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Specializing in unfair lending practices, these papers contain the memos, reports, web data administration, correspondence (emails and letters), grant proposals, meeting minutes, legal agreements, artifacts, publicity (print and electronic), trademark certificates, and research of a non-profit organization (NPO). Some of the subjects include specious credit card payment schemes, mortgage lending, refund anticipation loans, and pay-day loans as well as both student and military family loans. The papers also include the organization's relationship with the Association of Community Organizations for Reform Now (ACORN), NCLC, Housing and Economic Rights Advocates (HERA), Care 2, the Consumer Federation of America (CFA), the Annie Casey Foundation, AARP, Americans for Financial Reform (AFR), the Sunlight Foundation, the National Endowment for Financial Education (NEFE), the Ford Foundation, the National Council of La Raza, the Federal Reserve Board, the National Association for the Advancement of Colored People (NAACP), the National Association of Consumer Advocates (NACA), Travis Plunket, and Elizabeth Warren.","The collection is organized into four series: 1) Administrative Files; 2) Meetings; 3) Research; 4) Publicity.","The Americans for Fairness in Lending Records has been assigned Accession Number P2011.03","Published","Preferred Citation: [Item title], [item date], Americans for Fairness in Lending Practices papers, Box [number], Folder [number or title], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: P Thomsen (April 2011)  Processing Info: Archon Processing by Edward Nagurny, graduate research assistant, April 2015.   HTML finding aid written by P. Thomsen 11 April 2011.","The Americans for Fairness in Lending (AFFIL) records (2000-2010) consists primarily of memos, reports, web data administration, research correspondence (emails and letters), artifacts, and publicity (print and electronic) generated by a non-profit organization (NPO) underwritten primally by large grants from the Beldon Russonello \u0026 Stewart, Ford, and the Annie Casey Foundation to advocate for changes in state and federal laws governing business lending practice. The records, collected into seven boxes, have been arranged to reflect the organization's multifaceted public relations campaign against unfair lending practices in tandem with consumer state and national-level events, including the release of independent film documentaries, the rise of social media programs, the 2008 presidential election, the 2009 Credit Card Accountability Responsibility and Disclosure (CARD) Act and the 2010 passage of the Dodd-Frank Bill, which created the federal Consumer Protection Bureau. The Administrative Files Series (2004-2010) consists of two boxes of correspondence (print and email), handbooks, grant applications, meeting minutes, letters of agreement, and employee notes relating to organizational growth. They are arranged in alphabetical order by subject. Some noteworthy items relating to the internal structure of the organization, including the \"All About AFFIL\" handbook, the search for outside funders, notes relating to conference calls with consumer movement experts, and the organization's strategic plan for the 2008 election cycle. Another key feature of this series includes AFFIL's agreements with the Ford Foundation, the public relations firm of Benesen Jansen Advertizing, the National Consumer Law Center, and Public Interest Research Group (PIRG) project agreements. Finally, researchers of social media, such as Youtube and blogs, will also find several topics in this series of special interest, including the development of the organization's website, the tracking of web statistics, the creation of electronic contented targeting internet users, and the on-line outreach initiatives. The Meetings Series (2005-2010) spans two boxes arranged in alphabetical order by subject and by date, containing correspondence, notes, and annotated research utilized in the planning and execution of discussions concerning different issues concerning the organization. The majority of the files in this series concern the formulation and execution of AFFIL's public interest policies. Several folders relate to the division of administrative tasks and the formation of business policies for committee assignments, partners, contractors, consultants, the press, and the general consumer movement community, including AFFIL's general principles, field outreach strategy sessions as well as staff meetings and periodic discussions with the National Consumer Law Center. Other files contain documentation related to the organization's periodic updates to funders concerning their ongoing activities, including the Ford Foundation and the Annie Casey Foundation. Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out. Other sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers. The Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data. Arranged in alphabetical order by date, these files comprise the heart of the collection, revealing the sources, data, and political focus of the Americans for Fairness in Lending. Some folders contain information generated by the United States government, including the Federal Reserve Board, National Usury Cap Legislation, S.500, 2009, and the California Reinvestment Act. Other folders collect documents relating to different aspects of credit card and intermediary lending company operations, including Fannie Mae, Freddie Mac, medical debt, the Navy Federal Credit Union, the case files of a whistleblower, witnesses, and victims, Ritzen v Chase court files, and a brief history of the practice of usury. Still, other folders collect lending information generated by the entertainment industry, consumer groups, and noted AFFIL associates, including the television show Boston Legal, ACORN, AARP, the Legal Aid Society, the NAACP, the National Community Reinvestment Coalition, and the Consumer Federation of American. Several folders also contain information collected by AFFIL contractors, including focus group data, Kansas district voting patterns, marketing statistics, and targeted population demographics. Finally, this series also contains