{"links":{"self":"https://findingaids.lib.k-state.edu/catalog.json?page=2163","prev":"https://findingaids.lib.k-state.edu/catalog.json?page=2162","next":"https://findingaids.lib.k-state.edu/catalog.json?page=2164","last":"https://findingaids.lib.k-state.edu/catalog.json?page=5009"},"meta":{"pages":{"current_page":2163,"next_page":2164,"prev_page":2162,"total_pages":5009,"limit_value":10,"offset_value":21620,"total_count":50085,"first_page?":false,"last_page?":false}},"data":[{"id":"robertson-corporation-records-2_al_c77eaaec506e7db4cc262c15e2440525ef655e1d","type":"File","attributes":{"title":"Folder 65: Purchases, Great Western, 1991 November 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(16.5x20.5); 509S: 20/29/5","No access restriction: All materials are open for research.","The Records document the 120-year milling history of the Robertson Corporation.","The Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts.","The Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed “glue-extender” flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product “Triple-R” was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family.","It received accession number P2007.08.","Published","Preferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Paul Harris  Processing Info: The collection was processed by Paul Harris, Student Processor, in 2010.   Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-09-01","The Correspondence Series is comprised of two boxes that extend over an 81-year period, starting in 1913 and ending in 2004 and arranged in alphabetical order. Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company’s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.  The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.  Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).  The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation’s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.  The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.  Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.  The Artifacts are stored within the department's Artifact Collection. Box 40 in this inventory lists the artifacts.","The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roberston Corporation","Roberston Corporation","English","Latin"],"unitid_tesim":["P2007.08","222"],"normalized_date_ssm":["1874-2009"],"normalized_title_ssm":["Robertson Corporation records, 1874-2009"],"collection_title_tesim":["Robertson Corporation records, 1874-2009"],"collection_ssim":["Robertson Corporation records, 1874-2009"],"creator_ssm":["Roberston Corporation"],"creator_ssim":["Roberston Corporation"],"creator_corpname_ssim":["Roberston Corporation"],"creators_ssim":["Roberston Corporation"],"access_terms_ssm":["The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Phil and Joe Robertson Acqusition Method: Donation Acqusition Date: 20070101"],"access_subjects_ssim":["Farming and ranching"],"access_subjects_ssm":["Farming and ranching"],"has_online_content_ssim":["false"],"physdesc_tesim":["23.00 Linear Feet, 40.00 boxes Post-Fire Oversize Boxes: Box 26 (10.5x13), 509S: 19/13/4 27 (10x13), (16.5x20.5); 509S: 19/6/4 Box 29 (16.5x20.5); 509S: 20/29/5"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eThe Records document the 120-year milling history of the Robertson Corporation.\u003c/p\u003e"],"appraisal_tesim":["The Records document the 120-year milling history of the Robertson Corporation."],"arrangement_html_tesm":["\u003cp\u003eThe Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts.\u003c/p\u003e"],"arrangement_tesim":["The Robertson Corporation Records (1874, 1880-2009) are housed in 40 boxes and organized in to eight Series: 1) Correspondence; 2) Financial Records; 3) Minutes; 4) Subject; 5) Photographs; 6) Oversized Materials; 7) Printed Material; 8) Artifacts."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed \u0026#x201C;glue-extender\u0026#x201D; flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product \u0026#x201C;Triple-R\u0026#x201D; was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Robertson Corporation is a family-owned company specializing in grain, feed, and flour milling. The Robertson Corporation was founded in 1881 in Brownstown, Indiana, by the Robertson family, and over the first few decades of its existence, the Corporation specialized in flour production, including wheat flour and refined white flour, using steel-roller mills. In 1900, the Corporation was the first to sell wheat bran as feed, and they continued to develop new flours and feeds into the 1930s. This included inventing self-rising flour in 1931. In 1938, the Corporation developed “glue-extender” flour, the forerunner to Glu-X, which is commonly used today in the plywood furniture industry. The Robertson Corporation expanded to new mills across Indiana throughout the 1940s, and in 1948, the balanced dog food product “Triple-R” was invented. Glu-X was patented by the Corporation in 1957, as was Triple-R in 1966. The Corporation partnered with Kansas State University in 1971 on a research project regarding new cereal starches. In 1980, the Corporation first donated antique mill equipment to the Smithsonian Institute, and this partnership has continued in the years since. Since its founding, the Corporation has continued to be owned and managed by the Robertson family."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2007.08.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2007.08."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Robertson Corporation records, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2007-08.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2007-08.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Paul Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Paul Harris, Student Processor, in 2010. \u003clb\u003e\u003c/lb\u003e Archon migration by Edward Nagurny, graduate research assistant, September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-09-01\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Paul Harris  Processing Info: The collection was processed by Paul Harris, Student Processor, in 2010.   Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-09-01"],"scopecontent_tesim":["The Correspondence Series is comprised of two boxes that extend over an 81-year period, starting in 1913 and ending in 2004 and arranged in alphabetical order. Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company’s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.  The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.  Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).  The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation’s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.  The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.  Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.  The Artifacts are stored within the department's Artifact Collection. Box 40 in this inventory lists the artifacts."],"userestrict_html_tesm":["\u003cp\u003eThe researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher asssumes full rseponsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roberston Corporation","Roberston Corporation"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Majority of correspondence relate to the purchase of milling equipment such as elevators, dryers, flour packers, and sifters; the purchase of the Lemon Mill in Bedford, Indiana and the Ginger Feed and Elevator Company, Jeffersonville, Indiana; the sale of the company\u0026#x2019;s products such as corn meal, dog food, flour, livestock feed, and Glu-X; and the sale of the Seymour Mill. Correspondence between Phil Robertson and G. Terry Sharer, discusses historical milling machinery the Robertson Corporation donated to the Smithsonian in 1979. In 1980, Phil Robertson attended a reception hosted by the Smithsonian on the acceptance of the historical machinery. Equipment donated to the Smithsonian Institute.\u003clb\u003e\u003c/lb\u003e The Financial Records are house in six boxes. Five boxes, 1928-2004, are filed in alphabetical order. They include annual meetings with statements of profit and loss, account ledgers, accountant's compilation report, auditors compilation report, balance sheets, cash flow statements, capital investments, estate transfers, financial statements, income tax basis, income tax returns, purchase orders from companies such as Advance Fabricators, Bearings Incorporation, Creason Corrugating, and Insects Limited, and sales and production figures. One box consists of the 1959 Ewing Mill appraisal, a Peoples bankbook, cash books, check stubs, financial ledgers, a payroll ledger from 1916 to 1917, production ledgers, sales slips, and a 1916 shipment register.