Mar-Co, the United States largest grain co-op in 1977.  John Anderson was named the president of Farmland in 1978. During his time the company celebrated its 50th Anniversary (1979), produced the television series \"American Trail,\" organized Farmland World Trade Company with an export elevator located at Galveston, Texas, introduced the Co-op computer-based farm accounting system, and saw the first negative earnings for the company.  In 1983, Kenneth Nielson became president and three years later the company experienced a major loss in earnings even though it sold Terra Resources (1983), a gas plant in Lamont, Oklahoma (1984), the grain business (1985), and the steel products business (1985).  James Rainey became president in 1986 and made major expense reduction and organizational restructuring. Rainey eliminated nine divisional sales offices, and the Equipment and Supplies Division. He sold the pork plant in Iowa Falls, Iowa, and the Texas gas plants. He introduced the Master Commitment Agreement (1989), acquired a meat facility in San Leandro, California (1989), established a base capital plan, formed broadcast partners, and introduced the Farmland logo (1990).  In 1991, Harry D. Cleberg was named the president of Farmland. He sold the battery and paint plants and the export elevator at Houston, Texas, and closed the Phillipsburg Refinery. Several companies were acquired in 1993 such as Tradigrain, National Beef, Supreme Feeders, and National Carriers. The first international office was opened in Mexico City (1993), the construction of an ammonia plant took place in Trinidad (1996), and a Farmland National Beef office opened in Tokyo (1998). Several Limited Liabilities Companies (LLC) were formed under Cleberg's tenure such as Livestock Services of Indiana, LLC (1996), Triton Tire \u0026 Battery, LLC (1997), Agriland Technologies, LLC (1998), Agrifarm Industries, LLC (1998), Triumph Pork Group, LLC (1999), and Rocky Mountain Milling, LLC (1999).  Bob Honse became the president of Farmland Industries in 2000. In 2001, Farmland ranked #170 on the Fortune 500 company list. Its annual revenues were in excess of $11.8 billion. In 2002, the company had 16,000 employees and faced a liquidity crisis resulting from fluctuations in commodity prices and increased operational and capital costs as well as the tightening of credit terms from suppliers and increased demands from its stockholders. The company filed for Chapter 11 in May 2002. Farmland Foods, Inc., organized in 1970, produces, sells, and exports pork products in the United States and Internationally. In 2002, the pork processing division was sold to Smithfield Foods for $367 million, and in 2014, it was acquired by The Smithfield Packing Company. Farmland National Beef Packing Company was sold to U.S. Premium Beef for $232 million. The fertilizer production division was sold to Koch Industries and the company's refinery and coke-to-nitrogen fertilizer plant were sold to a hedge fund.  On June 28, 2006, JPMorgan Bankruptcy \u0026 Settlement Services reported that all unsecured creditors were paid $1.04 for every dollar."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2004.12.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2004.12."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Farmland Industries, Inc. Records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Farmland Industries, Inc. Records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"phystech_html_tesm":["\u003cp\u003eOriginal materials available during open hours of repository and any digitized materials that are online are available with Internet access.\u003c/p\u003e"],"phystech_tesim":["Original materials available during open hours of repository and any digitized materials that are online are available with Internet access."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia A. Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: Cynthia A. Harris, Library Assistant III, processed the collection and it was reviewed by curator, Dave Allen. \u003clb\u003e\u003c/lb\u003ePublication Date: 2018-02-28\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, Library Assistant III, processed the collection and it was reviewed by curator, Dave Allen.  