accumulated consumer lessons from different sources on a wide variety of topics, including Christmas holiday tips, lending and collection abuse guides, mortgage advise, student loans, and payday provisions. The Publicity Series spans three boxes, collecting the artifacts, posters, and media related to the organization's public relations campaigns. Several folders collect documents generated for Maxed Out Screenings, including fliers, questionnaires, house party lists. Other files hold fact cards, business cards, fliers, press kits, and reports, which AFFIL distributed at consumer conferences. Some of the artifacts collected in this series also include promotional folders, hats, and visors. The strength of this series, however, remains the collection of DVD, CD, microcassette, VHS recordings of AFFIL videos and advocate interviews on several news magazine programs, including Nightline, Fox Business, and 60 Minutes. Finally, a number of small and large posters depicting lending and mortgage horror stories featured as part of AFFIL's on-going campaigns have been retained for preservation in this series. P. Thomsen April 6, 2011 Rev. 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Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out. Other sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers. The Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data. Arranged in alphabetical order by date, these files comprise the heart of the collection, revealing the sources, data, and political focus of the Americans for Fairness in Lending. Some folders contain information generated by the United States government, including the Federal Reserve Board, National Usury Cap Legislation, S.500, 2009, and the California Reinvestment Act. Other folders collect documents relating to different aspects of credit card and intermediary lending company operations, including Fannie Mae, Freddie Mac, medical debt, the Navy Federal Credit Union, the case files of a whistleblower, witnesses, and victims, Ritzen v Chase court files, and a brief history of the practice of usury. Still, other folders collect lending information generated by the entertainment industry, consumer groups, and noted AFFIL associates, including the television show Boston Legal, ACORN, AARP, the Legal Aid Society, the NAACP, the National Community Reinvestment Coalition, and the Consumer Federation of American. Several folders also contain information collected by AFFIL contractors, including focus group data, Kansas district voting patterns, marketing statistics, and targeted population demographics. Finally, this series also contains accumulated consumer lessons from different sources on a wide variety of topics, including Christmas holiday tips, lending and collection abuse guides, mortgage advise, student loans, and payday provisions. The Publicity Series spans three boxes, collecting the artifacts, posters, and media related to the organization's public relations campaigns. Several folders collect documents generated for Maxed Out Screenings, including fliers, questionnaires, house party lists. Other files hold fact cards, business cards, fliers, press kits, and reports, which AFFIL distributed at consumer conferences. Some of the artifacts collected in this series also include promotional folders, hats, and visors. The strength of this series, however, remains the collection of DVD, CD, microcassette, VHS recordings of AFFIL videos and advocate interviews on several news magazine programs, including Nightline, Fox Business, and 60 Minutes. Finally, a number of small and large posters depicting lending and mortgage horror stories featured as part of AFFIL's on-going campaigns have been retained for preservation in this series. P. Thomsen April 6, 2011 Rev. 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29 (16.5x20.5); 509S: 20/29/5","No access restriction: All materials are open for research.","The Records document the 120-year milling history of the Robertson Corporation.","The Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts.","The Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed “glue-extender” flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product “Triple-R” was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family.","It received accession number P2007.08.","Published","Preferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Paul Harris  Processing Info: The collection was processed by Paul Harris, Student Processor, in 2010.   Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-09-01","The Correspondence Series is comprised of two boxes that extend over an 81-year period, starting in 1913 and ending in 2004 and arranged in alphabetical order. Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company’s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.  The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.  Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).  The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation’s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.  The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.  Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.  The Artifacts are stored within the department's Artifact Collection. Box 40 in this inventory lists the artifacts.","The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roberston Corporation","Roberston Corporation","English","Latin"],"unitid_tesim":["P2007.08","222"],"normalized_date_ssm":["1874-2009"],"normalized_title_ssm":["Robertson Corporation records, 1874-2009"],"collection_title_tesim":["Robertson Corporation records, 1874-2009"],"collection_ssim":["Robertson Corporation records, 1874-2009"],"creator_ssm":["Roberston Corporation"],"creator_ssim":["Roberston Corporation"],"creator_corpname_ssim":["Roberston Corporation"],"creators_ssim":["Roberston Corporation"],"access_terms_ssm":["The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Phil and Joe Robertson Acqusition Method: Donation Acqusition Date: 20070101"],"access_subjects_ssim":["Farming and ranching"],"access_subjects_ssm":["Farming and ranching"],"has_online_content_ssim":["false"],"physdesc_tesim":["23.00 Linear Feet, 40.00 boxes Post-Fire Oversize Boxes: Box 26 (10.5x13), 509S: 19/13/4 27 (10x13), (16.5x20.5); 509S: 19/6/4 Box 29 (16.5x20.5); 509S: 20/29/5"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eThe Records document the 120-year milling history of the Robertson Corporation.