\u003clb\u003e\u003c/lb\u003e Minutes are stored in four boxes. (1960-1997, 2007-2009) are stored in two boxes and give insight on the daily, weekly, monthly and yearly goals of the Robertson Corporation. Each set of minutes contain travel plans, the price of crops on the market and a general overview of the company. There are two boxes of formal minutes in minute books (1960-2009).\u003clb\u003e\u003c/lb\u003e The Subject Series (1874, 1881-2004) is the largest of all of the series. It is housed in nine boxes and contains insurance policies, newspaper clippings and class notes from when Joe E. Robertson attended Kansas State University in the 1940s. Listed alphabetically, the series covers the purchase and sale of mill property and equipment, contracts, events, feed and grain, flour standards, general milling information, history of the companies and employees, inventories, newspaper clippings, patent information, research, and one of the later important pieces of the corporation\u0026#x2019;s history: how the company eventually turned to Glu-X as a main product. Aerial view of the Ewing Mill in Brownstown, IN.\u003clb\u003e\u003c/lb\u003e The Photographs Series (1900-2000) consists of four boxes of photographs and one box of glass negatives. It includes aerial views of the corporation, views of the mills, the after effects of a large snowfall, exhibits, and fires. Some of the photographs date back to 1900. This series is a picture book of change and innovation with photos ranging from horse and buggy to early automobiles, then on to large loading trucks. An interesting set of photos shows construction of the Ewing Blending Plant. With the photos in order, one can see each step of the construction from beginning to end. Not all photographs are business-related as there are family photos of each family member inside and outside the office. Notable family photos include a photo of Phil Robertson at the Smithsonian and photos of the Robertson's as boys and men.\u003clb\u003e\u003c/lb\u003e Oversize Materials are stored in three boxes and includes newspaper clippings, Robertson Corporation abstract, loan application, mortgage, feed lists, equipment blue prints and printed material. Ewing, Indiana. Printed Material is the second largest series in the collection and is comprised of eight boxes. The largest section in this series is Articles that includes items from Milling and Baking, The Northwestern Miller, and Random Lengths. Brochures and pamphlets dot the landscape of printed material and include research findings from respected institutions or from attended research symposiums. Many of the magazine articles deal with World War II or the Russian grain embargo. There is also a collection of books pertaining to the history of milling and includes a copy of The Robertson Corporation 1880-2000 written by R. R. Phil Robertson. Family member Richard S. \"Dick\" Robertson wrote Recollections of My Life in Brownstown, Indiana, included in the collection. These recollections are snap shots of Dick's life in Brownstown. The Artifacts Series is stored in one box and includes flour slicks, commemorative coins, packaging bags for Glu-X and Triple-R dog food, and promotional items.\u003clb\u003e\u003c/lb\u003e The Artifacts are stored within the department's Artifact Collection. 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perspective of a consumer group and their development of an issue-centric national campaign against special interest groups to affect a change in congressional legislation and the outcome of a presidential election. Specializing in unfair lending practices, these papers contain the memos, reports, web data administration, correspondence (emails and letters), grant proposals, meeting minutes, legal agreements, artifacts, publicity (print and electronic), trademark certificates, and research of a non-profit organization (NPO). Some of the subjects include specious credit card payment schemes, mortgage lending, refund anticipation loans, and pay-day loans as well as both student and military family loans. The papers also include the organization's relationship with the Association of Community Organizations for Reform Now (ACORN), NCLC, Housing and Economic Rights Advocates (HERA), Care 2, the Consumer Federation of America (CFA), the Annie Casey Foundation, AARP, Americans for Financial Reform (AFR), the Sunlight Foundation, the National Endowment for Financial Education (NEFE), the Ford Foundation, the National Council of La Raza, the Federal Reserve Board, the National Association for the Advancement of Colored People (NAACP), the National Association of Consumer Advocates (NACA), Travis Plunket, and Elizabeth Warren.","The collection is organized into four series: 1) Administrative Files; 2) Meetings; 3) Research; 4) Publicity.","The Americans for Fairness in Lending Records has been assigned Accession Number P2011.03","Published","Preferred Citation: [Item title], [item date], Americans for Fairness in Lending Practices papers, Box [number], Folder [number or title], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: P Thomsen (April 2011)  Processing Info: Archon Processing by Edward Nagurny, graduate research assistant, April 2015.   HTML finding aid written by P. Thomsen 11 April 2011.","The Americans for Fairness in Lending (AFFIL) records (2000-2010) consists primarily of memos, reports, web data administration, research correspondence (emails and letters), artifacts, and publicity (print and electronic) generated by a non-profit organization (NPO) underwritten primally by large grants from the Beldon Russonello \u0026 Stewart, Ford, and the Annie Casey Foundation to advocate for changes in state and federal laws governing business lending practice. The records, collected into seven boxes, have been arranged to reflect the organization's multifaceted public relations campaign against unfair lending practices in tandem with consumer state and national-level events, including the release of independent film documentaries, the rise of social media programs, the 2008 presidential election, the 2009 Credit Card Accountability Responsibility and Disclosure (CARD) Act and the 2010 passage of the Dodd-Frank Bill, which created the federal Consumer Protection Bureau. The Administrative Files Series (2004-2010) consists of two boxes of correspondence (print and email), handbooks, grant applications, meeting minutes, letters of agreement, and employee notes relating to organizational growth. They are arranged in alphabetical order by subject. Some noteworthy items relating to the internal structure of the organization, including the \"All About AFFIL\" handbook, the search for outside funders, notes relating to conference calls with consumer movement experts, and the organization's strategic plan for the 2008 election cycle. Another key feature of this series includes AFFIL's agreements with the Ford Foundation, the public relations firm of Benesen Jansen Advertizing, the National Consumer Law Center, and Public Interest Research Group (PIRG) project agreements. Finally, researchers of social media, such as Youtube and blogs, will also find several topics in this series of special interest, including the development of the organization's website, the tracking of web statistics, the creation of electronic contented targeting internet users, and the on-line outreach initiatives. The Meetings Series (2005-2010) spans two boxes arranged in alphabetical order by subject and by date, containing correspondence, notes, and annotated research utilized in the planning and execution of discussions concerning different issues concerning the organization. The majority of the files in this series concern the formulation and execution of AFFIL's public interest policies. Several folders relate to the division of administrative tasks and the formation of business policies for committee assignments, partners, contractors, consultants, the press, and the general consumer movement community, including AFFIL's general principles, field outreach strategy sessions as well as staff meetings and periodic discussions with the National Consumer Law Center. Other files contain documentation related to the organization's periodic updates to funders concerning their ongoing activities, including the Ford Foundation and the Annie Casey Foundation. Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out. Other sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers. The Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data. Arranged in alphabetical order by date, these files comprise the heart of the collection, revealing the sources, data, and political focus of the Americans for Fairness in Lending. Some folders contain information generated by the United States government, including the Federal Reserve Board, National Usury Cap Legislation, S.500, 2009, and the California Reinvestment Act. Other folders collect documents relating to different aspects of credit card and intermediary lending company operations, including Fannie Mae, Freddie Mac, medical debt, the Navy Federal Credit Union, the case files of a whistleblower, witnesses, and victims, Ritzen v Chase court files, and a brief history of the practice of usury. Still, other folders collect lending information generated by the entertainment industry, consumer groups, and noted AFFIL associates, including the television show Boston Legal, ACORN, AARP, the Legal Aid Society, the NAACP, the National Community Reinvestment Coalition, and the Consumer Federation of American. Several folders also contain information collected by AFFIL contractors, including focus group data, Kansas district voting patterns, marketing statistics, and targeted population demographics. Finally, this series also contains accumulated consumer lessons from different sources on a wide variety of topics, including Christmas holiday tips, lending and collection abuse guides, mortgage advise, student loans, and payday provisions. The Publicity Series spans three boxes, collecting the artifacts, posters, and media related to the organization's public relations campaigns. Several folders collect documents generated for Maxed Out Screenings, including fliers, questionnaires, house party lists. Other files hold fact cards, business cards, fliers, press kits, and reports, which AFFIL distributed at consumer conferences. Some of the artifacts collected in this series also include promotional folders, hats, and visors. The strength of this series, however, remains the collection of DVD, CD, microcassette, VHS recordings of AFFIL videos and advocate interviews on several news magazine programs, including Nightline, Fox Business, and 60 Minutes. Finally, a number of small and large posters depicting lending and mortgage horror stories featured as part of AFFIL's on-going campaigns have been retained for preservation in this series. P. Thomsen April 6, 2011 Rev. 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The papers also include the organization's relationship with the Association of Community Organizations for Reform Now (ACORN), NCLC, Housing and Economic Rights Advocates (HERA), Care 2, the Consumer Federation of America (CFA), the Annie Casey Foundation, AARP, Americans for Financial Reform (AFR), the Sunlight Foundation, the National Endowment for Financial Education (NEFE), the Ford Foundation, the National Council of La Raza, the Federal Reserve Board, the National Association for the Advancement of Colored People (NAACP), the National Association of Consumer Advocates (NACA), Travis Plunket, and Elizabeth Warren."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into four series: 1) Administrative Files; 2) Meetings; 3) Research; 4) Publicity.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized into four series: 1) Administrative Files; 2) Meetings; 3) Research; 4) Publicity."],"custodhist_html_tesm":["\u003cp\u003eThe Americans for Fairness in Lending Records has been assigned Accession Number P2011.03\u003c/p\u003e"],"custodhist_tesim":["The Americans for Fairness in Lending Records has been assigned Accession Number P2011.03"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Americans for Fairness in Lending Practices papers, Box [number], Folder [number or title], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Americans for Fairness in Lending Practices papers, Box [number], Folder [number or title], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: P Thomsen (April 2011) \u003clb\u003e\u003c/lb\u003eProcessing Info: Archon Processing by Edward Nagurny, graduate research assistant, April 2015. \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e HTML finding aid written by P. 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The Meetings Series (2005-2010) spans two boxes arranged in alphabetical order by subject and by date, containing correspondence, notes, and annotated research utilized in the planning and execution of discussions concerning different issues concerning the organization. The majority of the files in this series concern the formulation and execution of AFFIL's public interest policies. Several folders relate to the division of administrative tasks and the formation of business policies for committee assignments, partners, contractors, consultants, the press, and the general consumer movement community, including AFFIL's general principles, field outreach strategy sessions as well as staff meetings and periodic discussions with the National Consumer Law Center. Other files contain documentation related to the organization's periodic updates to funders concerning their ongoing activities, including the Ford Foundation and the Annie Casey Foundation. Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out. Other sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers. The Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data. 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Still, other folders collect lending information generated by the entertainment industry, consumer groups, and noted AFFIL associates, including the television show Boston Legal, ACORN, AARP, the Legal Aid Society, the NAACP, the National Community Reinvestment Coalition, and the Consumer Federation of American. Several folders also contain information collected by AFFIL contractors, including focus group data, Kansas district voting patterns, marketing statistics, and targeted population demographics. Finally, this series also contains accumulated consumer lessons from different sources on a wide variety of topics, including Christmas holiday tips, lending and collection abuse guides, mortgage advise, student loans, and payday provisions. The Publicity Series spans three boxes, collecting the artifacts, posters, and media related to the organization's public relations campaigns. Several folders collect documents generated for Maxed Out Screenings, including fliers, questionnaires, house party lists. Other files hold fact cards, business cards, fliers, press kits, and reports, which AFFIL distributed at consumer conferences. Some of the artifacts collected in this series also include promotional folders, hats, and visors. The strength of this series, however, remains the collection of DVD, CD, microcassette, VHS recordings of AFFIL videos and advocate interviews on several news magazine programs, including Nightline, Fox Business, and 60 Minutes. Finally, a number of small and large posters depicting lending and mortgage horror stories featured as part of AFFIL's on-going campaigns have been retained for preservation in this series. P. Thomsen April 6, 2011 Rev. 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They are arranged in alphabetical order by subject. Some noteworthy items relating to the internal structure of the organization, including the \"All About AFFIL\" handbook, the search for outside funders, notes relating to conference calls with consumer movement experts, and the organization's strategic plan for the 2008 election cycle. Another key feature of this series includes AFFIL's agreements with the Ford Foundation, the public relations firm of Benesen Jansen Advertizing, the National Consumer Law Center, and Public Interest Research Group (PIRG) project agreements.