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Louis Zukofsky was an American poet, critic and translator. He was associated in the \"objectivist\" movement of the early 1930's and was thought of as a disciple of William Carlos Williams and Ezra Pound. The bulk of the collection contains correspondence from Zukofsky to Rene Taupin discussing mutual friends and documenting his career. The collection also offers insight into what life was like in the 1930's for a poet, economically and socially.","The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.","Louis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky’s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece “A.” From 1930 to 1931, he taught at the University of Wisconsin. In 1934, “Le Style Apollinaire,” a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work “A” 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works “Catallus Fragmenta” in 1968 and “Catallus” in 1969. Zukofsky died in 1978.","The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.","Published"," [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30","The Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts. They are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940). The correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky.","The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Zukofsky, Louis","Zukofsky, Louis"],"unitid_tesim":["3.4.2021.1"],"normalized_date_ssm":["1928 - 1969"],"normalized_title_ssm":["Louis Zukofsky papers, 1928 - 1969"],"collection_title_tesim":["Louis Zukofsky papers, 1928 - 1969"],"collection_ssim":["Louis Zukofsky papers, 1928 - 1969"],"creator_ssm":["Zukofsky, Louis"],"creator_ssim":["Zukofsky, Louis"],"creator_persname_ssim":["Zukofsky, Louis"],"creators_ssim":["Zukofsky, Louis"],"access_terms_ssm":["The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Method: Purchased. 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The collection also offers insight into what life was like in the 1930's for a poet, economically and socially."],"arrangement_html_tesm":["\u003cp\u003eThe papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.\u003c/p\u003e"],"arrangement_tesim":["The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eLouis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky\u0026#x2019;s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece \u0026#x201C;A.\u0026#x201D; From 1930 to 1931, he taught at the University of Wisconsin. In 1934, \u0026#x201C;Le Style Apollinaire,\u0026#x201D; a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work \u0026#x201C;A\u0026#x201D; 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works \u0026#x201C;Catallus Fragmenta\u0026#x201D; in 1968 and \u0026#x201C;Catallus\u0026#x201D; in 1969. Zukofsky died in 1978.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Louis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky’s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece “A.” From 1930 to 1931, he taught at the University of Wisconsin. In 1934, “Le Style Apollinaire,” a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work “A” 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works “Catallus Fragmenta” in 1968 and “Catallus” in 1969. Zukofsky died in 1978."],"custodhist_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.\u003c/p\u003e"],"custodhist_tesim":["The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published"," [Item title], [item date], Louis Zukofsky papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cindy Von Elling \u003clb\u003e\u003c/lb\u003eProcessing Info: Processing of the papers was completed by Cindy Von Elling in September 1994. \u003clb\u003e\u003c/lb\u003eContainer list updated by Cindy Harris and Helena Egbert, in 2021. \u003clb\u003e\u003c/lb\u003eArchon migration by Edward Nagurny, graduate research assistant, September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-06-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30"],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts.\u003clb\u003e\u003c/lb\u003eThey are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940).\u003clb\u003e\u003c/lb\u003eThe correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated.\u003clb\u003e\u003c/lb\u003eThe correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. 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The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Zukofsky, Louis","Zukofsky, Louis"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Marshall Sr. papers, 1911–2004","Kansas State Federation of Art, 1940–1985","Published"],"component_level_isim":[2],"parent_ssi":"al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a","parent_ids_ssim":["charles-l-marshall-sr-papers","charles-l-marshall-sr-papers_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a"],"parent_unittitles_ssm":["Charles L. Marshall Sr. papers, 1911–2004","Kansas State Federation of Art, 1940–1985"],"parent_unittitles_tesim":["Charles L. Marshall Sr. papers, 1911–2004","Kansas State Federation of Art, 1940–1985"],"parent_levels_ssm":["collection","Series"],"collection_ssim":["Charles L. 