\u003c/p\u003e"],"appraisal_tesim":["The Records document the 120-year milling history of the Robertson Corporation."],"arrangement_html_tesm":["\u003cp\u003eThe Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts.\u003c/p\u003e"],"arrangement_tesim":["The Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed \u0026#x201C;glue-extender\u0026#x201D; flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product \u0026#x201C;Triple-R\u0026#x201D; was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed “glue-extender” flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product “Triple-R” was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2007.08.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2007.08."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2007-08.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2007-08.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Paul Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Paul Harris, Student Processor, in 2010. \u003clb\u003e\u003c/lb\u003e Archon migration by Edward Nagurny, graduate research assistant, September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-09-01\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Paul Harris  Processing Info: The collection was processed by Paul Harris, Student Processor, in 2010.   Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-09-01"],"scopecontent_tesim":["The Correspondence Series is comprised of two boxes that extend over an 81-year period, starting in 1913 and ending in 2004 and arranged in alphabetical order. Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company’s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.  The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.  Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).  The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation’s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.  The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.  Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.  The Artifacts are stored within the department's Artifact Collection. Box 40 in this inventory lists the artifacts."],"userestrict_html_tesm":["\u003cp\u003eThe researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roberston Corporation","Roberston Corporation"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roberston Corporation","Roberston Corporation"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1546,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eRobertson Corporation records\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003ePreferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eRobertson Corporation records\u003c/unittitle\u003e, 1874-2009"],"hashed_id_ssi":"438213c567253ea5","_root_":"robertson-corporation-records-2","timestamp":"2026-05-03T11:32:13.947Z","scopecontent_html_tesm":["\u003cp\u003eThe Correspondence Series is comprised of two boxes that extend over an 81-year period, starting in 1913 and ending in 2004 and arranged in alphabetical order. Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company\u0026#x2019;s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.\u003clb\u003e\u003c/lb\u003e The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.\u003clb\u003e\u003c/lb\u003e Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).\u003clb\u003e\u003c/lb\u003e The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation\u0026#x2019;s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.\u003clb\u003e\u003c/lb\u003e The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.\u003clb\u003e\u003c/lb\u003e Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.\u003clb\u003e\u003c/lb\u003e The Artifacts are stored within the department's Artifact Collection. Box 40 in this inventory lists the artifacts.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#normalized_title","type":"document_value","attributes":{"value":"Folder 8: Siemer Milling, Richard Siemer, 2004 January 30","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#parent_labels","type":"document_value","attributes":{"value":["Robertson Corporation records, 1874-2009","Series 1: Correspondence, 1913-2004, undated","Box 2, 1933-2004"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#parent_ids","type":"document_value","attributes":{"value":["robertson-corporation-records-2","robertson-corporation-records-2_al_9c4e84c284385184b7e3548ebe2a81a9df522a67","robertson-corporation-records-2_al_2e8be07010c4244a8a5d2fba787ef7d7b98ed667"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#collection_name","type":"document_value","attributes":{"value":"Robertson Corporation records, 1874-2009","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#eadid","type":"document_value","attributes":{"value":"robertson-corporation-records-2","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/robertson-corporation-records-2_al_8557c14e8751bdbeb8b14e0d98f458fb6c60173e"}},{"id":"louis-s-meyer-papers_al_b90fcffedd27b312da744b10136198c17d8b2582","type":"File","attributes":{"title":"Folder 9: Articles: Magazine/Journal","breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/louis-s-meyer-papers_al_b90fcffedd27b312da744b10136198c17d8b2582#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_b90fcffedd27b312da744b10136198c17d8b2582","ref_ssm":["al_b90fcffedd27b312da744b10136198c17d8b2582","al_b90fcffedd27b312da744b10136198c17d8b2582"],"id":"louis-s-meyer-papers_al_b90fcffedd27b312da744b10136198c17d8b2582","title_filing_ssi":"Folder 9: Articles: Magazine/Journal","title_ssm":["Folder 9: Articles: Magazine/Journal"],"title_tesim":["Folder 9: Articles: Magazine/Journal"],"normalized_title_ssm":["Folder 9: Articles: Magazine/Journal"],"text":["Folder 9: Articles: Magazine/Journal","Louis S. 