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eFinally, researchers of social media, such as Youtube and blogs, will also find several topics in this series of special interest, including the development of the organization's website, the tracking of web statistics, the creation of electronic contented targeting internet users, and the on-line outreach initiatives.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe Meetings Series (2005-2010) spans two boxes arranged in alphabetical order by subject and by date, containing correspondence, notes, and annotated research utilized in the planning and execution of discussions concerning different issues concerning the organization. The majority of the files in this series concern the formulation and execution of AFFIL's public interest policies.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeveral folders relate to the division of administrative tasks and the formation of business policies for committee assignments, partners, contractors, consultants, the press, and the general consumer movement community, including AFFIL's general principles, field outreach strategy sessions as well as staff meetings and periodic discussions with the National Consumer Law Center. Other files contain documentation related to the organization's periodic updates to funders concerning their ongoing activities, including the Ford Foundation and the Annie Casey Foundation. Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eOther sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eArranged in alphabetical order by date, these files comprise the heart of the collection, revealing the sources, data, and political focus of the Americans for Fairness in Lending. Some folders contain information generated by the United States government, including the Federal Reserve Board, National Usury Cap Legislation, S.500, 2009, and the California Reinvestment Act.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eOther folders collect documents relating to different aspects of credit card and intermediary lending company operations, including Fannie Mae, Freddie Mac, medical debt, the Navy Federal Credit Union, the case files of a whistleblower, witnesses, and victims, Ritzen v Chase court files, and a brief history of the practice of usury. Still, other folders collect lending information generated by the entertainment industry, consumer groups, and noted AFFIL associates, including the television show Boston Legal, ACORN, AARP, the Legal Aid Society, the NAACP, the National Community Reinvestment Coalition, and the Consumer Federation of American.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeveral folders also contain information collected by AFFIL contractors, including focus group data, Kansas district voting patterns, marketing statistics, and targeted population demographics. Finally, this series also contains accumulated consumer lessons from different sources on a wide variety of topics, including Christmas holiday tips, lending and collection abuse guides, mortgage advise, student loans, and payday provisions.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe Publicity Series spans three boxes, collecting the artifacts, posters, and media related to the organization's public relations campaigns. Several folders collect documents generated for Maxed Out Screenings, including fliers, questionnaires, house party lists. Other files hold fact cards, business cards, fliers, press kits, and reports, which AFFIL distributed at consumer conferences.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSome of the artifacts collected in this series also include promotional folders, hats, and visors. 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Other restricted material may be contained as well in the form of personal information. University archivist review required before access will be granted.","Acquired through regular transfer of records as defined by the records retention schedule.","The collection is arranged into six series. 1) Administrative Files, 2) Deans and Departments, 3) Program Reviews, 4) Accounting and Budget, 4) North Central Association, 5) Provost April Mason. Most of these series are further arranged alphabetically.","The office of Provost was established by President Acker and was first filled in 1980 by Owen Koeppe. The provost and senior vice president is Kansas State University's Chief Academic Officer, whose most important duties are to oversee the academic affairs of the university and ensure its academic standards. In cooperation with the president, vice presidents, and the Deans Council, the provost provides leadership in the development, review, and implementation of policies and goals related to teaching and learning, research, and engagement. The deans of the nine academic colleges, the libraries, Graduate School, and the Division of Continuing Education report to the provost. Other reporting units and programs include the Olathe Innovation Campus; the Centers for the Advancement of Teaching and Learning, Entrepreneurship, and Engagement and Community; and the School for Leadership Studies as well as Academic Personnel, Assessment, Diversity and Dual Career Development, Fort Leavenworth graduate degree programming, the Honors and Integrity System, Information Technology Services, International Programs, Planning and Analysis, Summer School, Sustainability, and the University Honors Program. Recently the Provost has taken on the job of mediating for students. 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Lewis papers"],"title_tesim":["Charles A. Lewis papers"],"ead_ssi":"charles-a-lewis-papers","unitdate_ssm":["1952-2003"],"unitdate_other_ssim":["1952-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2005.08","40"],"text":["P2005.08","40","Charles A. Lewis papers, 1952-2003","27.55 Linear Feet, 77.00 Boxes","No access restrictions: All materials are open for research.","Acquired because it documents some research and efforts of the Department of Horticulture, especially Horticultural Therpay.","This collection is arranged into nine series by type of material: 1) Biographical, 1970-2003, undated; 2) Correspondence, 1970-2003, undated; 3) Subject, 1953-2002, undated; 4) Literary Works, 1950-2001, undated; 5) Printed Material, 1956-2001, undated; 6) Media, 1980, 1896, 1991; 7) Photographs, 1973-1995, undated; 8) Oversize, 1972-2003, undated; 9) Artifacts, 1986, undated.","Charles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026#13;  Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026#13;  1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026#13;  1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026#13;  1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026#13;  1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026#13;  1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026#13;  1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026#13;  1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026#13;  1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026#13;  1961, Married Sherrie Rabbino\u0026#13;  1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026#13;  1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026#13;  1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026#13;  1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026#13;  1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026#13;  1977, Was an Advisor for the British Columbia Housing Management Commission\u0026#13;  1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026#13;  1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026#13;  1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026#13;  1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026#13;  1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026#13;  1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026#13;  1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026#13;  1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026#13;  1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026#13;  1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026#13;  1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026#13;  1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026#13;  1992-1998, Was a Member of the American Community Gardening Association\u0026#13;  1994, Co-Founder of People-Plant Council\u0026#13;  1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026#13;  1997, Received an Award from the American Horticultural Therapy Association\u0026#13;  1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026#13;  2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026#13;  Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist.","This collection has been assigned Accession Number P2005.08.","Published","[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original materials are available during open hours of the repository and any digitized materials that are online are available with the Internet.","Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia Harris, Library Assistant III, processed the collection. Anthony Crawfords, Curator, reviewed the finding aid.  