{"links":{"self":"https://findingaids.lib.k-state.edu/catalog.json?page=229\u0026range%5Bdate_range%5D%5Bbegin%5D=1800\u0026range%5Bdate_range%5D%5Bend%5D=1999","prev":"https://findingaids.lib.k-state.edu/catalog.json?page=228\u0026range%5Bdate_range%5D%5Bbegin%5D=1800\u0026range%5Bdate_range%5D%5Bend%5D=1999","next":"https://findingaids.lib.k-state.edu/catalog.json?page=230\u0026range%5Bdate_range%5D%5Bbegin%5D=1800\u0026range%5Bdate_range%5D%5Bend%5D=1999","last":"https://findingaids.lib.k-state.edu/catalog.json?page=241\u0026range%5Bdate_range%5D%5Bbegin%5D=1800\u0026range%5Bdate_range%5D%5Bend%5D=1999"},"meta":{"pages":{"current_page":229,"next_page":230,"prev_page":228,"total_pages":241,"limit_value":10,"offset_value":2280,"total_count":2409,"first_page?":false,"last_page?":false}},"data":[{"id":"jason-holcomb-custom-harvester-oral-histories","type":"collection","attributes":{"title":"Jason Holcomb Custom Harvester oral histories, 1980-2010","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026amp; Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites.\u003cbr\u003e\u003cbr\u003eDr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. 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The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM.","Custom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba. The seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt’s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business. The primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College’s Miller Library in McPherson, KS. The project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council.","It received accession number 2016-17.037.","Published","[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original material available during open hours of repository and any digitized materials that are online are available with the Internet.","Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, Library Assistant III, processed the collection and curator David Allen reviewed it, in March 2017.  Publication Date: 2017-03-03","This collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026 Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites. Dr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. Dr. Holcomb asked Mennonite participants additional questions, including details about their faith, the relationship between faith and their work, pacifism, and the alternative service conscientious objectors performed.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM.\u003c/p\u003e"],"arrangement_tesim":["The arrangement has been kept in the original order created by Jason Holcomb. The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCustom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt\u0026#x2019;s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College\u0026#x2019;s Miller Library in McPherson, KS.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Custom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba. The seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt’s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business. The primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College’s Miller Library in McPherson, KS. The project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number 2016-17.037.\u003c/p\u003e"],"custodhist_tesim":["It received accession number 2016-17.037."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"phystech_html_tesm":["\u003cp\u003eOriginal material available during open hours of repository and any digitized materials that are online are available with the Internet.\u003c/p\u003e"],"phystech_tesim":["Original material available during open hours of repository and any digitized materials that are online are available with the Internet."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia A. 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The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026amp; Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. Dr. Holcomb asked Mennonite participants additional questions, including details about their faith, the relationship between faith and their work, pacifism, and the alternative service conscientious objectors performed.\u003c/p\u003e"],"scopecontent_tesim":["This collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. 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Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026 Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites. Dr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. 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The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM.","Custom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba. The seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt’s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business. The primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College’s Miller Library in McPherson, KS. The project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council.","It received accession number 2016-17.037.","Published","[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original material available during open hours of repository and any digitized materials that are online are available with the Internet.","Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, Library Assistant III, processed the collection and curator David Allen reviewed it, in March 2017.  