Publication Date: 2018-02-28"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Materials: John Minor Papers, Accession Number 2016-17.043 and Roderic Simpson Papers, Accession Number 2016-17.040\u003c/p\u003e"],"relatedmaterial_tesim":["Related Materials: John Minor Papers, Accession Number 2016-17.043 and Roderic Simpson Papers, Accession Number 2016-17.040"],"scopecontent_html_tesm":["\u003cp\u003eThe Union Equity series includes Articles of Incorporation, By-Laws, correspondence, export records, financial and audit records, meeting minutes, meeting agendas, speeches, publicity materials, printed material, audiovisual materials, and photographs.\u003clb\u003e\u003c/lb\u003e Women's Cooperative Guild includes annual reports, correspondence, financial records, member records, meeting minutes, newsletters, photographs, scrapbooks, yearbooks, and artifacts.\u003clb\u003e\u003c/lb\u003e The Farmland Series is made up of corporation records, correspondence, financial records, historical records, photographs, negatives, slides, printed material, and scrapbooks. \u003clb\u003e\u003c/lb\u003e Cooperative Refinery Association (CRA) series includes information pertaining to the Coffeyville and Phillipsburg, Kansas refineries, CRA meeting minute books (1939-1981), and CRA of Peru, Inc.\u003clb\u003e\u003c/lb\u003e Consumers Cooperative Association (CCA) series includes the organization's Administrative Orders, Articles of Incorporation, correspondence, conferences, farm program and problems, history of the organization, lists of Board of Directors, minutes, policies, list of personnel, speeches by\u003clb\u003e\u003c/lb\u003e Cooperative Farm Chemical Association (CFCA) series includes Articles of Incorporation and By-Laws, annual stockholders meetings and minutes, correspondence, newspaper clippings, revolving fund certificates (1959-1985), and photographs and printed material of the dedication of the Lawrence Nitrogen Plant, Lawrence, Kansas (1951-1954).\u003clb\u003e\u003c/lb\u003e Far-Mar-Co series includes correspondence to the Board of Directors (1976-1985), news releases, newspaper clippings, and the organization meeting of the incorporators of Far-Mar-Co/Farmland Acquisition Corporation (1976-1980).\u003clb\u003e\u003c/lb\u003e Union Oil Company series includes the Certificate of Incorporation, Articles of Agreement, Affidavit of Dissolution of Cowden Oil Company, correspondence, minutes, magazines and newspaper publicity and advertising, radio talks, and speeches, and three (3) scrapbooks with photographs.\u003clb\u003e\u003c/lb\u003e The Agricultural Hall of Fame series contains the Articles of Incorporation and By-Laws (1958-1961), newspaper clippings (1980-1990), visitors guides (1960-1981), photographs, and printed materials.\u003clb\u003e\u003c/lb\u003e The Farmland Artifacts series contains awards, a keychain, a coffee cup, and deck of cards. The series also includes one (1) ceremonial shovel dated December 1, 1959, a Recognition Board dated June 1, 1968-March 1969, and a silver metal sign dated 1956. It also includes a Bell \u0026amp; Howell Model 1550B 16mm film projector.\u003clb\u003e\u003c/lb\u003e Farmland Oversize series includes advertising posters, newspaper clippings, bound advertising pages, photographs, calendars, two (2) scrapbooks, Ken Burdette Sketches, a drawing of Farmland Foods Plant, banners, blueprints, and watercolor paintings. \u003clb\u003e\u003c/lb\u003e The Audio-Visual Materials series includes 16mm films, CDs, cassette tapes, filmstrips, LPs, and VHS tapes. \u003clb\u003e\u003c/lb\u003e There are nineteen shelves of printed material that are bound volumes contained are The Daily Scoop, Inside Farmland, Farmland Circles, Co-Op News Digest, Leadership, Bulletin, Teammates, The Cooperative Farmer, Co-Op Reporter, The Cooperative Consumer, Insider, Managers Newsletter, Advantage, The Plant Connection, Farmland Supervisor, and Home-Maker. Note The Cooperative Consumer name changed to Farmland in September 1966 and Farmland changed to Farmland News in 1971.\u003c/p\u003e"],"scopecontent_tesim":["The Union Equity series includes Articles of Incorporation, By-Laws, correspondence, export records, financial and audit records, meeting minutes, meeting agendas, speeches, publicity materials, printed material, audiovisual materials, and photographs.  Women's Cooperative Guild includes annual reports, correspondence, financial records, member records, meeting minutes, newsletters, photographs, scrapbooks, yearbooks, and artifacts.  The Farmland Series is made up of corporation records, correspondence, financial records, historical records, photographs, negatives, slides, printed material, and scrapbooks.   Cooperative Refinery Association (CRA) series includes information pertaining to the Coffeyville and Phillipsburg, Kansas refineries, CRA meeting minute books (1939-1981), and CRA of Peru, Inc.  