Publication Date: 2013-11-12","This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. 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Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026#13;  Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026#13;  1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026#13;  1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026#13;  1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026#13;  1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026#13;  1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026#13;  1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026#13;  1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026#13;  1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026#13;  1961, Married Sherrie Rabbino\u0026#13;  1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026#13;  1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026#13;  1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026#13;  1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026#13;  1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026#13;  1977, Was an Advisor for the British Columbia Housing Management Commission\u0026#13;  1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026#13;  1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026#13;  1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026#13;  1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026#13;  1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026#13;  1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026#13;  1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026#13;  1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026#13;  1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026#13;  1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026#13;  1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026#13;  1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026#13;  1992-1998, Was a Member of the American Community Gardening Association\u0026#13;  1994, Co-Founder of People-Plant Council\u0026#13;  1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026#13;  1997, Received an Award from the American Horticultural Therapy Association\u0026#13;  1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026#13;  2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026#13;  Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist."],"custodhist_html_tesm":["\u003cp\u003eThis collection has been assigned Accession Number P2005.08.\u003c/p\u003e"],"custodhist_tesim":["This collection has been assigned Accession Number P2005.08."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"phystech_html_tesm":["\u003cp\u003eOriginal materials are available during open hours of the repository and any digitized materials that are online are available with the Internet.\u003c/p\u003e"],"phystech_tesim":["Original materials are available during open hours of the repository and any digitized materials that are online are available with the Internet."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia A. Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: Cynthia Harris, Library Assistant III, processed the collection. Anthony Crawfords, Curator, reviewed the finding aid. \u003clb\u003e\u003c/lb\u003ePublication Date: 2013-11-12\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia Harris, Library Assistant III, processed the collection. Anthony Crawfords, Curator, reviewed the finding aid.  Publication Date: 2013-11-12"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents Lewis\u0026#x2019;s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field).\u003c/p\u003e"],"scopecontent_tesim":["This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field)."],"userestrict_html_tesm":["\u003cp\u003eRestrictions may apply to the VHS tape and the cassette tape. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["Restrictions may apply to the VHS tape and the cassette tape. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Lewis, Charles A.","Lewis, Charles A."],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Lewis, Charles A.","Lewis, Charles A."],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2402,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eCharles A. Lewis papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eCharles A. Lewis papers\u003c/unittitle\u003e, 1952-2003"],"hashed_id_ssi":"a7417855bc20a18a","_root_":"charles-a-lewis-papers","timestamp":"2026-05-13T12:07:46.468Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCharles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1961, Married Sherrie Rabbino\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977, Was an Advisor for the British Columbia Housing Management Commission\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1998, Was a Member of the American Community Gardening Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1994, Co-Founder of People-Plant Council\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1997, Received an Award from the American Horticultural Therapy Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_83c0215e4b9b3f4a27c09474306c0e8b15a1617f#normalized_title","type":"document_value","attributes":{"value":"Folder 9: Anstruther, Ralph, Treasurer to Queen Elizabeth The Queen Mother, 1981","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_83c0215e4b9b3f4a27c09474306c0e8b15a1617f#parent_labels","type":"document_value","attributes":{"value":["Charles A. 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Collection (1969-1972).\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of earlier art work, including Smith’s “Lyrical Abstraction” Collection (1969-1972)."],"barcode_ssim":["Box 13|A83412143365","Box 1|A83412003890","Box 2|A83411997711","Box 3|A83411997703","Box 4|A83412004105","Box 5|A83412004113","Box 6|A83412004121","Box 7|A83412003989","Box 8|A83412003997","Box 9|A83412004008","Box 10|A83412003777","Box 11|A83412003654","Box 12|A83412153899","Box 14|A83412153548","Box 15|A83412001482","Box 16|A83412001490","Box 17|A83412003882","Box 13|A83412143373"],"barcode_tesim":["A83412143365","A83412003890","A83411997711","A83411997703","A83412004105","A83412004113","A83412004121","A83412003989","A83412003997","A83412004008","A83412003777","A83412003654","A83412153899","A83412153548","A83412153425","A83412001482","A83412001490","A83412003882","A83412143373"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eItem 1: Transparencies\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eItem 1: Transparencies\u003c/unittitle\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#8/components#2/components#0","_nest_parent_":"shirley-smith-papers_al_026904bd789c56a6c6e3fbdbe282adf40ecd6c61","_root_":"shirley-smith-papers","timestamp":"2026-05-13T11:49:09.515Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"shirley-smith-papers","title_ssm":["Shirley Smith papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. 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509S: 19/5/2","No access restrictions: All materials are available for research.","The original subject files of the center represented national publications and topics, and during appraisal those files with no connection to Kansas State University or the surrounding community were discarded. Each file included a page with an item-level inventory, and each of these inventories were retained.","Arranged by series: 1) Subject Files, 1908-2006, undated; 2) Administration Files, 1970-2008, undated; 3) Photographs, 1975-1978, undated; 4) Newsletters, 1976-1984; 5) Posters, 1977-2008, undated; 6) Oversized, 1972-2007, undated; 7) Artifacts, 1981.","The Minority Resource and Research Center was first established in 1971 as a way to promote diversity and meet the informational needs for the diverse community at Kansas State University. The Center has sponsored and co-sponsored a number of programs over the years, such as Movies on the Grass, forums, and lectures that focus on diversity and culture.   