Publication Date: 2017-03-03","This collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026 Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites. Dr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. Dr. Holcomb asked Mennonite participants additional questions, including details about their faith, the relationship between faith and their work, pacifism, and the alternative service conscientious objectors performed.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Holcomb, Jason","Holcomb, Jason","English"],"unitid_tesim":["2016-17.037"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Jason Holcomb Custom Harvester oral histories, 1980-2010"],"collection_title_tesim":["Jason Holcomb Custom Harvester oral histories, 1980-2010"],"collection_ssim":["Jason Holcomb Custom Harvester oral histories, 1980-2010"],"creator_ssm":["Holcomb, Jason"],"creator_ssim":["Holcomb, Jason"],"creator_persname_ssim":["Holcomb, Jason"],"creators_ssim":["Holcomb, Jason"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Jason P. Holcomb Acqusition Method: Donation. Acqusition Date: 20170124"],"access_subjects_ssim":["Farming and ranching"],"access_subjects_ssm":["Farming and ranching"],"has_online_content_ssim":["false"],"physdesc_tesim":["18.00 Gigabytes, .5 linear feet, 1.00 Box"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eAcquired because it documents oral histories of custom harvester families in Kansas.\u003c/p\u003e"],"appraisal_tesim":["Acquired because it documents oral histories of custom harvester families in Kansas."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement has been kept in the original order created by Jason Holcomb. The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM.\u003c/p\u003e"],"arrangement_tesim":["The arrangement has been kept in the original order created by Jason Holcomb. The collection includes six (6) DVDs containing WAV format interview audio files, PDF format transcripts of the interviews, PDF files of published articles, and scanned photo image files of interviewees with photo indexes between 2008 and 2010. An index was created for eight (8) interviews in cooperation with the MHAM."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCustom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt\u0026#x2019;s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College\u0026#x2019;s Miller Library in McPherson, KS.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Custom grain harvesters in the Great Plains own harvesting machinery and typically move their combines and other equipment to Texas or Oklahoma in May or early June to begin the wheat harvest season, and then move north as the wheat ripens, ending the wheat harvest season in North Dakota, Montana, or Canada. Custom harvesters are also known as custom combiners, and many now harvest fall crops as well. They own combines, trucks, tractors, grain carts, and bunkhouses (travel trailers), and move all the equipment from place to place to harvest for farmers that do not have their own harvesting equipment. Most live in their own bunkhouses, while some stay in motels along the harvest route. Custom harvesting began at a smaller scale with the pull-type combine before World War II, taking the machines out of state to harvest wheat. The invention of the self-propelled combine allowed owners to more easily move the machines long distance to harvest wheat and other crops in multiple states. In the United States most of this type of custom harvesting work is done in Texas, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, and Montana. Custom harvesters also work in Canada in the Prairie Provinces of Alberta, Saskatchewan, and Manitoba. The seeds of this project began in 2008, when Dr. Jason Holcomb, the project interviewer, recorded the oral histories of Geral and Margie Schmidt, owners of Schmidt Harvesting in Sterling, KS. Dr. Holcomb worked for Schmidt Harvesting for all or most part of the summers between 1988 and 2004 while he completed degrees in geography at the University of Kansas and Kansas State University and even after he started his work as a geography professor at Morehead State University in Morehead, KY. The Schmidt’s retirement from custom harvesting in 2006 provided the impetus to record their personal experiences, as both Geral and Margie were children of custom harvesters and thus spent much of their lives doing the work of harvesting crops and living this unique lifestyle. Mr. Schmidt suggested other custom harvesting families in the vicinity of Sterling to interview, and from there the project grew to include custom harvesters from multiple states. Dr. Holcomb recruited additional oral history participants by contacting members of the United States Custom Harvesters, Inc. Some interviews were recorded in 2008 or 2009 while the largest number were recorded when Dr. Holcomb was on sabbatical in 2010. Many of those interviewed were retired while others were still working in the harvesting business. The primary goal of this project was to document the experiences of people with firsthand knowledge of the origins of custom harvesting in the first generation of custom harvesters after World War II, and how it developed in subsequent decades. As children of the first generation of custom harvesters, Geral and Margie Schmidt and other participants remember those early days. The project permanently preserves the memories of people who have taken part in this very important part of Great Plains agriculture. Another related resource completed by the Inman Museum Association is titled Sixty years of custom harvesting on the Great Plains: Oral histories, and is available at McPherson College’s Miller Library in McPherson, KS. The project was funded through grants from Morehead State University in Morehead, Kentucky, and the Kansas Humanities Council."