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Marshall Sr. papers"],"title_tesim":["Charles L. Marshall Sr. papers"],"ead_ssi":"charles-l-marshall-sr-papers","unitdate_ssm":["1911–2004"],"unitdate_other_ssim":["1911–2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["146"],"text":["146","Charles L. Marshall Sr. papers, 1911–2004","Kansas agriculture and rural life","1.00 Linear Feet, 3.00 Boxes","No Access restrictions: All materials are open for research.","07/14/1993; 01/28/2002; 06/01/2015.","Marshall Sr. was an alumnus and prominent in the state art and architectural communities. A few materials are from his time at K-State, but most are from after. It documents K-State history, alumni life, and Kansas life and culture.","There are six topical series: 1) personal papers (1936–1986), 2) KSU Friends of Art (1950–1990), 3) Kansas State Art Center (1963–1991), 4) Kansas State Federation of Art (1940–1985), 5) Kansas Society of Artists (1957–1961), and 6) Zona Wheeler (1943–1978). Additionally, there are materials that fall outside this arrangement scheme that are stored together in other folders.","Charles L. Marshall was born on August 31, 1905, in Atchison, Kansas. He attended Kansas State Agricultural College where he earned a Bachelors degree in architecture in 1927 and a professional degree in architecture in 1929. Marshall worked as the State Architect for Kansas from 1945 to 1952 and in private architectural practice in Topeka, Kansas from 1952 to 1986.   In 1970, Marshall received the Waldo B. Heywood award from Topeka Civic Theatre. That same year he was elected Vice-President of Kansas State Federation of Art. His work was chosen for Kansas Artist Postcard Series in 1980, and in 1983, he received the Kansas Governor's Artist Award.   Charles L. Marshall, Sr. died on November 14, 1992, in Topeka, Kansas.","All donations to these papers are from the creator's son, Charles L. Marshall Jr. The original accession was P1993.04. Materials donated on 07/14/1993 received accession number P1994.02; they were first donated to the Marianna Kistler Beach Museum of Art and later transfered to the department. Item donated on 01/28/2002 has accession number U2002.01. Materials sent on 11/10/2014 and 06/01/2015 received accession number U2015.18.","Published","[Item title], [item date], Charles L. Marshall Sr. papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Revised by graduate assistant Edward Nagurny in 2015 during finding aid migration project. Further revised by university archivist Cliff Hight in August 2015 when updating the description with additional materials.","Finding Aid Author: Cindy Von Elling  Processing Info: Cindy Von Elling, processor, completed original arrangement and description in April 1994.  Publication Date: 2015-08-05","Related Materials: Related materials in this repository: Herschel C. Logan Collection of Editorial Cartoons, Kansas State Federation of Art records and John F. Helm papers.","The Charles L. Marshall Sr. papers primarily document his involvement in promoting art in Kansas through his association with several art organizations in the state and at Kansas State University. Materials in this portion of the collection include correspondence, newsletters, reports, meeting information, printed materials, and newspaper clippings. Additional portions of the papers document examples of his artwork and touch on his time as an architect in the state.  he predominant correspondence deals with his involvement in the KSFA and includes originals, carbon copies, and photocopies. Marshall corresponded with John F. Helm, Jr., Mildred E. Hunter, Francis David Farrell, Russell Thackrey, James McCain, Birger Sandzen (photocopies only), Charles Stroh, Don Louthian, Herschel C. Logan (photocopies only), Ward Lockwood, Charles B. Rogers, Bernard (Poco) Frazier (photocopies only), Zona Wheeler, Oscar Larmer, Bruce Reed, J. Cranston Heintzelman, Dorothy Barfoot, Mrs. Charles Sanderson, Priscilla Pastrick, Joy Jacobs, and Peggy Greene. A 1963 biographical sketch of Marshall is included, as are personal notes, receipts for paintings, newspaper clippings, and exhibition booklets.  The KSU Friends of Art series primarily covers the time period of 1982–1990. Correspondents include Mandy Doolittle, Jessica Reichman, and Charles Stroh. Also included are Friends of Art newsletters and an Executive Committee Report (1985–1986). The printed material (1950–1990) contains flyers, an invitation, and biographies of Evan Lindquist and Edward Starr.  