In 1978 the \"We are the Dream!\" mural was started by Kansas State Univesity minority students and completed in 1980. In 2001, the Dow Chemical Company created an endowment to be used by the library to support the multicultural mission of the Center. 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Among the topics represented in the papers are Manhattan history, history of print and broadcast journalism, U.S. history and political science, history of Kansas and the West.","The collection is arranged in 103 boxes and is organized into sixteen series: 1) Family; 2) Education; 3) Short Wave Radio; 4) Broadcast Journalism Career; 5) Higher Education Career; 6) Correspondence; 7) Dary Files; 8) Business Records; 9) Speeches; 10) Publication Files; 11) Certificates/ Awards; 12) Ephemera; 13) Printed Material; 14) Photographs; 15) Audio Visual; 16) Oversize.","David Dary is a native of Manhattan, Kansas, where he was born in 1934. A great grandfather, Carl Engel, settled in Manhattan in 1865 and was an early merchant. David’s maternal grandfather was Archie W. Long, one-time mayor of Manhattan, who owned the Long Oil Company. David’s parents are the late Russell and Ruth Long Dary of Manhattan. His mother received her master’s degree from K-State in 1926. David is a graduate of Kansas State University (1956). He later earned a graduate degree from the University of Kansas in Lawrence.\u0026#13;  After graduating from K-State he began a career in broadcast journalism at WIBW radio and television in Topeka and later worked in Texas before joining CBS News in Washington, D.C. where he covered the last months of the Eisenhower and then the Kennedy administrations. Dary introduced Kennedy on CBS for the president’s Cuban Missile Crisis speech and later overflew and observed Soviet ships carrying missiles out-bound from Cuba. In 1963 he was recruited by NBC News to be manager of local news in Washington, D.C. Although in management, he was frequently heard anchoring NBC’s Monitor weekend news programs.\u0026#13;  In the late 1960s he was offered a promotion if he would move to NBC News in New York. He declined and decided to return to Kansas where he helped to build a new NBC television station in Topeka (channel 27) before joining the faculty of the William Allen White School of Journalism at KU where he earned his graduate degree. As a professor he began to write articles and books on Kansas history. After 20 years at KU, he was recruited to become head of what is now the Gaylord College of Journalism and Mass Communication at the University of Oklahoma in Norman. He rebuilt the program and obtained a $22 million gift from the Gaylord family of Oklahoma that elevated the school to college status and provided funds for construction of a new journalism and mass communications building. After eleven years at OU, he retired in 2000 and is now emeritus professor. \u0026#13;  He is the author of more than 20 books. Three deal with journalism and the rest focus on historical aspects of Kansas and the American West. They include The Buffalo Book (1974) selected by the Book-of-the-Month Club, Cowboy Culture (1981) covering 500 years of the cowboy which won a Wrangler Award from the National Cowboy Hall of Fame and Western Heritage Center and a Spur Award from the Western Writers of America. It also was nominated for a Pulitzer Prize by his publisher Alfred A. Knopf of New York City. Other popular books are True Tales of Old-Time Kansas (1984), Entrepreneurs of the Old West (1986), Seeking Pleasure in the Old West (1995), and Red Blood and Black Ink: Journalism in the Old West (1998).\u0026#13;  Since his retirement in 2000, he has continued to research and write. His more recent books include The Santa Fe Trail (2000) and The Oregon Trail (2004) followed by A Texas Cowboy’s Journal: Up the Trail to Kansas in 1868 (2006), edited by Dary. His most recent books are True Tales of the Prairies and Plains (2007) and Frontier Medicine: From the Atlantic to the Pacific, 1492-1941 (2008) which won the Dr. Walter Alvarez Award from the American Medical Writers Association.\u0026#13;  In addition to receiving two Wrangler Awards from the National Cowboy \u0026 Western Heritage Museum, he has received two Spur Awards and the Owen Wister Lifetime Achievement Award from the Western Writers of America. In 2008, the Oklahoma Center for the Book honored him with the Arrell Gibson Award for lifetime achievement. He also has been inducted into the Oklahoma Journalism Hall of Famer and the Oklahoma Higher Education Hall of Fame. In August 2010, he was inducted into the Kansas Cowboy Hall of Fame at Dodge City for his literary contributions to the history of the cowboy.\u0026#13;  He is a former member of numerous academic and professional journalism organizations. He served on the board of directors of the Kansas State Historical Society for twenty years, is a past president of the Western Writers of America, a former council member of the Western History Association, and past president and board chairman of Westerners International.\u0026#13;  A long-time collector of books, pamphlets and ephemera on Kansas and the West, he became an appraiser of such items in the early 1980s while continuing to add to his extensive library.\u0026#13;  Dary and his wife Sue, an artist and former K-State student, live in Norman, Oklahoma. They celebrated their 54th wedding anniversary in June 2010. They have four daughters and seven grandchildren.","It received accession number P2011.13 and processing began soon after arrival into the department.","Published","Preferred Citation: [Item title], [item date], David Dary Papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Allison Skees and Kari Bingham-Gutierrez, directed by Tony Crawford, Curator of Manuscripts  Processing Info: Alison Skees, student employee, began the initial organizing of the material. Following her graduation, Kari Bingham-Gutierrez completed the bulk of the processing and the finding aid with Tony Crawford, Curator of Manuscripts, in the summer of 2014.  Processing and addition of new materials began by archival student Kiersten Leach in winter 2024.","David Dary donated his collection of personal papers to the Morse Department of Archives and Special Collections in 2011. The papers span the years 1856 to 2017 and are housed in 123 boxes. The collection spans a total of 16 series: Family, Education, Short Wave Radio, Broadcast Journalism Career, Higher Education Career, Correspondence, Dary Files, Business Records, Speeches, Publication Files, Certificates/Awards, Ephemera, Printed Material, Photographs, Audio/Visual, and Oversize. Processing was originally completed in 2014, resulting in 103 boxes. New material was received by the Morse Department of Archives and Special Collections in 2024 and was processed afterward. The extent now totals 123 boxes. The dates covered by the collection are approximately 1833-2017.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Dary, David (1934- )","Dary, David (1934- )","English","Latin"],"unitid_tesim":["P2011.13"],"normalized_date_ssm":["1833-2017"],"normalized_title_ssm":["David Dary papers, 1833-2017"],"collection_title_tesim":["David Dary papers, 1833-2017"],"collection_ssim":["David Dary papers, 1833-2017"],"creator_ssm":["Dary, David (1934- )"],"creator_ssim":["Dary, David (1934- )"],"creator_persname_ssim":["Dary, David (1934- )"],"creators_ssim":["Dary, David (1934- )"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: David Dary Acqusition Method: Donation Acqusition Date: 20110601"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["123.00 Boxes"],"date_range_isim":[1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"appraisal_html_tesm":["\u003cp\u003eThe Dary Papers include the most diverse number of research strengths than any other collection in the department. Among the topics represented in the papers are Manhattan history, history of print and broadcast journalism, U.S. history and political science, history of Kansas and the West.