Consumers Cooperative Association (CCA) series includes the organization's Administrative Orders, Articles of Incorporation, correspondence, conferences, farm program and problems, history of the organization, lists of Board of Directors, minutes, policies, list of personnel, speeches by  Cooperative Farm Chemical Association (CFCA) series includes Articles of Incorporation and By-Laws, annual stockholders meetings and minutes, correspondence, newspaper clippings, revolving fund certificates (1959-1985), and photographs and printed material of the dedication of the Lawrence Nitrogen Plant, Lawrence, Kansas (1951-1954).  Far-Mar-Co series includes correspondence to the Board of Directors (1976-1985), news releases, newspaper clippings, and the organization meeting of the incorporators of Far-Mar-Co/Farmland Acquisition Corporation (1976-1980).  Union Oil Company series includes the Certificate of Incorporation, Articles of Agreement, Affidavit of Dissolution of Cowden Oil Company, correspondence, minutes, magazines and newspaper publicity and advertising, radio talks, and speeches, and three (3) scrapbooks with photographs.  The Agricultural Hall of Fame series contains the Articles of Incorporation and By-Laws (1958-1961), newspaper clippings (1980-1990), visitors guides (1960-1981), photographs, and printed materials.  The Farmland Artifacts series contains awards, a keychain, a coffee cup, and deck of cards. The series also includes one (1) ceremonial shovel dated December 1, 1959, a Recognition Board dated June 1, 1968-March 1969, and a silver metal sign dated 1956. It also includes a Bell \u0026 Howell Model 1550B 16mm film projector.  Farmland Oversize series includes advertising posters, newspaper clippings, bound advertising pages, photographs, calendars, two (2) scrapbooks, Ken Burdette Sketches, a drawing of Farmland Foods Plant, banners, blueprints, and watercolor paintings.   The Audio-Visual Materials series includes 16mm films, CDs, cassette tapes, filmstrips, LPs, and VHS tapes.   There are nineteen shelves of printed material that are bound volumes contained are The Daily Scoop, Inside Farmland, Farmland Circles, Co-Op News Digest, Leadership, Bulletin, Teammates, The Cooperative Farmer, Co-Op Reporter, The Cooperative Consumer, Insider, Managers Newsletter, Advantage, The Plant Connection, Farmland Supervisor, and Home-Maker. Note The Cooperative Consumer name changed to Farmland in September 1966 and Farmland changed to Farmland News in 1971."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Farmland Industries INC","Farmland Industries INC"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Farmland Industries INC","Farmland Industries INC"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":262,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFarmland Industries, Inc., records\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Farmland Industries, Inc. Records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFarmland Industries, Inc., records\u003c/unittitle\u003e, 1878, 1912-2004"],"hashed_id_ssi":"fca0b4fb1d921b50","_root_":"farmland-industries-inc-records","timestamp":"2026-04-30T11:52:40.491Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eOn January 27, 1928, Howard A. Cowden formed Cowden Oil Company in Columbia, Missouri. During this year, Cowden saw a worth-while cause in the growing cooperative movement. In late 1928, he moved the offices of Cowden Oil Company to Kansas City and made plans to establish a regional wholesale cooperative. On January 5, 1929, Cowden Oil Company dissolved and its assets were transferred to a new corporation named Union Oil Company on February 16, 1929. In 1931, the trade name \"CO-OP\" was used and in 1932 the first CO-OP tires, tubes, and batteries were produced. The first issue of the Cooperative Consumer newspaper appeared on December 10, 1933. It provided a regular tie between the company and its patrons.\u003clb\u003e\u003c/lb\u003e In 1935, the Union Oil Company changed its name to Consumers Cooperative Association (CCA). At this time it served 259 local cooperatives and had $2 million in annual revenues. The growing company needed to expand its physical facilities so it purchased the property at 1500 Iron Street in Kansas City. It was during this same year that the first Co-Op grease was produced. The company continued to grow adding products such as paint, groceries, Co-Op tractors in 1936, Co-Op appliances, and a Consumers Insurance Agency in 1937.