The Kansas State Art Center series deals with the campaign for an art museum at KSU covering the years 1963 to 1991. It consists primarily of correspondence with Charles Stroh, Jon Wefald, Jerome Frieman, Gilbert E. Johnson, Mrs. John F. Helm, Russell Thackrey, John F. Helm, John E. Brink, Raymond Spilman, Kenneth M. Heywood, and Larry Weigel. It contains notes, a proposal for the art museum, minutes from the board of directors with a worksheet to augment the brochure A New Resource, art center foundation and committee meetings, an executive report, and art center fund report. Printed materials include newspaper clippings, a page from the K-Stater printer's copy of the flyer for KSU art center and foundation contributions, a copy of the flyer never mailed, and a suggested program for the proposed art center are contained in the printed material section. Several booklets were also included: Summary of Fund Raising Survey Report for Washburn, The Need for an Art Center at Kansas State University, and A New Resource at One of the Cultural Crossroads of Kansas.  The Kansas State Federation of Art series is the largest in the collection and covers the years 1940–1985. It deals with Marshall's time as trustee, president, and board member and extends up to the disbanding of the KSFA. It contains correspondence with J. Cranston Heintzelman, Robert W. Cooke, Winston A. Schmidt, Ronald L. Reid, Margaret Pelham Greenough, Oscar Larmer, Gordon Zahradnik, Sue Jean Boys, Dan F. Howard, Margaret Hammel, Don Smischny, Margo Kren, Mary Wing, Donna Foster, Zona Wheeler, and Daniel E. Bernard. This series also contains general information about the organization, by-laws, and two bank statements (1973 and 1976). Meetings, membership lists, bulletin of exhibits, and other exhibition information make up the rest of this series.  The Kansas Society of Artists series covers the time period of 1957 to 1960. It deals with the Society and Marshall's involvement. It contains membership lists, minutes, and correspondence with J. Cranston Heintzelman, John F. Helm, Jr., and William Dickerson.  The Zona Wheeler series is made up of photocopies of her files covering the years 1943 to 1978. It contains correspondence from Ronald L. Reid, Judy Reid, Evelyn A. De Graw, J. Cranston Heintzelman, and John F. Helm, Jr. It also contains exhibition lists.  Additionally, there is one envelope of negatives documenting some of Marshall's time as a K-State student in the 1920s. Included are social situations and Roughneck Days.  Three folders include materials mostly from Charles L. Marshall, Sr., including copies and original sketches and artwork, clippings, exhibit publications, property deed, 1987 booklet Let’s Start from Scratch and 1979 booklet Thumbnail’s by Marshall, death certificate, funeral services program, KSC engineers’ open house button, KSC Air Force ROTC patch, 1954 Royal Purple, and photos. The latter three items are from when Charles L. Marshall, Jr., attended K-State. Photos include the elder in a 1923 ROTC uniform, as child and adult, Ahearn Field House construction, 1951 basketball game, and on project sites.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Separated Materials: Some photographic prints were separated and placed in appropriate Photo Collection files, and a 1954 Royal Purple yearbook was stored with other yearbooks. Examples include photos of Marshall in an ROTC uniform (Photo Collection—Personal: Marshall, Charles L., Sr.), Ahearn construction (Photo Collection—Subject: Ahearn Field House, Construction), and 1951 basketball game (Photo Collection—Subject: Ahearn Field House, Interior).","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Marshall, Charles L.","Marshall, Charles L.","English","Latin"],"unitid_tesim":["146"],"normalized_date_ssm":["1911–2004"],"normalized_title_ssm":["Charles L. Marshall Sr. papers, 1911–2004"],"collection_title_tesim":["Charles L. Marshall Sr. papers, 1911–2004"],"collection_ssim":["Charles L. Marshall Sr. papers, 1911–2004"],"creator_ssm":["Marshall, Charles L."],"creator_ssim":["Marshall, Charles L."],"creator_persname_ssim":["Marshall, Charles L."],"creators_ssim":["Marshall, Charles L."],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Charles L. Marshall, Jr. Acqusition Method: Donation. Acqusition Date: 19930211"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["1.00 Linear Feet, 3.00 Boxes"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo Access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No Access restrictions: All materials are open for research."],"accruals_html_tesm":["\u003cp\u003e07/14/1993; 01/28/2002; 06/01/2015.\u003c/p\u003e"],"accruals_tesim":["07/14/1993; 01/28/2002; 06/01/2015."],"appraisal_html_tesm":["\u003cp\u003eMarshall Sr. was an alumnus and prominent in the state art and architectural communities. A few materials are from his time at K-State, but most are from after. It documents K-State history, alumni life, and Kansas life and culture.\u003c/p\u003e"],"appraisal_tesim":["Marshall Sr. was an alumnus and prominent in the state art and architectural communities. A few materials are from his time at K-State, but most are from after. It documents K-State history, alumni life, and Kansas life and culture."],"arrangement_html_tesm":["\u003cp\u003eThere are six topical series: 1) personal papers (1936\u0026#x2013;1986), 2) KSU Friends of Art (1950\u0026#x2013;1990), 3) Kansas State Art Center (1963\u0026#x2013;1991), 4) Kansas State Federation of Art (1940\u0026#x2013;1985), 5) Kansas Society of Artists (1957\u0026#x2013;1961), and 6) Zona Wheeler (1943\u0026#x2013;1978). Additionally, there are materials that fall outside this arrangement scheme that are stored together in other folders.