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Meyer papers"],"title_tesim":["Louis S. Meyer papers"],"ead_ssi":"louis-s-meyer-papers","unitdate_ssm":["1973-1986"],"unitdate_other_ssim":["1973-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P1988.30","186"],"text":["P1988.30","186","Louis S. Meyer papers, 1973-1986","Consumer movement","36.00 Linear Feet","All materials are open for research.","This collection is organized into four series; 1) legislative and consumer issues, 2) organizational files of the conference of Consumer Organizations (COCO), 3) the relationship between COCO and the telecommunication industry, primarily with the American Telephone and Telegraph Company (AT\u0026T) and, 4) audiovisual material.","Louis S. Meyer was born in Erie, Pennsylvania in 1925. He served in the United States Coast Guard from 1943 to 1946. In 1949, Meyer earned a B.A. degree from Allegheny College, PA. From 1949 to 1956 he worked as Department Manager and Buyer for P.A. Meyer and Sons in Erie, PA. In 1958, Meyer married Kay Elsie Lawrence. From 1958 to 1959, he served on the Board of Directors, Greater Erie Industrial Development Corporation. Meyer was a graduate assistant in the Political Science Department, Arizona State University from 1960 to 1961. He became a research assistant with the Bureau of Government Research at Arizona State University in 1961 and worked there until he graduated with a M. A. degree in 1962. Meyer joined the faculty at University of Arizona in 1963 and served as faculty at AFL-CIO Labor School in Arizona from 1963 until 1964. In 1964, he earned a PhD degree from University of Arizona. He became Assistant Professor at Arizona State University in 1964 and served in that capacity until 1965 when he became the Administrative Assistant to Governor Samuel Goddard of Arizona. In 1966, Meyer accepted a position as Assistant Professor at the University of Wyoming. Meyer became State Coordinator, Shields for Governor in Arizona in 1968. In 1968, Meyer accepted a position as Professor at Edinboro State College in Pennsylvania. While at Edinboro State College he worked as Director of the Bureau of Government Services (1970-1973) and Director of the Institute for Community Services (1974-1983). During his tenure at Edinboro, Meyer served as a member of the National Joint Panel Conference of Consumer Organizations and Direct Selling Association (1975-1977), as member and chairman of National Joint Panel, Conference of Consumer Organizations (COCO) and American Telephone and Telegraph Company (AT\u0026T) (1975-1985), as chairman of the National Steering Committee of COCO (1977-1985), as member and chairman of Consumer Advisory Council Pennsylvania Power and Light Company (1978), as member and co-chair of the Commonwealth Joint Panel, Pennsylvania Citizens Consumer Council/Bell Telephone of PA (1978), as member of the National Advertising Review Board, Council of Better Business Bureaus, Washington, D.C. (1982), and as moderator of 36 conferences on Deregulation and Divestiture of the Telecommunications Industry (1982-1983). Meyer became Director of the Pennsylvania Institute for Community Services in Edinboro, Pennsylvania, in 1983, and then President of the Pennsylvania Citizens Consumer Council in 1984. He died on February 5, 2003, in Cambridge Springs, Pennsylvania.","Published","[Item title], [item date], Louis S. Meyer papers, Box [number], Folder [number or title], Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections, Kansas State University Libraries.","Lynda L. Bachelor processed the collection and completed it in June 1988. Format migration to an archival collection management system by graduate assistant Edward Nagurny in May 2015.","The Louis S. Meyer papers reflect the varied consumer interests and activities Louis S. Meyer participated in from 1969-1986. His involvement in the consumer movement began as a successful businessman. With a degree in political science, he pursued a political life as a state campaign coordinator and became an expert in government and community interrelationships. With this latter expertise, Meyer became the consumer advisor and moderator for conferences held on the deregulation of the telecommunications industry. The first series of the collection demonstrates Meyer's concern with various consumer and legislative issues, such as medical malpractice reports, health and nutrition pamphlets, transcribed lectures on children's television advertising, pamphlets on the national use of the metric system, and the Universal Product Code for pricing. His interest in rural and utility legislation led to a close contact with Senator Lee Metcalf of Montana who pursued such legislative acts as the Family Farm Development Act, the National Electrical Energy Conservation Act, and the Consumer Representation Plan of 1975-1976. This close contact is seen by the correspondence in the series with the Senator and the numerous Congressional Records found in the collection. In 1975, Meyer became an active member of COCO and later held numerous administrative positions with the organization. The second series contain organizational files from COCO which includes annual and financial reports, memberships lists, and minutes from the Steering Committee from 1976-1985. In this series, there is extensive conference material the donor collected and filed in notebooks. The conference material has been removed from the notebooks and filed in folders and boxes according to its original order. The third series contains the bulk of the collection and documents the important role COCO and Meyer played in advising AT\u0026T on consumer/community relations during the deregulation of 1979-1986. This series is divided into five sub-series; 1) conferences on deregulation, 2) Joint Consumer Advisory Panel Meetings, 3) reports and transcribed lectures concerning telecommunications, 4) information from other telecommunications companies, 5) judicial information and government documents. Community impact conferences were held on deregulation throughout the United States in 1982-1983. Meyer monitored the conferences and compiled material from each of these conferences. This material has been kept intact and is largely made up of pamphlets, agendas and reports. COCO and AT\u0026T organized a Joint Consumer Advisory Panel in 1975 which met on a regular basis until 1985. All correspondence, minutes, and agendas have been placed in chronological order and maintained as Meyer had compiled it. The collection contains numerous reports and transcribed lectures