\u003clb\u003e\u003c/lb\u003e A Cooperative Refinery Association was established in 1938. In 1940, the first CRA refinery was opened at Phillipsburg, Kansas and the first Co-Op oil well was launched at Layton, Kansas. Additional refineries were opened at Scottsbluff, Nebraska (1941) and Coffeyville, Kansas (1944).\u003clb\u003e\u003c/lb\u003e As the company grew it formed new divisions such as the National Cooperative Refinery Association (NCRA) and Cooperative Finance Association (CFA) in 1943, and Cooperative Farm Chemicals Association (CFCA) in 1951. It also established feed mills, soybean plants, fertilizer plants, ammonium phosphate plants, meat packing plants, steel product plants, gas products plants, a pork plant, a battery plant, a nitrogen plant, phosphoric acid plants, and wheat products plants throughout the central plains.\u003clb\u003e\u003c/lb\u003e The company moved headquarters to 10th \u0026amp; Oak, Kansas City (1944) then moved to 3315 N. Oak Trafficway (1956). In 1960, Howard A. Cowden saw the company's first $1 million sales day. The next year, in 1961, he retired and Homer Young was named the president of the company. In 1966, the company changed its name to Farmland Industries, Inc. Under Young's tenure, the company expanded its headquarters building, was instrumental in the establishment of the North Kansas City industrial complex, launching of a phosphate plant in Bartow, Florida, and exceeded $300 million in sales.\u003clb\u003e\u003c/lb\u003e Ernest Lindsey was named company president in 1967. During his reign, the company acquired several companies such as Farmers Life Insurance Company, Des Moines, Iowa (1967), Southern Farm Supply Association, Amarillo, Texas (1968), Woodbury Chemical Company, St. Joseph, Missouri (1969). Farmland merged with companies such as Minnesota Farm Bureau Service Company and Producers Packing Company, Garden City, Kansas in 1968 and with Far-Mar-Co, the United States largest grain co-op in 1977.\u003clb\u003e\u003c/lb\u003e John Anderson was named the president of Farmland in 1978. During his time the company celebrated its 50th Anniversary (1979), produced the television series \"American Trail,\" organized Farmland World Trade Company with an export elevator located at Galveston, Texas, introduced the Co-op computer-based farm accounting system, and saw the first negative earnings for the company.\u003clb\u003e\u003c/lb\u003e In 1983, Kenneth Nielson became president and three years later the company experienced a major loss in earnings even though it sold Terra Resources (1983), a gas plant in Lamont, Oklahoma (1984), the grain business (1985), and the steel products business (1985).\u003clb\u003e\u003c/lb\u003e James Rainey became president in 1986 and made major expense reduction and organizational restructuring. Rainey eliminated nine divisional sales offices, and the Equipment and Supplies Division. He sold the pork plant in Iowa Falls, Iowa, and the Texas gas plants. He introduced the Master Commitment Agreement (1989), acquired a meat facility in San Leandro, California (1989), established a base capital plan, formed broadcast partners, and introduced the Farmland logo (1990).\u003clb\u003e\u003c/lb\u003e In 1991, Harry D. Cleberg was named the president of Farmland. He sold the battery and paint plants and the export elevator at Houston, Texas, and closed the Phillipsburg Refinery. Several companies were acquired in 1993 such as Tradigrain, National Beef, Supreme Feeders, and National Carriers. The first international office was opened in Mexico City (1993), the construction of an ammonia plant took place in Trinidad (1996), and a Farmland National Beef office opened in Tokyo (1998). Several Limited Liabilities Companies (LLC) were formed under Cleberg's tenure such as Livestock Services of Indiana, LLC (1996), Triton Tire \u0026amp; Battery, LLC (1997), Agriland Technologies, LLC (1998), Agrifarm Industries, LLC (1998), Triumph Pork Group, LLC (1999), and Rocky Mountain Milling, LLC (1999).\u003clb\u003e\u003c/lb\u003e Bob Honse became the president of Farmland Industries in 2000. In 2001, Farmland ranked #170 on the Fortune 500 company list. Its annual revenues were in excess of $11.8 billion. In 2002, the company had 16,000 employees and faced a liquidity crisis resulting from fluctuations in commodity prices and increased operational and capital costs as well as the tightening of credit terms from suppliers and increased demands from its stockholders. The company filed for Chapter 11 in May 2002. Farmland Foods, Inc., organized in 1970, produces, sells, and exports pork products in the United States and Internationally. In 2002, the pork processing division was sold to Smithfield Foods for $367 million, and in 2014, it was acquired by The Smithfield Packing Company. Farmland National Beef Packing Company was sold to U.S. Premium Beef for $232 million. The fertilizer production division was sold to Koch Industries and the company's refinery and coke-to-nitrogen fertilizer plant were sold to a hedge fund.