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organized into sixteen series: 1) Wine and Food Pairing, Luncheons; 2) Woman’s Day; 3) Published and Unpublished Recipes; 4) Entertaining; 5) Tastings, Consultations; 6) Julia Child; 7) Sarvis Bio and Pictures; 8) Personal Photos; 9) Magazine Clippings; 10) Magazine and Newspaper Clippings; 11) Recipe Clippings; 12) Dinner, Dessert Recipes and Wine; 13) Europe and Mexico; 14) First Trip to Europe; 15) Trip to Europe; 16) Personal Recipe Notes.","Shirley Sarvis was born to George Vernon Sarvis and Wilhelmina Marie Koch Sarvis on February 21, 1935 in Norton, Kansas. Ms. Sarvis graduated from Norton Community High School and went on to Kansas State University to pursue a degree in home economics. After graduating in 1957, Ms. Sarvis moved to Menlo Park, California to begin her career as a food writer. Here, she worked for Sunset magazine from 1957 to 1962, then acted as a freelance food writer from 1962 until 2004, frequently writing for magazines like Woman's Day, Better Homes and Gardens, and Gourmet, among others. During this time, Sarvis gained notoriety as a talented pioneer in wine pairing, widely respected for her excellent palate. Over the years, she became friends with several well-known cooking icons, including James Beard, Julia Child, and Julia’s husband, Paul. Additionally, Ms. Sarvis published almost two dozen cookbooks, among them The Best of Scandinavian Cooking: Danish, Norwegian, and Swedish, Women’s Day Home Cooking Around the World, and Trader Vic’s Bartender’s Guide and taught classes on wine and food pairings. 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Additionally, there are numerous recipes relating to Woman’s Day and entertaining in the home – some of which contain personal recipe notes from Sarvis. The collection also holds personal correspondence with friends, publishers, and prominent people in food and wine business, most notably with Julia and Paul Child. Series 13, 14, and 15 contain information and documentation from Sarvis’ trips to abroad, specifically Mexico and multiple trips to European countries.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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Ms. Sarvis graduated from Norton Community High School and went on to Kansas State University to pursue a degree in home economics. After graduating in 1957, Ms. Sarvis moved to Menlo Park, California to begin her career as a food writer. Here, she worked for Sunset magazine from 1957 to 1962, then acted as a freelance food writer from 1962 until 2004, frequently writing for magazines like Woman's Day, Better Homes and Gardens, and Gourmet, among others. During this time, Sarvis gained notoriety as a talented pioneer in wine pairing, widely respected for her excellent palate. Over the years, she became friends with several well-known cooking icons, including James Beard, Julia Child, and Julia\u0026#x2019;s husband, Paul. Additionally, Ms. Sarvis published almost two dozen cookbooks, among them The Best of Scandinavian Cooking: Danish, Norwegian, and Swedish, Women\u0026#x2019;s Day Home Cooking Around the World, and Trader Vic\u0026#x2019;s Bartender\u0026#x2019;s Guide and taught classes on wine and food pairings. Shirley Sarvis died on January 17, 2013.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Shirley Sarvis was born to George Vernon Sarvis and Wilhelmina Marie Koch Sarvis on February 21, 1935 in Norton, Kansas. Ms. Sarvis graduated from Norton Community High School and went on to Kansas State University to pursue a degree in home economics. After graduating in 1957, Ms. Sarvis moved to Menlo Park, California to begin her career as a food writer. Here, she worked for Sunset magazine from 1957 to 1962, then acted as a freelance food writer from 1962 until 2004, frequently writing for magazines like Woman's Day, Better Homes and Gardens, and Gourmet, among others. During this time, Sarvis gained notoriety as a talented pioneer in wine pairing, widely respected for her excellent palate. Over the years, she became friends with several well-known cooking icons, including James Beard, Julia Child, and Julia’s husband, Paul. Additionally, Ms. Sarvis published almost two dozen cookbooks, among them The Best of Scandinavian Cooking: Danish, Norwegian, and Swedish, Women’s Day Home Cooking Around the World, and Trader Vic’s Bartender’s Guide and taught classes on wine and food pairings. Shirley Sarvis died on January 17, 2013."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2013.09.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2013.09."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Shirley Sarvis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Shirley Sarvis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Volodymyr Chumachenko \u003clb\u003e\u003c/lb\u003eProcessing Info: This collection was processed by Volodymyr Chumachenko, processing archivist.\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Volodymyr Chumachenko  Processing Info: This collection was processed by Volodymyr Chumachenko, processing archivist."],"scopecontent_html_tesm":["\u003cp\u003eShirley Sarvis papers reflect her professional career during the second half of the twentieth century, primarily dated 1960-2005. The collection contains her biography and several personal photos, including those from notable birthdays, family pictures, and some portraits. A large portion of the collection is made up of magazine, newspaper clippings, and other documentation in regards to wine tasting and food pairing \u0026#x2013; specifically focusing on California wines. Additionally, there are numerous recipes relating to Woman\u0026#x2019;s Day and entertaining in the home \u0026#x2013; some of which contain personal recipe notes from Sarvis. The collection also holds personal correspondence with friends, publishers, and prominent people in food and wine business, most notably with Julia and Paul Child. Series 13, 14, and 15 contain information and documentation from Sarvis\u0026#x2019; trips to abroad, specifically Mexico and multiple trips to European countries.