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number 2016-17.037.\u003c/p\u003e"],"custodhist_tesim":["It received accession number 2016-17.037."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Jason Holcomb Custom Harvester Oral Histories, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"phystech_html_tesm":["\u003cp\u003eOriginal material available during open hours of repository and any digitized materials that are online are available with the Internet.\u003c/p\u003e"],"phystech_tesim":["Original material available during open hours of repository and any digitized materials that are online are available with the Internet."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia A. Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: Cynthia A. Harris, Library Assistant III, processed the collection and curator David Allen reviewed it, in March 2017. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-03-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, Library Assistant III, processed the collection and curator David Allen reviewed it, in March 2017.  Publication Date: 2017-03-03"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026amp; Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. Dr. Holcomb asked Mennonite participants additional questions, including details about their faith, the relationship between faith and their work, pacifism, and the alternative service conscientious objectors performed.\u003c/p\u003e"],"scopecontent_tesim":["This collection consists of 58.7 hours of audio files and the accompanying transcripts of oral history interviews with custom harvesters. Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges from pre-World War II to 2010, with first-person accounts of harvest from the 1950s to 2010. All persons interviewed were retired or working custom harvesters, yet the project has a distinct group of interviews, 21.5 hours in length, exclusively with Mennonite custom harvesters. The interviews with Mennonite custom harvesters began when Mr. Schmidt recommended interviewing Waldo and Doris Froese of Inman, KS, one of the communities in the Mennonite settlement area of south-central Kansas. Other communities include Buhler and Moundridge. Dr. Holcomb then recruited others in this area for a separate project, which included interview questions pertaining specifically to Mennonite custom harvesters. Dr. Holcomb received grant funding from the Kansas Humanities Council for the Mennonite project, with sponsorship from the Mennonite Heritage \u0026 Agricultural Museum in Goessel, KS, which he used to pay for travel and transcription expenses. There is a subject index of the transcripts of the interviews with Mennonites. Dr. Holcomb obtained 244 complimentary photos and news articles from participants to augment the interviews. Photos were either from the personal collections of those interviewed or were taken by the research team. There are two photo keys that provide captions for the photos. All interviews were conducted between 2008 and 2010. Interview questions were in the broad categories of family history and background, labor, origins of custom harvesting as a vocation, the work of custom harvesting, identity and lifestyle, equipment, places along the harvest route, changes in the communities where they harvest, crops harvested, weather, hardships, meals, lodging, relationships, and sense of place. Dr. Holcomb asked Mennonite participants additional questions, including details about their faith, the relationship between faith and their work, pacifism, and the alternative service conscientious objectors performed."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Holcomb, Jason","Holcomb, Jason"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Those interviewed were all from the United States except for one participant from Saskatchewan, Canada. American participants were from Kansas, Minnesota, Nebraska, North Dakota, Oklahoma, or North Dakota. The time period discussed in the interviews ranges...","label":"Description"}},"creator":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#creator","type":"document_value","attributes":{"value":"Holcomb, Jason","label":"Creator"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#collection_name","type":"document_value","attributes":{"value":"Jason Holcomb Custom Harvester oral histories, 1980-2010","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#eadid","type":"document_value","attributes":{"value":"jason-holcomb-custom-harvester-oral-histories","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/jason-holcomb-custom-harvester-oral-histories"}},{"id":"jimmy-rogers-papers","type":"collection","attributes":{"title":"Jimmy Rogers papers, 1930-2008","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/jimmy-rogers-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eJimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.