\u003clb\u003e\u003c/lb\u003e On June 28, 2006, JPMorgan Bankruptcy \u0026amp; Settlement Services reported that all unsecured creditors were paid $1.04 for every dollar.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#normalized_title","type":"document_value","attributes":{"value":"Box 107, 1996","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#parent_labels","type":"document_value","attributes":{"value":["Farmland Industries, Inc., records, 1878, 1912-2004","Series 3: Farmland Industries, 1878, 1916, 1925-2004, undated"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#parent_ids","type":"document_value","attributes":{"value":["farmland-industries-inc-records","farmland-industries-inc-records_al_2616922c8a3b784cf1b804be6caede1894160c27"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#level","type":"document_value","attributes":{"value":"Other","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#collection_name","type":"document_value","attributes":{"value":"Farmland Industries, Inc., records, 1878, 1912-2004","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#eadid","type":"document_value","attributes":{"value":"farmland-industries-inc-records","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/farmland-industries-inc-records_al_f4d753465d781c2e7aa8088ce60aa4a8c3549217"}},{"id":"artifact-collection_al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7","type":"Box","attributes":{"title":"Box 14, 1965","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/artifact-collection_al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eItem 128: Plaque: Awarded to George L. Wasdworth - \"In Affectionate Appreciation of his Valued Services to Children with with Delayed Mental Development\" , June 2nd, 1965\u003cbr\u003eItem 129: Plaque: Wooden plaque with silver plate and silver triangular YMCA seal, \"Membership Leader 36-7 Ted Freeman-Harry Truby, 37-8 Ted Freeman\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/artifact-collection_al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7","ref_ssm":["al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7","al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7"],"id":"artifact-collection_al_2f0eee13f2b5aa6a16107ae08e3029733d93faa7","title_filing_ssi":"Box 14","title_ssm":["Box 14"],"title_tesim":["Box 14"],"unitdate_other_ssim":["1965"],"normalized_date_ssm":["1965"],"normalized_title_ssm":["Box 14, 1965"],"text":["Box 14, 1965","Artifact collection","unknA-A83412080478","1 Cubic Foot Box","Published","Item 128: Plaque: Awarded to George L. Wasdworth - \"In Affectionate Appreciation of his Valued Services to Children with with Delayed Mental Development\" , June 2nd, 1965 Item 129: Plaque: Wooden plaque with silver plate and silver triangular YMCA seal, \"Membership Leader 36-7 Ted Freeman-Harry Truby, 37-8 Ted Freeman\""],"component_level_isim":[1],"parent_ssi":"artifact-collection","parent_ids_ssim":["artifact-collection"],"parent_unittitles_ssm":["Artifact collection"],"parent_unittitles_tesim":["Artifact collection"],"parent_levels_ssm":["collection"],"unitid_ssm":["unknA-A83412080478"],"collection_ssim":["Artifact collection"],"physdesc_tesim":["1 Cubic Foot Box"],"creator_ssim":["Wadsworth, George L. Manhattan YMCA"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":100,"parent_access_restrict_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"parent_access_terms_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"date_range_isim":[1965],"name_ssim":["Wadsworth, George L.","Manhattan YMCA"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"scopecontent_html_tesm":["\u003cp\u003eItem 128: Plaque: Awarded to George L. Wasdworth - \"In Affectionate Appreciation of his Valued Services to Children with with Delayed Mental Development\" , June 2nd, 1965\u003clb/\u003eItem 129: Plaque: Wooden plaque with silver plate and silver triangular YMCA seal, \"Membership Leader 36-7 Ted Freeman-Harry Truby, 37-8 Ted Freeman\"\u003c/p\u003e"],"scopecontent_tesim":["Item 128: Plaque: Awarded to George L. Wasdworth - \"In Affectionate Appreciation of his Valued Services to Children with with Delayed Mental