\u003c/p\u003e"],"arrangement_tesim":["There are six topical series: 1) personal papers (1936–1986), 2) KSU Friends of Art (1950–1990), 3) Kansas State Art Center (1963–1991), 4) Kansas State Federation of Art (1940–1985), 5) Kansas Society of Artists (1957–1961), and 6) Zona Wheeler (1943–1978). Additionally, there are materials that fall outside this arrangement scheme that are stored together in other folders."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCharles L. Marshall was born on August 31, 1905, in Atchison, Kansas. He attended Kansas State Agricultural College where he earned a Bachelors degree in architecture in 1927 and a professional degree in architecture in 1929. Marshall worked as the State Architect for Kansas from 1945 to 1952 and in private architectural practice in Topeka, Kansas from 1952 to 1986. \u003clb\u003e\u003c/lb\u003e In 1970, Marshall received the Waldo B. Heywood award from Topeka Civic Theatre. That same year he was elected Vice-President of Kansas State Federation of Art. His work was chosen for Kansas Artist Postcard Series in 1980, and in 1983, he received the Kansas Governor's Artist Award. \u003clb\u003e\u003c/lb\u003e Charles L. Marshall, Sr. died on November 14, 1992, in Topeka, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Charles L. Marshall was born on August 31, 1905, in Atchison, Kansas. He attended Kansas State Agricultural College where he earned a Bachelors degree in architecture in 1927 and a professional degree in architecture in 1929. Marshall worked as the State Architect for Kansas from 1945 to 1952 and in private architectural practice in Topeka, Kansas from 1952 to 1986.   In 1970, Marshall received the Waldo B. Heywood award from Topeka Civic Theatre. That same year he was elected Vice-President of Kansas State Federation of Art. His work was chosen for Kansas Artist Postcard Series in 1980, and in 1983, he received the Kansas Governor's Artist Award.   Charles L. Marshall, Sr. died on November 14, 1992, in Topeka, Kansas."],"custodhist_html_tesm":["\u003cp\u003eAll donations to these papers are from the creator's son, Charles L. Marshall Jr. The original accession was P1993.04. Materials donated on 07/14/1993 received accession number P1994.02; they were first donated to the Marianna Kistler Beach Museum of Art and later transfered to the department. Item donated on 01/28/2002 has accession number U2002.01. Materials sent on 11/10/2014 and 06/01/2015 received accession number U2015.18.\u003c/p\u003e"],"custodhist_tesim":["All donations to these papers are from the creator's son, Charles L. Marshall Jr. The original accession was P1993.04. Materials donated on 07/14/1993 received accession number P1994.02; they were first donated to the Marianna Kistler Beach Museum of Art and later transfered to the department. Item donated on 01/28/2002 has accession number U2002.01. Materials sent on 11/10/2014 and 06/01/2015 received accession number U2015.18."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Charles L. Marshall Sr. papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[Item title], [item date], Charles L. Marshall Sr. papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-02.php"],"processinfo_html_tesm":["\u003cp\u003e \u003cdate\u003eRevised by graduate assistant Edward Nagurny in 2015 during finding aid migration project. Further revised by university archivist Cliff Hight in August 2015 when updating the description with additional materials.\u003c/date\u003e \u003c/p\u003e","\u003cp\u003eFinding Aid Author: Cindy Von Elling \u003clb\u003e\u003c/lb\u003eProcessing Info: Cindy Von Elling, processor, completed original arrangement and description in April 1994. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-08-05\u003c/p\u003e"],"processinfo_tesim":["Revised by graduate assistant Edward Nagurny in 2015 during finding aid migration project. Further revised by university archivist Cliff Hight in August 2015 when updating the description with additional materials.","Finding Aid Author: Cindy Von Elling  Processing Info: Cindy Von Elling, processor, completed original arrangement and description in April 1994.  Publication Date: 2015-08-05"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Materials: Related materials in this repository: Herschel C. Logan Collection of Editorial Cartoons, Kansas State Federation of Art records and John F. Helm papers.\u003c/p\u003e"],"relatedmaterial_tesim":["Related Materials: Related materials in this repository: Herschel C. Logan Collection of Editorial Cartoons, Kansas State Federation of Art records and John F. Helm papers."],"scopecontent_tesim":["The Charles L. Marshall Sr. papers primarily document his involvement in promoting art in Kansas through his association with several art organizations in the state and at Kansas State University. Materials in this portion of the collection include correspondence, newsletters, reports, meeting information, printed materials, and newspaper clippings. Additional portions of the papers document examples of his artwork and touch on his time as an architect in the state.  