\u003cbr\u003e The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003cbr\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/jimmy-rogers-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"jimmy-rogers-papers","title_ssm":["Jimmy Rogers papers"],"title_tesim":["Jimmy Rogers papers"],"ead_ssi":"jimmy-rogers-papers","unitdate_ssm":["1930-2008"],"unitdate_other_ssim":["1930-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.06","278"],"text":["P2014.06","278","Jimmy Rogers papers, 1930-2008","Kansas agriculture and rural life","14.00 Boxes Post-Fire Oversize Boxes: Box 13 ( 23x31); 509S: 19/3/5 Box 8, 12, 14 (16.5x20.5); 509S: 19/1/4 Box 7, 9 (19x25x1.5); 509S: 19/4/5","No access restriction: All materials are open for research.","Acquired because it enhances faculty research and student curriculum.","This collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","Preferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy","English","Latin"],"unitid_tesim":["P2014.06","278"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Jimmy Rogers papers, 1930-2008"],"collection_title_tesim":["Jimmy Rogers papers, 1930-2008"],"collection_ssim":["Jimmy Rogers papers, 1930-2008"],"creator_ssm":["Rogers, Jimmy"],"creator_ssim":["Rogers, Jimmy"],"creator_persname_ssim":["Rogers, Jimmy"],"creators_ssim":["Rogers, Jimmy"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"acqinfo_ssim":["Acqusition Source: Brand Used Works, Auction House Acqusition Method: Purchased by K-State Libraries. Acqusition Date: 20140301"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["14.00 Boxes Post-Fire Oversize Boxes: Box 13 ( 23x31); 509S: 19/3/5 Box 8, 12, 14 (16.5x20.5); 509S: 19/1/4 Box 7, 9 (19x25x1.5); 509S: 19/4/5"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eAcquired because it enhances faculty research and student curriculum.\u003c/p\u003e"],"appraisal_tesim":["Acquired because it enhances faculty research and student curriculum."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.\u003c/p\u003e"],"arrangement_tesim":["This collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026amp;B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026amp;B charts in 1957 with the single \u0026#x201C;Walking by Myself.\u0026#x201D; After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers\u0026#x2019;s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, \u0026#x201C;Gold Tailed Bird,\u0026#x201D; was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song \u0026#x201C;Ludella.\u0026#x201D; He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.06.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.06."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Wayne Goins \u003clb\u003e\u003c/lb\u003eProcessing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-15\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15"],"scopecontent_html_tesm":["\u003cp\u003eJimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.\u003clb\u003e\u003c/lb\u003e The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e"],"scopecontent_tesim":["Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy"],"corpname_ssim":["Richard L. D. and Marjorie J. 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While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","Preferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy","English","Latin"],"unitid_tesim":["P2014.06","278"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Jimmy Rogers papers, 1930-2008"],"collection_title_tesim":["Jimmy Rogers papers, 1930-2008"],"collection_ssim":["Jimmy Rogers papers, 1930-2008"],"creator_ssm":["Rogers, Jimmy"],"creator_ssim":["Rogers, Jimmy"],"creator_persname_ssim":["Rogers, Jimmy"],"creators_ssim":["Rogers, Jimmy"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"acqinfo_ssim":["Acqusition Source: Brand Used Works, Auction House Acqusition Method: Purchased by K-State Libraries. Acqusition Date: 20140301"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["14.00 Boxes Post-Fire Oversize Boxes: Box 13 ( 23x31); 509S: 19/3/5 Box 8, 12, 14 (16.5x20.5); 509S: 19/1/4 Box 7, 9 (19x25x1.5); 509S: 19/4/5"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eAcquired because it enhances faculty research and student curriculum.\u003c/p\u003e"],"appraisal_tesim":["Acquired because it enhances faculty research and student curriculum."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.\u003c/p\u003e"],"arrangement_tesim":["This collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026amp;B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026amp;B charts in 1957 with the single \u0026#x201C;Walking by Myself.\u0026#x201D; After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers\u0026#x2019;s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, \u0026#x201C;Gold Tailed Bird,\u0026#x201D; was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song \u0026#x201C;Ludella.\u0026#x201D; He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.06.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.06."