Development\" , June 2nd, 1965 Item 129: Plaque: Wooden plaque with silver plate and silver triangular YMCA seal, \"Membership Leader 36-7 Ted Freeman-Harry Truby, 37-8 Ted Freeman\""],"barcode_ssim":["Box 1|A13411848862","Box 3|A83412081903","Box 7|A13411848456","Box 10|A13411849282","Box 13|A13411848901","Box 15|A13411848838","Box 17|A13411848969","Box 19|A13411848943","Box 21|A83412078196","Box 23|A13411849240","Box 24|A13411849127","Box 28|A13411849169","Box 29|A83412078201","Box 30|A13411848587","Box 31|A13411848626","Box 35|A13411848448","Box 38|A83412142212","Box 36|A83412078811","Box 37|A83412078219","Box 12|A83412080486","Box 14|A83412080478","Box 18|A83412080460","Box 26|A83412142953","Box 25|A83412142961","Box 6|A13411848414","Box 5|A83412078316","Box 8|A83412068785","Box 34|A83412067836","Box 27|A83412160383","Box 43|A83412074914","Box 25|A83412142961","Box 40|A13441184830","Box 42|A83412154007","Box 41|A83412074906"],"barcode_tesim":["A13411848862","A83412081903","A13411848456","A13411849282","A13411848901","A13411848838","A13411848969","A13411848943","A83412078196","A13411849240","A13411849127","A13411849169","A83412078201","A13411848587","A13411848626","A13411848448","A83412142212","A83412066937","A83412078811","A81341185335","A83412144214","A83412078219","A83412080486","A83412080478","A83412080460","A83412142953","A83412142961","A13411848414","A83412078316","A83412068785","A83412068769","A83412067836","A83412160383","A83412074914","A83412142961","A13441184830","A83412154007","A83412074906"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eBox 14\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eBox 14\u003c/unittitle\u003e, 1965"],"parent_access_phystech_tesm":["\u003cp\u003eSome material in the artifact collection may have limted access due to delicate condition, or continued work to make material accessible after Hale Library's 2018 fire.\u003c/p\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#13","_nest_parent_":"artifact-collection","_root_":"artifact-collection","timestamp":"2026-04-30T11:30:49.148Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"artifact-collection","title_ssm":["Artifact collection"],"title_tesim":["Artifact collection"],"ead_ssi":"artifact-collection","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["unknA","86"],"text":["unknA","86","Artifact collection","Kansas State University history","Post-Fire Oversize Box Extent: Oversize Box 28 (19 x 23): 509: 20/22/4 Oversize Box 23 (19 x 23): 509: 20/22/4 Oversize Box 24 (19 x 23): 509: 20/22/4 Oversize Box 17 (19 x 23): 509: 20/22/4 Oversize Box 10 (19 x 23): 509: 20/22/4","No access restrictions: All materials are open for research.","Published","Some material in the artifact collection may have limted access due to delicate condition, or continued work to make material accessible after Hale Library's 2018 fire.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Disaster Recovery 2023 note: Box with barcode (A83412066937) contains four decorative plates with various images printed on them: K-State Agricultural College Football Team 1910; K-State Football Team 1905; First Mascot Boscoe, 1906-1913; K-State Football Team 1984. This box also contains Play Cards \"52 things to do before you graduate,\" which is also linked to U2010.07.  Box 36 (A83412078811) was added during disaster recovery and may need review. This box contains negatives.  Box with barcode (A13411853354) contains the Class Flag of 1901 artifact. ","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Home Economics","Sports Information","College of Human Ecology","Office of the President","Page Family","Smith, Bottomly \u0026 Lill Families","Hale Library","McCain, James A.","Lewis, Mrs. Francis","James, Russell E.","KSU Open House","Holton, Edwin L.","KSU Libraries","Eisenhower, \"Bud\"","Crawford, Anthony R.","Association of Residence Halls","Wadsworth, George L.","Manhattan YMCA","Hobrock, Brice","Friends of KSU Libraries","Crawford, Anthony R","KSU Facilities","Peine, Caroline F.","Pollock, Mary Helm","Holden, Gretchen","Burnett, Charles","Elder, Nelda","Boyd, Patricia","Greene, Kingsley","Adams, Roger","Schillie, Jane","University Libraries","Mamie Alexander Boyd","Huck Boyd","College of Home Economics","Sports Information","College of Human Ecology","Richard L. D. and Marjorie J. 