\u003c/p\u003e"],"appraisal_tesim":["The Dary Papers include the most diverse number of research strengths than any other collection in the department. Among the topics represented in the papers are Manhattan history, history of print and broadcast journalism, U.S. history and political science, history of Kansas and the West."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 103 boxes and is organized into sixteen series: 1) Family; 2) Education; 3) Short Wave Radio; 4) Broadcast Journalism Career; 5) Higher Education Career; 6) Correspondence; 7) Dary Files; 8) Business Records; 9) Speeches; 10) Publication Files; 11) Certificates/ Awards; 12) Ephemera; 13) Printed Material; 14) Photographs; 15) Audio Visual; 16) Oversize.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged in 103 boxes and is organized into sixteen series: 1) Family; 2) Education; 3) Short Wave Radio; 4) Broadcast Journalism Career; 5) Higher Education Career; 6) Correspondence; 7) Dary Files; 8) Business Records; 9) Speeches; 10) Publication Files; 11) Certificates/ Awards; 12) Ephemera; 13) Printed Material; 14) Photographs; 15) Audio Visual; 16) Oversize."],"bioghist_tesim":["David Dary is a native of Manhattan, Kansas, where he was born in 1934. A great grandfather, Carl Engel, settled in Manhattan in 1865 and was an early merchant. David’s maternal grandfather was Archie W. Long, one-time mayor of Manhattan, who owned the Long Oil Company. David’s parents are the late Russell and Ruth Long Dary of Manhattan. His mother received her master’s degree from K-State in 1926. David is a graduate of Kansas State University (1956). He later earned a graduate degree from the University of Kansas in Lawrence.\u0026#13;  After graduating from K-State he began a career in broadcast journalism at WIBW radio and television in Topeka and later worked in Texas before joining CBS News in Washington, D.C. where he covered the last months of the Eisenhower and then the Kennedy administrations. Dary introduced Kennedy on CBS for the president’s Cuban Missile Crisis speech and later overflew and observed Soviet ships carrying missiles out-bound from Cuba. In 1963 he was recruited by NBC News to be manager of local news in Washington, D.C. Although in management, he was frequently heard anchoring NBC’s Monitor weekend news programs.\u0026#13;  In the late 1960s he was offered a promotion if he would move to NBC News in New York. He declined and decided to return to Kansas where he helped to build a new NBC television station in Topeka (channel 27) before joining the faculty of the William Allen White School of Journalism at KU where he earned his graduate degree. As a professor he began to write articles and books on Kansas history. After 20 years at KU, he was recruited to become head of what is now the Gaylord College of Journalism and Mass Communication at the University of Oklahoma in Norman. He rebuilt the program and obtained a $22 million gift from the Gaylord family of Oklahoma that elevated the school to college status and provided funds for construction of a new journalism and mass communications building. After eleven years at OU, he retired in 2000 and is now emeritus professor. \u0026#13;  He is the author of more than 20 books. Three deal with journalism and the rest focus on historical aspects of Kansas and the American West. They include The Buffalo Book (1974) selected by the Book-of-the-Month Club, Cowboy Culture (1981) covering 500 years of the cowboy which won a Wrangler Award from the National Cowboy Hall of Fame and Western Heritage Center and a Spur Award from the Western Writers of America. It also was nominated for a Pulitzer Prize by his publisher Alfred A. Knopf of New York City. Other popular books are True Tales of Old-Time Kansas (1984), Entrepreneurs of the Old West (1986), Seeking Pleasure in the Old West (1995), and Red Blood and Black Ink: Journalism in the Old West (1998).\u0026#13;  Since his retirement in 2000, he has continued to research and write. His more recent books include The Santa Fe Trail (2000) and The Oregon Trail (2004) followed by A Texas Cowboy’s Journal: Up the Trail to Kansas in 1868 (2006), edited by Dary. His most recent books are True Tales of the Prairies and Plains (2007) and Frontier Medicine: From the Atlantic to the Pacific, 1492-1941 (2008) which won the Dr. Walter Alvarez Award from the American Medical Writers Association.\u0026#13;  In addition to receiving two Wrangler Awards from the National Cowboy \u0026 Western Heritage Museum, he has received two Spur Awards and the Owen Wister Lifetime Achievement Award from the Western Writers of America. In 2008, the Oklahoma Center for the Book honored him with the Arrell Gibson Award for lifetime achievement. He also has been inducted into the Oklahoma Journalism Hall of Famer and the Oklahoma Higher Education Hall of Fame. In August 2010, he was inducted into the Kansas Cowboy Hall of Fame at Dodge City for his literary contributions to the history of the cowboy.\u0026#13;  He is a former member of numerous academic and professional journalism organizations. He served on the board of directors of the Kansas State Historical Society for twenty years, is a past president of the Western Writers of America, a former council member of the Western History Association, and past president and board chairman of Westerners International.\u0026#13;  A long-time collector of books, pamphlets and ephemera on Kansas and the West, he became an appraiser of such items in the early 1980s while continuing to add to his extensive library.\u0026#13;  Dary and his wife Sue, an artist and former K-State student, live in Norman, Oklahoma. They celebrated their 54th wedding anniversary in June 2010. They have four daughters and seven grandchildren."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2011.13 and processing began soon after arrival into the department.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2011.13 and processing began soon after arrival into the department."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], David Dary Papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], David Dary Papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Allison Skees and Kari Bingham-Gutierrez, directed by Tony Crawford, Curator of Manuscripts \u003clb\u003e\u003c/lb\u003eProcessing Info: Alison Skees, student employee, began the initial organizing of the material. Following her graduation, Kari Bingham-Gutierrez completed the bulk of the processing and the finding aid with Tony Crawford, Curator of Manuscripts, in the summer of 2014. \u003clb\u003e\u003c/lb\u003eProcessing and addition of new materials began by archival student Kiersten Leach in winter 2024.\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Allison Skees and Kari Bingham-Gutierrez, directed by Tony Crawford, Curator of Manuscripts  Processing Info: Alison Skees, student employee, began the initial organizing of the material. Following her graduation, Kari Bingham-Gutierrez completed the bulk of the processing and the finding aid with Tony Crawford, Curator of Manuscripts, in the summer of 2014.  Processing and addition of new materials began by archival student Kiersten Leach in winter 2024."],"scopecontent_html_tesm":["\u003cp\u003eDavid Dary donated his collection of personal papers to the Morse Department of Archives and Special Collections in 2011. The papers span the years 1856 to 2017 and are housed in 123 boxes. The collection spans a total of 16 series: Family, Education, Short Wave Radio, Broadcast Journalism Career, Higher Education Career, Correspondence, Dary Files, Business Records, Speeches, Publication Files, Certificates/Awards, Ephemera, Printed Material, Photographs, Audio/Visual, and Oversize. Processing was originally completed in 2014, resulting in 103 boxes. New material was received by the Morse Department of Archives and Special Collections in 2024 and was processed afterward. The extent now totals 123 boxes. The dates covered by the collection are approximately 1833-2017.