on telecommunication legislation and deregulation from 1979-1986. The processor placed these within the third sub-series due to related content. COCO advised other telecommunication companies. The fourth sub-series documents the advisory meetings between companies including ATTIX, NACAA, and API, Southern New England Telephone, and PCC from 1980-1984. The agendas and minutes of these meetings are within this sub-series. The final sub-series contains various judicial and government documents. The judicial information describes court cases of Western Electric (1982) and the New England Telephone and Telegraph (1983). There are Federal Communication Commission hearings concerning different telecommunication topics such as customer equipment and services, AT\u0026T regulation of domestic and interstate services, and the MTS and WATS structure inquiry. This sub-series also contains legislative acts and bills including the Communications Act of 1978, Telecommunications/ Deregulations Act of 1981 and 1982 with their respective amendments, the Disabled Act of 1982, and various unnamed bills H.R. 13015, H.R. 4102 and 4103, H.R. 5421, and H.R. 6121. The fourth series is audio-visual material and contains recordings of audio and video cassettes. The audio cassettes are 60- and 90- minute tapes of various speakers at the Food and Education Conference (1974), Erie Consumer Credit (1976), COCO Internship Conference (1976), Utility and Energy Conference (1976), the Legislative and Regulatory Process Workshops (1976), and the Consumer Protection Conference (1977). There are also recorded lectures by Meyer on subjects such as the future of rural America, the food industry, and consumer protection. The video cassettes' are primarily concerned with the telecommunications industry. Some deal with public relations, others are recorded interviews, still, others are speakers at a utility conference. A 30 minute 16mm film, produced by COCO, called \"Keeping Up With Technology\" is also found in this series.","The researcher assumes full responsibility for all copyright, property, and libel laws as they apply. The literary rights of the unpublished writings of Louis Meyer have been transferred to the Consumer Movement Archives at Kansas State University Libraries.","Box B1 and B2 are unprocessed. ","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Meyer, Louis S.","Meyer, Louis S.","English","Latin"],"unitid_tesim":["P1988.30","186"],"normalized_date_ssm":["1973-1986"],"normalized_title_ssm":["Louis S. Meyer papers, 1973-1986"],"collection_title_tesim":["Louis S. Meyer papers, 1973-1986"],"collection_ssim":["Louis S. 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Meyer was born in Erie, Pennsylvania in 1925. He served in the United States Coast Guard from 1943 to 1946. In 1949, Meyer earned a B.A. degree from Allegheny College, PA. From 1949 to 1956 he worked as Department Manager and Buyer for P.A. Meyer and Sons in Erie, PA.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn 1958, Meyer married Kay Elsie Lawrence. From 1958 to 1959, he served on the Board of Directors, Greater Erie Industrial Development Corporation. Meyer was a graduate assistant in the Political Science Department, Arizona State University from 1960 to 1961. He became a research assistant with the Bureau of Government Research at Arizona State University in 1961 and worked there until he graduated with a M. A. degree in 1962.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMeyer joined the faculty at University of Arizona in 1963 and served as faculty at AFL-CIO Labor School in Arizona from 1963 until 1964. In 1964, he earned a PhD degree from University of Arizona. He became Assistant Professor at Arizona State University in 1964 and served in that capacity until 1965 when he became the Administrative Assistant to Governor Samuel Goddard of Arizona. In 1966, Meyer accepted a position as Assistant Professor at the University of Wyoming. Meyer became State Coordinator, Shields for Governor in Arizona in 1968.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn 1968, Meyer accepted a position as Professor at Edinboro State College in Pennsylvania. While at Edinboro State College he worked as Director of the Bureau of Government Services (1970-1973) and Director of the Institute for Community Services (1974-1983). During his tenure at Edinboro, Meyer served as a member of the National Joint Panel Conference of Consumer Organizations and Direct Selling Association (1975-1977), as member and chairman of National Joint Panel, Conference of Consumer Organizations (COCO) and American Telephone and Telegraph Company (AT\u0026amp;T) (1975-1985), as chairman of the National Steering Committee of COCO (1977-1985), as member and chairman of Consumer Advisory Council Pennsylvania Power and Light Company (1978), as member and co-chair of the Commonwealth Joint Panel, Pennsylvania Citizens Consumer Council/Bell Telephone of PA (1978), as member of the National Advertising Review Board, Council of Better Business Bureaus, Washington, D.C. (1982), and as moderator of 36 conferences on Deregulation and Divestiture of the Telecommunications Industry (1982-1983).\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMeyer became Director of the Pennsylvania Institute for Community Services in Edinboro, Pennsylvania, in 1983, and then President of the Pennsylvania Citizens Consumer Council in 1984. He died on February 5, 2003, in Cambridge Springs, Pennsylvania.