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This box also contains Play Cards \"52 things to do before you graduate,\" which is also linked to U2010.07. \u003clb/\u003e \u003clb/\u003eBox 36 (A83412078811) was added during disaster recovery and may need review. This box contains negatives. \u003clb/\u003e \u003clb/\u003eBox with barcode (A13411853354) contains the Class Flag of 1901 artifact. \u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Disaster Recovery 2023 note: Box with barcode (A83412066937) contains four decorative plates with various images printed on them: K-State Agricultural College Football Team 1910; K-State Football Team 1905; First Mascot Boscoe, 1906-1913; K-State Football Team 1984. This box also contains Play Cards \"52 things to do before you graduate,\" which is also linked to U2010.07.  Box 36 (A83412078811) was added during disaster recovery and may need review. This box contains negatives.  Box with barcode (A13411853354) contains the Class Flag of 1901 artifact. "],"names_ssim":["Richard L. 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1969"],"unitdate_other_ssim":["1928 - 1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["3.4.2021.1"],"text":["3.4.2021.1","Louis Zukofsky papers, 1928 - 1969","1.00 Linear feet, 2.00 Boxes","No access restriction: All materials are open for research.","The papers of Louis Zukofsky (1928-1969) were purchased by Kansas State University Libraries in April 1984. Louis Zukofsky was an American poet, critic and translator. He was associated in the \"objectivist\" movement of the early 1930's and was thought of as a disciple of William Carlos Williams and Ezra Pound. The bulk of the collection contains correspondence from Zukofsky to Rene Taupin discussing mutual friends and documenting his career. The collection also offers insight into what life was like in the 1930's for a poet, economically and socially.","The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.","Louis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky’s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece “A.” From 1930 to 1931, he taught at the University of Wisconsin. In 1934, “Le Style Apollinaire,” a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work “A” 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works “Catallus Fragmenta” in 1968 and “Catallus” in 1969. Zukofsky died in 1978.","The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.","Published"," [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30","The Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts. They are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940). The correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky.","The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Zukofsky, Louis","Zukofsky, Louis"],"unitid_tesim":["3.4.2021.1"],"normalized_date_ssm":["1928 - 1969"],"normalized_title_ssm":["Louis Zukofsky papers, 1928 - 1969"],"collection_title_tesim":["Louis Zukofsky papers, 1928 - 1969"],"collection_ssim":["Louis Zukofsky papers, 1928 - 1969"],"creator_ssm":["Zukofsky, Louis"],"creator_ssim":["Zukofsky, Louis"],"creator_persname_ssim":["Zukofsky, Louis"],"creators_ssim":["Zukofsky, Louis"],"access_terms_ssm":["The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Method: Purchased. 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The collection also offers insight into what life was like in the 1930's for a poet, economically and socially."],"arrangement_html_tesm":["\u003cp\u003eThe papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.\u003c/p\u003e"],"arrangement_tesim":["The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eLouis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky\u0026#x2019;s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece \u0026#x201C;A.\u0026#x201D; From 1930 to 1931, he taught at the University of Wisconsin. In 1934, \u0026#x201C;Le Style Apollinaire,\u0026#x201D; a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work \u0026#x201C;A\u0026#x201D; 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works \u0026#x201C;Catallus Fragmenta\u0026#x201D; in 1968 and \u0026#x201C;Catallus\u0026#x201D; in 1969. Zukofsky died in 1978.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Louis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky’s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece “A.” From 1930 to 1931, he taught at the University of Wisconsin. In 1934, “Le Style Apollinaire,” a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work “A” 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works “Catallus Fragmenta” in 1968 and “Catallus” in 1969. Zukofsky died in 1978."],"custodhist_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.