\u003c/p\u003e"],"scopecontent_tesim":["Shirley Sarvis papers reflect her professional career during the second half of the twentieth century, primarily dated 1960-2005. The collection contains her biography and several personal photos, including those from notable birthdays, family pictures, and some portraits. A large portion of the collection is made up of magazine, newspaper clippings, and other documentation in regards to wine tasting and food pairing – specifically focusing on California wines. Additionally, there are numerous recipes relating to Woman’s Day and entertaining in the home – some of which contain personal recipe notes from Sarvis. The collection also holds personal correspondence with friends, publishers, and prominent people in food and wine business, most notably with Julia and Paul Child. Series 13, 14, and 15 contain information and documentation from Sarvis’ trips to abroad, specifically Mexico and multiple trips to European countries."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Sarvis, Shirley","Sarvis, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Lewis papers"],"title_tesim":["Charles A. Lewis papers"],"ead_ssi":"charles-a-lewis-papers","unitdate_ssm":["1952-2003"],"unitdate_other_ssim":["1952-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2005.08","40"],"text":["P2005.08","40","Charles A. Lewis papers, 1952-2003","27.55 Linear Feet, 77.00 Boxes","No access restrictions: All materials are open for research.","Acquired because it documents some research and efforts of the Department of Horticulture, especially Horticultural Therpay.","This collection is arranged into nine series by type of material: 1) Biographical, 1970-2003, undated; 2) Correspondence, 1970-2003, undated; 3) Subject, 1953-2002, undated; 4) Literary Works, 1950-2001, undated; 5) Printed Material, 1956-2001, undated; 6) Media, 1980, 1896, 1991; 7) Photographs, 1973-1995, undated; 8) Oversize, 1972-2003, undated; 9) Artifacts, 1986, undated.","Charles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026#13;  Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026#13;  1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026#13;  1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026#13;  1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026#13;  1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026#13;  1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026#13;  1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026#13;  1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026#13;  1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026#13;  1961, Married Sherrie Rabbino\u0026#13;  1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026#13;  1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026#13;  1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026#13;  1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026#13;  1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026#13;  1977, Was an Advisor for the British Columbia Housing Management Commission\u0026#13;  1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026#13;  1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026#13;  1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026#13;  1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026#13;  1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026#13;  1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026#13;  1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026#13;  1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026#13;  1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026#13;  1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026#13;  1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026#13;  1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026#13;  1992-1998, Was a Member of the American Community Gardening Association\u0026#13;  1994, Co-Founder of People-Plant Council\u0026#13;  1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026#13;  1997, Received an Award from the American Horticultural Therapy Association\u0026#13;  1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026#13;  2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026#13;  Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist.","This collection has been assigned Accession Number P2005.08.","Published","[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original materials are available during open hours of the repository and any digitized materials that are online are available with the Internet.","Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia Harris, Library Assistant III, processed the collection. Anthony Crawfords, Curator, reviewed the finding aid.  Publication Date: 2013-11-12","This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field).","Restrictions may apply to the VHS tape and the cassette tape. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Lewis, Charles A.","Lewis, Charles A.","English","Latin"],"unitid_tesim":["P2005.08","40"],"normalized_date_ssm":["1952-2003"],"normalized_title_ssm":["Charles A. Lewis papers, 1952-2003"],"collection_title_tesim":["Charles A. Lewis papers, 1952-2003"],"collection_ssim":["Charles A. 