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Louis S. Meyer was born in Erie, Pennsylvania in 1925. He served in the United States Coast Guard from 1943 to 1946. In 1949, Meyer earned a B.A. degree from Allegheny College, PA. From 1949 to 1956 he worked as Department Manager and Buyer for P.A. Meyer and Sons in Erie, PA. In 1958, Meyer married Kay Elsie Lawrence. From 1958 to 1959, he served on the Board of Directors, Greater Erie Industrial Development Corporation. Meyer was a graduate assistant in the Political Science Department, Arizona State University from 1960 to 1961. He became a research assistant with the Bureau of Government Research at Arizona State University in 1961 and worked there until he graduated with a M. A. degree in 1962. Meyer joined the faculty at University of Arizona in 1963 and served as faculty at AFL-CIO Labor School in Arizona from 1963 until 1964. In 1964, he earned a PhD degree from University of Arizona. He became Assistant Professor at Arizona State University in 1964 and served in that capacity until 1965 when he became the Administrative Assistant to Governor Samuel Goddard of Arizona. In 1966, Meyer accepted a position as Assistant Professor at the University of Wyoming. Meyer became State Coordinator, Shields for Governor in Arizona in 1968. In 1968, Meyer accepted a position as Professor at Edinboro State College in Pennsylvania. While at Edinboro State College he worked as Director of the Bureau of Government Services (1970-1973) and Director of the Institute for Community Services (1974-1983). During his tenure at Edinboro, Meyer served as a member of the National Joint Panel Conference of Consumer Organizations and Direct Selling Association (1975-1977), as member and chairman of National Joint Panel, Conference of Consumer Organizations (COCO) and American Telephone and Telegraph Company (AT\u0026T) (1975-1985), as chairman of the National Steering Committee of COCO (1977-1985), as member and chairman of Consumer Advisory Council Pennsylvania Power and Light Company (1978), as member and co-chair of the Commonwealth Joint Panel, Pennsylvania Citizens Consumer Council/Bell Telephone of PA (1978), as member of the National Advertising Review Board, Council of Better Business Bureaus, Washington, D.C. (1982), and as moderator of 36 conferences on Deregulation and Divestiture of the Telecommunications Industry (1982-1983). Meyer became Director of the Pennsylvania Institute for Community Services in Edinboro, Pennsylvania, in 1983, and then President of the Pennsylvania Citizens Consumer Council in 1984. He died on February 5, 2003, in Cambridge Springs, Pennsylvania."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Louis S. Meyer papers, Box [number], Folder [number or title], Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Louis S. Meyer papers, Box [number], Folder [number or title], Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eLynda L. 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The first series of the collection demonstrates Meyer's concern with various consumer and legislative issues, such as medical malpractice reports, health and nutrition pamphlets, transcribed lectures on children's television advertising, pamphlets on the national use of the metric system, and the Universal Product Code for pricing. His interest in rural and utility legislation led to a close contact with Senator Lee Metcalf of Montana who pursued such legislative acts as the Family Farm Development Act, the National Electrical Energy Conservation Act, and the Consumer Representation Plan of 1975-1976. This close contact is seen by the correspondence in the series with the Senator and the numerous Congressional Records found in the collection. In 1975, Meyer became an active member of COCO and later held numerous administrative positions with the organization. The second series contain organizational files from COCO which includes annual and financial reports, memberships lists, and minutes from the Steering Committee from 1976-1985. In this series, there is extensive conference material the donor collected and filed in notebooks. The conference material has been removed from the notebooks and filed in folders and boxes according to its original order. The third series contains the bulk of the collection and documents the important role COCO and Meyer played in advising AT\u0026T on consumer/community relations during the deregulation of 1979-1986. This series is divided into five sub-series; 1) conferences on deregulation, 2) Joint Consumer Advisory Panel Meetings, 3) reports and transcribed lectures concerning telecommunications, 4) information from other telecommunications companies, 5) judicial information and government documents. Community impact conferences were held on deregulation throughout the United States in 1982-1983. Meyer monitored the conferences and compiled material from each of these conferences. This material has been kept intact and is largely made up of pamphlets, agendas and reports. COCO and AT\u0026T organized a Joint Consumer Advisory Panel in 1975 which met on a regular basis until 1985. All correspondence, minutes, and agendas have been placed in chronological order and maintained as Meyer had compiled it. The collection contains numerous reports and transcribed lectures on telecommunication legislation and deregulation from 1979-1986. The processor placed these within the third sub-series due to related content. COCO advised other telecommunication companies. The fourth sub-series documents the advisory meetings between companies including ATTIX, NACAA, and API, Southern New England Telephone, and PCC from 1980-1984. The agendas and minutes of these meetings are within this sub-series. The final sub-series contains various judicial and government documents. The judicial information describes court cases of Western Electric (1982) and the New England Telephone and Telegraph (1983). There are Federal Communication Commission hearings concerning different telecommunication topics such as customer equipment and services, AT\u0026T regulation of domestic and interstate services, and the MTS and WATS structure inquiry. This sub-series also contains legislative acts and bills including the Communications Act of 1978, Telecommunications/ Deregulations Act of 1981 and 1982 with their respective amendments, the Disabled Act of 1982, and various unnamed bills H.R. 13015, H.R. 4102 and 4103, H.R. 5421, and H.R. 6121. The fourth series is audio-visual material and contains recordings of audio and video cassettes. The audio cassettes are 60- and 90- minute tapes of various speakers at the Food and Education Conference (1974), Erie Consumer Credit (1976), COCO Internship Conference (1976), Utility and Energy Conference (1976), the Legislative and Regulatory Process Workshops (1976), and the Consumer Protection Conference (1977). There are also recorded lectures by Meyer on subjects such as the future of rural America, the food industry, and consumer protection. The video cassettes' are primarily concerned with the telecommunications industry. Some deal with public relations, others are recorded interviews, still, others are speakers at a utility conference. A 30 minute 16mm film, produced by COCO, called \"Keeping Up With Technology\" is also found in this series."