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Jimmy Rogers Collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Wayne Goins \u003clb\u003e\u003c/lb\u003eProcessing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-15\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  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Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e"],"scopecontent_tesim":["Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003cbr\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003cbr\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003cbr\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003cbr\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003cbr\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003cbr\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003cbr\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003cbr\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003cbr\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","Preferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Climenhaga, Joel","Climenhaga, Joel"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003ePreferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e, 1912-2001"],"hashed_id_ssi":"f7cc7169514ef686","_root_":"joel-climenhaga-papers","timestamp":"2026-04-03T11:10:37.348Z","scopecontent_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003clb\u003e\u003c/lb\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003clb\u003e\u003c/lb\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","Preferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Joel Climenhaga papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#normalized_title","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Title"}},"short_description":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#short_description","type":"document_value","attributes":{"value":"The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends. The Biographical Series consist of two boxes which include Climenhaga\u0026#39;s baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes. The Correspondence Series is made up of fourteen boxes and arranged...","label":"Description"}},"creator":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#creator","type":"document_value","attributes":{"value":"Climenhaga, Joel","label":"Creator"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#collection_name","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#eadid","type":"document_value","attributes":{"value":"joel-climenhaga-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/joel-climenhaga-papers"}},{"id":"john-c-reese-papers","type":"collection","attributes":{"title":"John C. Reese papers, 1971–2015","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/john-c-reese-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe John C. Reese papers include a 2013 curriculum vitae, a 2006 grant application, and reprinted publications from 1971 to 2015 of Kansas State University entomology professor John C. Reese. An expert in plant host resistance, Reese's papers document his career and associated research.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/john-c-reese-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"john-c-reese-papers","title_ssm":["John C. Reese papers"],"title_tesim":["John C. Reese papers"],"ead_ssi":"john-c-reese-papers","unitdate_ssm":["1971–2015"],"unitdate_other_ssim":["1971–2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2015-16.060","258"],"text":["2015-16.060","258","John C. 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Minor papers, 1971-2001","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/john-w-minor-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe John W. Minor papers are a part of the Arthur Capper Cooperative Research Collection, a resource for the study of agricultural cooperatives. This collection includes training programs, presentations, publications, annual reports, and artifacts related to John W. Minor’s career in cooperative agriculture, in particular his work with the regional cooperatives FAR-MAR-CO and Farmland Industries. Training programs and presentations include a variety of courses spanning accounting, business planning, grain storage, and professional development, many with handwritten notes and additions. Publications include assorted booklets and circulars relating to cooperative farming. Annual reports from Farmland Industries and FAR-MAR-CO (as well as its PROMARK system) range discontinuously from 1975 to 2001. Artifacts include paperweights and other commemorative items.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/john-w-minor-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"john-w-minor-papers","title_ssm":["John W. Minor papers"],"title_tesim":["John W. Minor papers"],"ead_ssi":"john-w-minor-papers","unitdate_ssm":["1971-2001"],"unitdate_other_ssim":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016-17.043","293"],"text":["2016-17.043","293","John W. Minor papers, 1971-2001","Farming and ranching","2.00 Linear Feet, 2.00 Boxes","No access restriction: All materials are open for research.","Materials supplement and closely align with FAR-MAR-CO and Farmland Industries collections in Kansas life and culture collecting areas.","This collection is arranged into 4 series by content: 1) Training programs and presentations, 1974-1994, undated; 2) Publications, 1971-1990, undated; 3) Artifacts, 1993, undated; 4) Annual reports, 1975-2001.","John W. Minor, a Kansas State University alumnus, worked in both local and regional