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The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Sherry Rabbino Lewis Acqusition Method: Donation Acqusition Date: 20050101"],"has_online_content_ssim":["false"],"physdesc_tesim":["27.55 Linear Feet, 77.00 Boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eAcquired because it documents some research and efforts of the Department of Horticulture, especially Horticultural Therpay.\u003c/p\u003e"],"appraisal_tesim":["Acquired because it documents some research and efforts of the Department of Horticulture, especially Horticultural Therpay."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series by type of material: 1) Biographical, 1970-2003, undated; 2) Correspondence, 1970-2003, undated; 3) Subject, 1953-2002, undated; 4) Literary Works, 1950-2001, undated; 5) Printed Material, 1956-2001, undated; 6) Media, 1980, 1896, 1991; 7) Photographs, 1973-1995, undated; 8) Oversize, 1972-2003, undated; 9) Artifacts, 1986, undated.\u003c/p\u003e"],"arrangement_tesim":["This collection is arranged into nine series by type of material: 1) Biographical, 1970-2003, undated; 2) Correspondence, 1970-2003, undated; 3) Subject, 1953-2002, undated; 4) Literary Works, 1950-2001, undated; 5) Printed Material, 1956-2001, undated; 6) Media, 1980, 1896, 1991; 7) Photographs, 1973-1995, undated; 8) Oversize, 1972-2003, undated; 9) Artifacts, 1986, undated."],"bioghist_tesim":["Charles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026#13;  Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026#13;  1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026#13;  1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026#13;  1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026#13;  1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026#13;  1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026#13;  1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026#13;  1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026#13;  1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026#13;  1961, Married Sherrie Rabbino\u0026#13;  1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026#13;  1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026#13;  1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026#13;  1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026#13;  1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026#13;  1977, Was an Advisor for the British Columbia Housing Management Commission\u0026#13;  1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026#13;  1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026#13;  1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026#13;  1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026#13;  1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026#13;  1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026#13;  1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026#13;  1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026#13;  1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026#13;  1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026#13;  1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026#13;  1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026#13;  1992-1998, Was a Member of the American Community Gardening Association\u0026#13;  1994, Co-Founder of People-Plant Council\u0026#13;  1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026#13;  1997, Received an Award from the American Horticultural Therapy Association\u0026#13;  1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026#13;  2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026#13;  Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. 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Anthony Crawfords, Curator, reviewed the finding aid.  Publication Date: 2013-11-12"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents Lewis\u0026#x2019;s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field).\u003c/p\u003e"],"scopecontent_tesim":["This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. 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Lewis papers\u003c/unittitle\u003e, 1952-2003"],"hashed_id_ssi":"a7417855bc20a18a","_root_":"charles-a-lewis-papers","timestamp":"2026-05-07T11:56:56.001Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCharles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1961, Married Sherrie Rabbino\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977, Was an Advisor for the British Columbia Housing Management Commission\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1998, Was a Member of the American Community Gardening Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1994, Co-Founder of People-Plant Council\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1997, Received an Award from the American Horticultural Therapy Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_3886cb5897bf038f0c3b184a44dcb0aa88ce1422#normalized_title","type":"document_value","attributes":{"value":"Folder 2: \"The Evolutionary Importance of People/Plant Relationships,\" The Smithsonian, Washington, D.C., 1998 January 1","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_3886cb5897bf038f0c3b184a44dcb0aa88ce1422#parent_labels","type":"document_value","attributes":{"value":["Charles A. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. 