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for all copyright, property, and libel laws as they apply. The literary rights of the unpublished writings of Louis Meyer have been transferred to the Consumer Movement Archives at Kansas State University Libraries.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for all copyright, property, and libel laws as they apply. The literary rights of the unpublished writings of Louis Meyer have been transferred to the Consumer Movement Archives at Kansas State University Libraries."],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003eBox B1 and B2 are unprocessed. \u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Box B1 and B2 are unprocessed. "],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Meyer, Louis S.","Meyer, Louis S."],"corpname_ssim":["Richard L. D. and Marjorie J. 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Meyer papers\u003c/unittitle\u003e, 1973-1986"],"hashed_id_ssi":"79483e92576aa262","_root_":"louis-s-meyer-papers","timestamp":"2026-05-03T11:37:58.716Z","scopecontent_html_tesm":["\u003cp\u003eThe Louis S. Meyer papers reflect the varied consumer interests and activities Louis S. Meyer participated in from 1969-1986. His involvement in the consumer movement began as a successful businessman. With a degree in political science, he pursued a political life as a state campaign coordinator and became an expert in government and community interrelationships. With this latter expertise, Meyer became the consumer advisor and moderator for conferences held on the deregulation of the telecommunications industry.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe first series of the collection demonstrates Meyer's concern with various consumer and legislative issues, such as medical malpractice reports, health and nutrition pamphlets, transcribed lectures on children's television advertising, pamphlets on the national use of the metric system, and the Universal Product Code for pricing. His interest in rural and utility legislation led to a close contact with Senator Lee Metcalf of Montana who pursued such legislative acts as the Family Farm Development Act, the National Electrical Energy Conservation Act, and the Consumer Representation Plan of 1975-1976. This close contact is seen by the correspondence in the series with the Senator and the numerous Congressional Records found in the collection. In 1975, Meyer became an active member of COCO and later held numerous administrative positions with the organization.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe second series contain organizational files from COCO which includes annual and financial reports, memberships lists, and minutes from the Steering Committee from 1976-1985. In this series, there is extensive conference material the donor collected and filed in notebooks. The conference material has been removed from the notebooks and filed in folders and boxes according to its original order.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe third series contains the bulk of the collection and documents the important role COCO and Meyer played in advising AT\u0026amp;T on consumer/community relations during the deregulation of 1979-1986. This series is divided into five sub-series; 1) conferences on deregulation, 2) Joint Consumer Advisory Panel Meetings, 3) reports and transcribed lectures concerning telecommunications, 4) information from other telecommunications companies, 5) judicial information and government documents. Community impact conferences were held on deregulation throughout the United States in 1982-1983. Meyer monitored the conferences and compiled material from each of these conferences. This material has been kept intact and is largely made up of pamphlets, agendas and reports. COCO and AT\u0026amp;T organized a Joint Consumer Advisory Panel in 1975 which met on a regular basis until 1985. All correspondence, minutes, and agendas have been placed in chronological order and maintained as Meyer had compiled it. The collection contains numerous reports and transcribed lectures on telecommunication legislation and deregulation from 1979-1986. The processor placed these within the third sub-series due to related content. COCO advised other telecommunication companies.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe fourth sub-series documents the advisory meetings between companies including ATTIX, NACAA, and API, Southern New England Telephone, and PCC from 1980-1984. The agendas and minutes of these meetings are within this sub-series. The final sub-series contains various judicial and government documents. The judicial information describes court cases of Western Electric (1982) and the New England Telephone and Telegraph (1983). There are Federal Communication Commission hearings concerning different telecommunication topics such as customer equipment and services, AT\u0026amp;T regulation of domestic and interstate services, and the MTS and WATS structure inquiry. 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papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#normalized_title","type":"document_value","attributes":{"value":"Folder 9: Ch 2 Draft","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 5: Literary Works","Box 5","Sub-Series 4: Memoirs: \"I'm Off to Catch the Sunset\""],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd","shirley-smith-papers_al_64a06967b87f65a217038f0535b307b3526259e4","shirley-smith-papers_al_dfa03f20d2d4daf14961349778488d9dc2744482"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_72c6c6585b381058523dc55247b643a858df96fe"}},{"id":"manuscript-cookbook-collection_al_caab594b88fcccc32ed29b19168310d55dad2552","type":"Item","attributes":{"title":"Item 103: Blake, Mrs. Frank D. 