cooperatives, taught Vocational Agriculture, and provided educational programs for regional cooperatives as an employee of FAR-MAR-CO and Farmland Industries. He grew up on a farm a mile west of Bloom, Kansas in Ford County, and his grandfather was a board member of the Bloom Cooperative Exchange (which later merged with the Mineola Cooperative Exchange). He taught Vocational Agriculture in Abilene and Scott City, Kansas, the latter for four years. At Scott City, he so impressed Roderic Simpson, a FAR-MAR-CO fieldman, that he was recruited at the end of his tenure by FAR-MAR-CO. FAR-MAR-CO arranged a subsidized internship at the Scott City Cooperative, during which he moved across departments for training. At the end of ten months, he became the coordinator for the new Careers in Cooperatives education program for FAR-MAR-CO in Hutchinson, Kansas. Following the 1977 FAR-MAR-CO merger with Farmland Industries, he moved to Kansas City and the Farmland Educational department. In 1983, he returned to general management at a local cooperative, the Producers Cooperative of Girard, Kansas, for a span of four and a half years, after which he returned to Farmland. In 1998 he joined new special projects group called One System Group for Farmland Industries, in order to re-design all of their business enterprises and departments and create a new business model built into a Y2K initiative compliant software package. In 2001, One System Group became an equal partnership between Farmland Industries and Ernst \u0026 Young, an accounting firm. Later in the new millennium, One System Group became an independent company when Farmland’s share was bought out, and subsequently changed hands several times before John W. Minor’s retirement in 2005.","It received accession number 2016-17.043.","Published","Preferred Citation: [Item title], [item date], John W. Minor papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Minor revisions to the scope and content (as well as to the creator biography) were made in August 2017 following feedback from John W. Minor.","Finding Aid Author: Patrick C. Dittamo  Processing Info: Patrick C. Dittamo, graduate student at Kansas State University, processed the collection, and curator David Allen reviewed it, in July 2017.  Publication Date: 2017-07-10","Related Materials: Farmland Industries  Roderic Simpson papers","The John W. Minor papers are a part of the Arthur Capper Cooperative Research Collection, a resource for the study of agricultural cooperatives. This collection includes training programs, presentations, publications, annual reports, and artifacts related to John W. Minor’s career in cooperative agriculture, in particular his work with the regional cooperatives FAR-MAR-CO and Farmland Industries. Training programs and presentations include a variety of courses spanning accounting, business planning, grain storage, and professional development, many with handwritten notes and additions. Publications include assorted booklets and circulars relating to cooperative farming. 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Box one consists of four series: 1) Subject Series; 2) Printed Material; 3) Don \u0026 Kay Kluck Series; 4) Photograph Series. Box two houses the Oversize Series and consists of two subseries: 1) Printed Material and 2) Photographs.","Donated by Judy A. Horsch, Andale, KS, and delivered by Jason Holcomb to Bluemont Hall on June 24, 2019. Moved to Ag Press building where it was accessioned and processed by Cynthia Harris began in July 2019. It received Accession Number 2019-20.001.","Published","[Item title], [item date], Joseph M. Tucker Massey Harvest Brigade collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Original materials available during open hours of repository and any digitized materials that are online are available with the Internet.","Cynthia Harris, Manuscripts/Collections Processor processed and described materials and curator, David Allen reviewed the finding aid in July 2019. Publication occurred on July 25, 2019.","Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. 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Publication occurred on July 25, 2019.","Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. 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There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946. The Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters. The Oversize Photographs Subseries has two photographs: 1) Proclamation by King George VI, 1946 September 9, that nominates and appoints Joseph Maxwell Tucker “to an Honorary Officer of the Civil Division of Our said and Most Excellent Order of the British Empire\" and 2) a newspaper advertisement poking fun at Joseph Tucker titled “Retribution Overdue.\""],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eSources used for the Scope and Content note were found within the collection.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Sources used for the Scope and Content note were found within the collection."