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Each file included a page with an item-level inventory, and each of these inventories were retained.","Arranged by series: 1) Subject Files, 1908-2006, undated; 2) Administration Files, 1970-2008, undated; 3) Photographs, 1975-1978, undated; 4) Newsletters, 1976-1984; 5) Posters, 1977-2008, undated; 6) Oversized, 1972-2007, undated; 7) Artifacts, 1981.","The Minority Resource and Research Center was first established in 1971 as a way to promote diversity and meet the informational needs for the diverse community at Kansas State University. The Center has sponsored and co-sponsored a number of programs over the years, such as Movies on the Grass, forums, and lectures that focus on diversity and culture.   In 1978 the \"We are the Dream!\" mural was started by Kansas State Univesity minority students and completed in 1980. In 2001, the Dow Chemical Company created an endowment to be used by the library to support the multicultural mission of the Center. 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papers"],"ead_ssi":"robert-bontrager-papers","unitdate_ssm":["1964-1978"],"unitdate_other_ssim":["1964-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2011.38","37"],"text":["U2011.38","37","Robert Bontrager papers, 1964-1978","Kansas State University history","Faculty and staff papers and contributions","6.50 Linear Feet, 6.00 Boxes","No access restrictions: All materials are open for research.","Appraisal criteria included the uniqueness of the course and the breadth of the course materials.","Arranged in six boxes, the materials are in original order: magazines and journals in alphabetical order followed by newspapers in alphabetical order.","Robert Bontrager was the only professor at Kansas State University to teach the course \"The Black Press in America.\" He sought to open the minds of students concerning the \"struggles and achievements of the Black minority.\"  Bontrager received his Ph.D. in Mass Communications in 1969 from Syracuse University with a dissertation titled An Investigation of the Black Press and White Press Use Patterns in the Black Inner City of Syracuse, New York: A Field Survey. He then became a professor in the journalism department at K-State until 1989. Other departmental duties included being the Journalism and Mass Communications acting department head in 1972-1973 and 1979-1980, chairing the journalism school's graduate studies program from 1971 to 1989, and serving as the associate director of the journalism school from 1986 to 1989. He was the Cruise Palmer professor of Journalism and Mass Communications for the 1984-1985 academic year.  Other duties outside the university included serving on the board of directors of Laubach Literacy International, being a judge in the national Unity Media Awards, and serving in various capacities with the Association for Education in Journalism and Mass Communications.  In the 1970 fall term, Bontrager began teaching the first Black press course at K-State. While teaching this course, he primarily focused on Black press materials from the Kansas City Call, particularly the editorials, and two titles from the Johnson Publishing Company, Ebony and Jet.  Bontrager retired in May 1989 and later moved to Lewisburg, Pennsylvania, in 1992.  He was born in 1922 and was a 1945 graduate of Taylor University in Upland, Indiana, where he met Mable Busch, whom he married the following year. Between 1948 and 1965, the Bontragers were missionaries in the Congo, after which they adopted two boys, Thomas and Timothy. Mable died in Lewisburg in January 2011.","The materials were in the basement of Kedzie Hall until the department donated them. The materials had been there for many years, possibly from the time of Bontrager's retirement. It received accession number U2011.38.","Published","[Item title], [item date], Robert Bontrager papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Project processor James Smith finalized the container list and added it in 2013.","In 2011, student assistant Kari Bingham processed the collection and university archivist Cliff Hight reviewed it before publication in February 2012.","This collection includes serial publications from African-American publishers throughout the nation between 1964 and 1978. Robert Bontrager used these materials to teach his \"Black Press in America\" course from 1970 to 1989. 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He then became a professor in the journalism department at K-State until 1989. Other departmental duties included being the Journalism and Mass Communications acting department head in 1972-1973 and 1979-1980, chairing the journalism school's graduate studies program from 1971 to 1989, and serving as the associate director of the journalism school from 1986 to 1989. He was the Cruise Palmer professor of Journalism and Mass Communications for the 1984-1985 academic year.\u003clb\u003e\u003c/lb\u003e Other duties outside the university included serving on the board of directors of Laubach Literacy International, being a judge in the national Unity Media Awards, and serving in various capacities with the Association for Education in Journalism and Mass Communications.\u003clb\u003e\u003c/lb\u003e In the 1970 fall term, Bontrager began teaching the first Black press course at K-State. While teaching this course, he primarily focused on Black press materials from the Kansas City Call, particularly the editorials, and two titles from the Johnson Publishing Company, Ebony and Jet.\u003clb\u003e\u003c/lb\u003e Bontrager retired in May 1989 and later moved to Lewisburg, Pennsylvania, in 1992.\u003clb\u003e\u003c/lb\u003e He was born in 1922 and was a 1945 graduate of Taylor University in Upland, Indiana, where he met Mable Busch, whom he married the following year. Between 1948 and 1965, the Bontragers were missionaries in the Congo, after which they adopted two boys, Thomas and Timothy. 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