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collection is arranged in five boxes. Box one consists of documents and boxes two through five are made up of scrapbooks.","Mary Louise (Lou) Wilkins Herndon Was born February 26, 1924, to Loren and Ruth Wilkins in Liberal, Kansas. Her father was a jeweler, a watchmaker and later an optometrist. Her mother was a concert pianist. They moved to Wichita Kansas when Lou was in about sixth grade. Herndon attended Allison Junior High in Wichita and then graduated from Wichita High School North in 1941. On June 27, 1943, she married Billy Bob Herndon who was originally from Anson, Texas. They were married at West Side United Presbyterian Church, Wichita, Kansas. They had one daughter and three sons, all of whom have made their homes in Sedgwick County. Herndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas. In about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair. More than anything else, Herndon enjoyed her 15 grandchildren and 18 great-grandchildren. She passed away November 11, 2018, and a Memorial headstone is in Pleasant Ridge Cemetary, Goddard, Kansas.","The collection was donated to Kansas State University by Lou Herndon and her daughter, Sherry Elder in November 2017. 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They had one daughter and three sons, all of whom have made their homes in Sedgwick County.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eHerndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMore than anything else, Herndon enjoyed her 15 grandchildren and 18 great-grandchildren. She passed away November 11, 2018, and a Memorial headstone is in Pleasant Ridge Cemetary, Goddard, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Mary Louise (Lou) Wilkins Herndon Was born February 26, 1924, to Loren and Ruth Wilkins in Liberal, Kansas. Her father was a jeweler, a watchmaker and later an optometrist. Her mother was a concert pianist. They moved to Wichita Kansas when Lou was in about sixth grade. Herndon attended Allison Junior High in Wichita and then graduated from Wichita High School North in 1941. On June 27, 1943, she married Billy Bob Herndon who was originally from Anson, Texas. They were married at West Side United Presbyterian Church, Wichita, Kansas. They had one daughter and three sons, all of whom have made their homes in Sedgwick County. Herndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas. In about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair. More than anything else, Herndon enjoyed her 15 grandchildren and 18 great-grandchildren. She passed away November 11, 2018, and a Memorial headstone is in Pleasant Ridge Cemetary, Goddard, Kansas."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to Kansas State University by Lou Herndon and her daughter, Sherry Elder in November 2017. It was housed in the Department of Special Collections until it was processed. It received the accession number 2019-20.005.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eWhen processed, boxes were missing, therefore, the whole collection did not get processed. Boxes 6 and 7 need processing.\u003c/p\u003e"],"custodhist_tesim":["The collection was donated to Kansas State University by Lou Herndon and her daughter, Sherry Elder in November 2017. It was housed in the Department of Special Collections until it was processed. It received the accession number 2019-20.005. 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Arthur began his duty in the Army on July 25th, 1918, and was stationed at Camp Funston in the 10th Division. Arthur and the 10th division remained at Camp Funston until September 29th when they moved to Ft. Riley to assist in emergency service at the hospital due to the influenza breakout among soldiers and did not return to Camp Funston until October 21st. On October 31st the 10th division left Camp Funston heading for Detroit, Michigan from which they would travel across the eastern United States transporting trucks for the Army. This continued until his duty in the Army was complete. World War 1 ended on November 11, 1918, and Arthur returned to Camp Funston on January 11, 1919, and discharged on January 20th. Although there had been many rumors that the 10th Division would be recruited overseas this never happened and neither Arthur nor the 10th Division was ever involved in direct combat.","This collection was donated by Helen Gilles, daughter-in-law of Arthur H. 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Riley to assist in emergency service at the hospital due to the influenza breakout among soldiers and did not return to Camp Funston until October 21st. On October 31st the 10th division left Camp Funston heading for Detroit, Michigan from which they would travel across the eastern United States transporting trucks for the Army. This continued until his duty in the Army was complete.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eWorld War 1 ended on November 11, 1918, and Arthur returned to Camp Funston on January 11, 1919, and discharged on January 20th. Although there had been many rumors that the 10th Division would be recruited overseas this never happened and neither Arthur nor the 10th Division was ever involved in direct combat.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Arthur H. Gilles was born on October 10th, 1892 to Lewis J. and Nellie Gilles in Nebraska. Arthur was the oldest of five children. 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For slides, please use the following:   [Item title], [item date], Stephen L. and Enid Stover papers, Box [number], Slide [number], Morse Department of Special Collections, Kansas State University Libraries.","Between 2013 and 2017, three graduate students worked with the donor to inventory and describe the materials, and digitized the slides while processing the donation. These student assistants were Ian Howard (October 2013 to February 2014), Rob Briwa (March 2014 to August 2015), and James Tindle (July 2015 to December 2017).","This collection includes research and personal materials of Stephen L. and Enid Stover from 1956 to 2013. The bulk of the papers is from Stephen's time as a geography professor at Kansas State University, with his slides, diaries, and manuscripts dealing with global geography, Kansas agriculture, and the scholarship and instruction of his academic department. 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