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Tucker, Joseph M.","Tucker, Joseph M."],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"name_ssim":["Tucker, Joseph M.","Tucker, Joseph M."],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoseph M. Tucker Massey Harvest Brigade Collection\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Joseph M. Tucker Massey Harvest Brigade collection, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoseph M. Tucker Massey Harvest Brigade Collection\u003c/unittitle\u003e, 1939-1949, 2000, 2005, 2013, undated"],"hashed_id_ssi":"e2082ee1dce1d18c","_root_":"joseph-m-tucker-massey-harvest-brigade-collection","timestamp":"2026-04-03T11:26:27.267Z"}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#normalized_title","type":"document_value","attributes":{"value":"Joseph M. Tucker Massey Harvest Brigade Collection, 1939-1949, 2000, 2005, 2013, undated","label":"Title"}},"short_description":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#short_description","type":"document_value","attributes":{"value":"Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The...","label":"Description"}},"creator":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#creator","type":"document_value","attributes":{"value":"Tucker, Joseph M.","label":"Creator"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#collection_name","type":"document_value","attributes":{"value":"Joseph M. Tucker Massey Harvest Brigade Collection, 1939-1949, 2000, 2005, 2013, undated","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#eadid","type":"document_value","attributes":{"value":"joseph-m-tucker-massey-harvest-brigade-collection","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection"}},{"id":"julius-t-willard-papers","type":"collection","attributes":{"title":"Julius T. Willard papers, 1847–1947","abstract_or_scope":{"id":"https://findingaids.lib.k-state.edu/catalog/julius-t-willard-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters.\u003cbr\u003e\u003cbr\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003cbr\u003e\u003cbr\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences.\u003cbr\u003e\u003cbr\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003cbr\u003e\u003cbr\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/julius-t-willard-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"julius-t-willard-papers","title_ssm":["Julius T. Willard papers"],"title_tesim":["Julius T. Willard papers"],"ead_ssi":"julius-t-willard-papers","unitdate_ssm":["1847–1947"],"unitdate_other_ssim":["1847–1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["176"],"text":["176","Julius T. Willard papers, 1847–1947","Kansas State University history","16.00 Linear Feet, 19.00 Boxes","No access restriction: All materials are open for research.","The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.","Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950.","Published","[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.","The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)","English","Latin"],"unitid_tesim":["176"],"normalized_date_ssm":["1847–1947"],"normalized_title_ssm":["Julius T. Willard papers, 1847–1947"],"collection_title_tesim":["Julius T. Willard papers, 1847–1947"],"collection_ssim":["Julius T. Willard papers, 1847–1947"],"creator_ssm":["Willard, J. T. (Julius Terrass)"],"creator_ssim":["Willard, J. T. (Julius Terrass)"],"creator_persname_ssim":["Willard, J. T. (Julius Terrass)"],"creators_ssim":["Willard, J. T. (Julius Terrass)"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Julius T. 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Subject files are arranged alphabetically.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJulius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of \u0026#x201C;History of the Kansas State College of Agriculture and Applied Science\u0026#x201D; in 1940. Willard died in 1950.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php"],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.\u003c/p\u003e"],"processinfo_tesim":["The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21."],"scopecontent_html_tesm":["\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894\u0026#x2013;1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard\u0026#x2019;s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard\u0026#x2019;s work at Kansas State College (KSC) as well as personal matters.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard\u0026#x2019;s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled \u0026#x201C;Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard\u0026#x2019;s autobiographical reminiscences.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers\u0026#x2019; Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard\u0026#x2019;s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e"],"scopecontent_tesim":["The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":499,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJulius T. Willard papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJulius T. Willard papers\u003c/unittitle\u003e, 1847–1947"],"hashed_id_ssi":"5f7e306d6653fa33","_root_":"julius-t-willard-papers","timestamp":"2026-04-03T11:17:32.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"julius-t-willard-papers","title_ssm":["Julius T. Willard papers"],"title_tesim":["Julius T. Willard papers"],"ead_ssi":"julius-t-willard-papers","unitdate_ssm":["1847–1947"],"unitdate_other_ssim":["1847–1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["176"],"text":["176","Julius T. Willard papers, 1847–1947","Kansas State University history","16.00 Linear Feet, 19.00 Boxes","No access restriction: All materials are open for research.","The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.","Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950.","Published","[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.","The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)","English","Latin"],"unitid_tesim":["176"],"normalized_date_ssm":["1847–1947"],"normalized_title_ssm":["Julius T. 