\u003c/p\u003e"],"custodhist_tesim":["The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published"," [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cindy Von Elling \u003clb\u003e\u003c/lb\u003eProcessing Info: Processing of the papers was completed by Cindy Von Elling in September 1994. \u003clb\u003e\u003c/lb\u003eContainer list updated by Cindy Harris and Helena Egbert, in 2021. \u003clb\u003e\u003c/lb\u003eArchon migration by Edward Nagurny, graduate research assistant, September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-06-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30"],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts.\u003clb\u003e\u003c/lb\u003eThey are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940).\u003clb\u003e\u003c/lb\u003eThe correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated.\u003clb\u003e\u003c/lb\u003eThe correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky.\u003c/p\u003e"],"scopecontent_tesim":["The Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts. They are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940). The correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Zukofsky, Louis","Zukofsky, Louis"],"corpname_ssim":["Richard L. D. and Marjorie J. 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papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Smith, Shirley","Smith, Shirley"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e, 1937-2011"],"hashed_id_ssi":"027975a66a085b04","_root_":"shirley-smith-papers","timestamp":"2026-04-30T11:33:43.480Z","arrangement_html_tesm":["\u003cp\u003eThe collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#normalized_title","type":"document_value","attributes":{"value":"Box 4","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 5: Literary Works"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#level","type":"document_value","attributes":{"value":"Other","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7"}},{"id":"phi-beta-sigma-fraternity-records_al_495af41d334998a7b715d52b4cb467a5ccb22a15","type":"Other","attributes":{"title":"Box 6: Yearbooks, 1920-1927; 1931-1932; 1949; 1952; 1965","breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/phi-beta-sigma-fraternity-records_al_495af41d334998a7b715d52b4cb467a5ccb22a15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_495af41d334998a7b715d52b4cb467a5ccb22a15","ref_ssm":["al_495af41d334998a7b715d52b4cb467a5ccb22a15","al_495af41d334998a7b715d52b4cb467a5ccb22a15"],"id":"phi-beta-sigma-fraternity-records_al_495af41d334998a7b715d52b4cb467a5ccb22a15","title_filing_ssi":"Box 6: Yearbooks","title_ssm":["Box 6: Yearbooks"],"title_tesim":["Box 6: Yearbooks"],"unitdate_other_ssim":["1920-1927; 1931-1932; 1949; 1952; 1965"],"normalized_date_ssm":["1920-1927; 1931-1932; 1949; 1952; 1965"],"normalized_title_ssm":["Box 6: Yearbooks, 1920-1927; 1931-1932; 1949; 1952; 1965"],"text":["Box 6: Yearbooks, 1920-1927; 1931-1932; 1949; 1952; 1965","Phi Beta Sigma Fraternity records, 1917–2017","Series 2: Kevin A. 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Christian series), P2007.06 (Frank Marshall Davis series), U2015.22, and 2017-18.042.","Published","[Item title], [item date], Phi Beta Sigma Fraternity collection, [Series name], Box [number], Folder [number or title ], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris and Natalie Smith  Processing Info: Processor Cynthia Harris rehoused collection and updated description in 2015, and student assistant Natalie Smith updated container list in 2017. University archivist Cliff Hight reviewed it in 2017.  Publication Date: 2017-08-25","The collection is composed of materials relating to the Phi Beta Sigma fraternity, and the Delta chapter located at Kansas State University. A portion of the collection is devoted to chapter member Frank Marshall Davis, which includes three of his publications and correspondence between Davis and Kansas State University faculty member, Carol E. Oukrop. The chapter materials also include exhibit contents of physical items and web archives of a later online exhibit. The collection also has some of Phi Beta Sigma's Conclave programs, their national publication, The Crescent, and multiple yearbooks featuring Phi Beta Sigma members. Additional items include group photographs of the Alpha Sigma chapter, artifacts from previous conclaves, and a large Phi Beta Sigma banner. Another item of note is the George A. Parker scrapbook; Parker was a delegate to the 1964 Republican National Convention.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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