\u003c/p\u003e"],"scopecontent_tesim":["David Dary donated his collection of personal papers to the Morse Department of Archives and Special Collections in 2011. The papers span the years 1856 to 2017 and are housed in 123 boxes. The collection spans a total of 16 series: Family, Education, Short Wave Radio, Broadcast Journalism Career, Higher Education Career, Correspondence, Dary Files, Business Records, Speeches, Publication Files, Certificates/Awards, Ephemera, Printed Material, Photographs, Audio/Visual, and Oversize. Processing was originally completed in 2014, resulting in 103 boxes. New material was received by the Morse Department of Archives and Special Collections in 2024 and was processed afterward. The extent now totals 123 boxes. The dates covered by the collection are approximately 1833-2017."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Dary, David (1934- )","Dary, David (1934- )"],"corpname_ssim":["Richard L. D. and Marjorie J. 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A great grandfather, Carl Engel, settled in Manhattan in 1865 and was an early merchant. David\u0026#x2019;s maternal grandfather was Archie W. Long, one-time mayor of Manhattan, who owned the Long Oil Company. David\u0026#x2019;s parents are the late Russell and Ruth Long Dary of Manhattan. His mother received her master\u0026#x2019;s degree from K-State in 1926. David is a graduate of Kansas State University (1956). He later earned a graduate degree from the University of Kansas in Lawrence.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e After graduating from K-State he began a career in broadcast journalism at WIBW radio and television in Topeka and later worked in Texas before joining CBS News in Washington, D.C. where he covered the last months of the Eisenhower and then the Kennedy administrations. Dary introduced Kennedy on CBS for the president\u0026#x2019;s Cuban Missile Crisis speech and later overflew and observed Soviet ships carrying missiles out-bound from Cuba. In 1963 he was recruited by NBC News to be manager of local news in Washington, D.C. Although in management, he was frequently heard anchoring NBC\u0026#x2019;s Monitor weekend news programs.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e In the late 1960s he was offered a promotion if he would move to NBC News in New York. He declined and decided to return to Kansas where he helped to build a new NBC television station in Topeka (channel 27) before joining the faculty of the William Allen White School of Journalism at KU where he earned his graduate degree. As a professor he began to write articles and books on Kansas history. After 20 years at KU, he was recruited to become head of what is now the Gaylord College of Journalism and Mass Communication at the University of Oklahoma in Norman. He rebuilt the program and obtained a $22 million gift from the Gaylord family of Oklahoma that elevated the school to college status and provided funds for construction of a new journalism and mass communications building. After eleven years at OU, he retired in 2000 and is now emeritus professor. \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e He is the author of more than 20 books. Three deal with journalism and the rest focus on historical aspects of Kansas and the American West. They include The Buffalo Book (1974) selected by the Book-of-the-Month Club, Cowboy Culture (1981) covering 500 years of the cowboy which won a Wrangler Award from the National Cowboy Hall of Fame and Western Heritage Center and a Spur Award from the Western Writers of America. It also was nominated for a Pulitzer Prize by his publisher Alfred A. Knopf of New York City. Other popular books are True Tales of Old-Time Kansas (1984), Entrepreneurs of the Old West (1986), Seeking Pleasure in the Old West (1995), and Red Blood and Black Ink: Journalism in the Old West (1998).\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Since his retirement in 2000, he has continued to research and write. His more recent books include The Santa Fe Trail (2000) and The Oregon Trail (2004) followed by A Texas Cowboy\u0026#x2019;s Journal: Up the Trail to Kansas in 1868 (2006), edited by Dary. His most recent books are True Tales of the Prairies and Plains (2007) and Frontier Medicine: From the Atlantic to the Pacific, 1492-1941 (2008) which won the Dr. Walter Alvarez Award from the American Medical Writers Association.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e In addition to receiving two Wrangler Awards from the National Cowboy \u0026amp; Western Heritage Museum, he has received two Spur Awards and the Owen Wister Lifetime Achievement Award from the Western Writers of America. In 2008, the Oklahoma Center for the Book honored him with the Arrell Gibson Award for lifetime achievement. He also has been inducted into the Oklahoma Journalism Hall of Famer and the Oklahoma Higher Education Hall of Fame. In August 2010, he was inducted into the Kansas Cowboy Hall of Fame at Dodge City for his literary contributions to the history of the cowboy.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e He is a former member of numerous academic and professional journalism organizations. He served on the board of directors of the Kansas State Historical Society for twenty years, is a past president of the Western Writers of America, a former council member of the Western History Association, and past president and board chairman of Westerners International.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e A long-time collector of books, pamphlets and ephemera on Kansas and the West, he became an appraiser of such items in the early 1980s while continuing to add to his extensive library.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Dary and his wife Sue, an artist and former K-State student, live in Norman, Oklahoma. They celebrated their 54th wedding anniversary in June 2010. They have four daughters and seven grandchildren.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#normalized_title","type":"document_value","attributes":{"value":"Box 109, 1855-2002","label":"Title"}},"short_description":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#short_description","type":"document_value","attributes":{"value":"Contains correspondence, publishing information, and reviews of True Tales of the Prairies and Plains (2007) the Buffalo Book (1974), as well as miscellaneous publishing material. Also included are papers from Dary’s Short-Wave Radio and TV career, including the Radio Broadcast Handbook and papers regarding his trip to Khartoum, Sudan.","label":"Description"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#parent_labels","type":"document_value","attributes":{"value":["David Dary papers, 1833-2017","Series 3: Short Wave Radio, Circa 1943-1991, undated","Sub-Series 2: Short Wave Radio, AM, and TV, Circa 1943-1957, undated"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#parent_ids","type":"document_value","attributes":{"value":["david-dary-papers","david-dary-papers_al_2616922c8a3b784cf1b804be6caede1894160c27","david-dary-papers_al_30ba9dfc68be94b48bcab6abda8040e686953389"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#level","type":"document_value","attributes":{"value":"Box","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#collection_name","type":"document_value","attributes":{"value":"David Dary papers, 1833-2017","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#eadid","type":"document_value","attributes":{"value":"david-dary-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/david-dary-papers_al_90c3dc38fee7c9728ed5d6947536cf64937b25c2"}},{"id":"shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe","type":"Other","attributes":{"title":"Box 15: Modeling Advertisements/ Photographs (1953-1955) and Figure Sketches (pencil, paper; 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#normalized_title","type":"document_value","attributes":{"value":"Box 15: Modeling Advertisements/ Photographs (1953-1955) and Figure Sketches (pencil, paper; nd)","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 9: Oversize"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_ccbc6cd122d0f5690da5a61de85c6d8a549151c1"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#level","type":"document_value","attributes":{"value":"Other","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_500f31b628a9ba105d0162bfa34db9f1a07408fe"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Richard L. 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