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Subject files are arranged alphabetically.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJulius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of \u0026#x201C;History of the Kansas State College of Agriculture and Applied Science\u0026#x201D; in 1940. Willard died in 1950.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Julius T. Willard papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php"],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.\u003c/p\u003e"],"processinfo_tesim":["The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21."],"scopecontent_html_tesm":["\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894\u0026#x2013;1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard\u0026#x2019;s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard\u0026#x2019;s work at Kansas State College (KSC) as well as personal matters.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard\u0026#x2019;s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled \u0026#x201C;Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard\u0026#x2019;s autobiographical reminiscences.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers\u0026#x2019; Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard\u0026#x2019;s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e"],"scopecontent_tesim":["The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Willard, J. T. (Julius Terrass)","Willard, J. T. 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Rudimentary series and subseries group like material together alphabetically.","After Kansas ratified the Equal Rights Amendment in 1972, opposition grew. A resolution to rescind ratification was introdued in 1975 legislature, but was killed in committee. However, letters to legislators did not stop and the defeat seemed to spur opposition on. Anti-ERA letters outnumbered pro-ERA by 10 to 1. A resolution to put recission on the ballot in 1976 was also introduced in 1975 legislature and tabled until the 1976 legislative session.   Kansans for ERA began organizing in June of 1975, in Topeka, to help insure that Kansas remained one of the majority of states which had ratified the ERA. The intent of the organization was to increase public awareness of the need for the ERA; to educate Kansans about the ERA; to establish a communications network; to coordinate the effors of the many Kansans actively supporting the ERA; and to lobby against the inevitable recission attempt in the Kansas legislature. The recission attempt did not come before the legislators in 1976.   The first annual meeting of KERA was held on October 4, 1975 and the first set of bylaws were adopted. The purpose of the Kansans for ERA was to support permanent ratification of the Equal Rights Amendment in Kansas and to increase public awareness of the need for the ERA by providing information on the provisions and ramifications of the amendment. In 1978, the purpose was amended to include support for the ratification of the ERA in other states. By 1983, the purpose of the Kansans for ERA was to work for the enactment of an Equal Rights Amendment.","The initial accession number is listed as PC 130. 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The intent of the organization was to increase public awareness of the need for the ERA; to educate Kansans about the ERA; to establish a communications network; to coordinate the effors of the many Kansans actively supporting the ERA; and to lobby against the inevitable recission attempt in the Kansas legislature. The recission attempt did not come before the legislators in 1976. \u003clb\u003e\u003c/lb\u003e The first annual meeting of KERA was held on October 4, 1975 and the first set of bylaws were adopted. The purpose of the Kansans for ERA was to support permanent ratification of the Equal Rights Amendment in Kansas and to increase public awareness of the need for the ERA by providing information on the provisions and ramifications of the amendment. In 1978, the purpose was amended to include support for the ratification of the ERA in other states. By 1983, the purpose of the Kansans for ERA was to work for the enactment of an Equal Rights Amendment.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["After Kansas ratified the Equal Rights Amendment in 1972, opposition grew. A resolution to rescind ratification was introdued in 1975 legislature, but was killed in committee. However, letters to legislators did not stop and the defeat seemed to spur opposition on. Anti-ERA letters outnumbered pro-ERA by 10 to 1. A resolution to put recission on the ballot in 1976 was also introduced in 1975 legislature and tabled until the 1976 legislative session.   Kansans for ERA began organizing in June of 1975, in Topeka, to help insure that Kansas remained one of the majority of states which had ratified the ERA. 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