he predominant correspondence deals with his involvement in the KSFA and includes originals, carbon copies, and photocopies. Marshall corresponded with John F. Helm, Jr., Mildred E. Hunter, Francis David Farrell, Russell Thackrey, James McCain, Birger Sandzen (photocopies only), Charles Stroh, Don Louthian, Herschel C. Logan (photocopies only), Ward Lockwood, Charles B. Rogers, Bernard (Poco) Frazier (photocopies only), Zona Wheeler, Oscar Larmer, Bruce Reed, J. Cranston Heintzelman, Dorothy Barfoot, Mrs. Charles Sanderson, Priscilla Pastrick, Joy Jacobs, and Peggy Greene. A 1963 biographical sketch of Marshall is included, as are personal notes, receipts for paintings, newspaper clippings, and exhibition booklets.  The KSU Friends of Art series primarily covers the time period of 1982–1990. Correspondents include Mandy Doolittle, Jessica Reichman, and Charles Stroh. Also included are Friends of Art newsletters and an Executive Committee Report (1985–1986). The printed material (1950–1990) contains flyers, an invitation, and biographies of Evan Lindquist and Edward Starr.  The Kansas State Art Center series deals with the campaign for an art museum at KSU covering the years 1963 to 1991. It consists primarily of correspondence with Charles Stroh, Jon Wefald, Jerome Frieman, Gilbert E. Johnson, Mrs. John F. Helm, Russell Thackrey, John F. Helm, John E. Brink, Raymond Spilman, Kenneth M. Heywood, and Larry Weigel. It contains notes, a proposal for the art museum, minutes from the board of directors with a worksheet to augment the brochure A New Resource, art center foundation and committee meetings, an executive report, and art center fund report. Printed materials include newspaper clippings, a page from the K-Stater printer's copy of the flyer for KSU art center and foundation contributions, a copy of the flyer never mailed, and a suggested program for the proposed art center are contained in the printed material section. Several booklets were also included: Summary of Fund Raising Survey Report for Washburn, The Need for an Art Center at Kansas State University, and A New Resource at One of the Cultural Crossroads of Kansas.  The Kansas State Federation of Art series is the largest in the collection and covers the years 1940–1985. It deals with Marshall's time as trustee, president, and board member and extends up to the disbanding of the KSFA. It contains correspondence with J. Cranston Heintzelman, Robert W. Cooke, Winston A. Schmidt, Ronald L. Reid, Margaret Pelham Greenough, Oscar Larmer, Gordon Zahradnik, Sue Jean Boys, Dan F. Howard, Margaret Hammel, Don Smischny, Margo Kren, Mary Wing, Donna Foster, Zona Wheeler, and Daniel E. Bernard. This series also contains general information about the organization, by-laws, and two bank statements (1973 and 1976). Meetings, membership lists, bulletin of exhibits, and other exhibition information make up the rest of this series.  The Kansas Society of Artists series covers the time period of 1957 to 1960. It deals with the Society and Marshall's involvement. It contains membership lists, minutes, and correspondence with J. Cranston Heintzelman, John F. Helm, Jr., and William Dickerson.  The Zona Wheeler series is made up of photocopies of her files covering the years 1943 to 1978. It contains correspondence from Ronald L. Reid, Judy Reid, Evelyn A. De Graw, J. Cranston Heintzelman, and John F. Helm, Jr. It also contains exhibition lists.  Additionally, there is one envelope of negatives documenting some of Marshall's time as a K-State student in the 1920s. Included are social situations and Roughneck Days.  Three folders include materials mostly from Charles L. Marshall, Sr., including copies and original sketches and artwork, clippings, exhibit publications, property deed, 1987 booklet Let’s Start from Scratch and 1979 booklet Thumbnail’s by Marshall, death certificate, funeral services program, KSC engineers’ open house button, KSC Air Force ROTC patch, 1954 Royal Purple, and photos. The latter three items are from when Charles L. Marshall, Jr., attended K-State. Photos include the elder in a 1923 ROTC uniform, as child and adult, Ahearn Field House construction, 1951 basketball game, and on project sites."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003eSeparated Materials: Some photographic prints were separated and placed in appropriate Photo Collection files, and a 1954 Royal Purple yearbook was stored with other yearbooks. 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Marshall Sr. papers\u003c/unittitle\u003e, 1911–2004"],"hashed_id_ssi":"c7726ea910ef8de4","_root_":"charles-l-marshall-sr-papers","timestamp":"2026-04-18T11:29:33.874Z","scopecontent_html_tesm":["\u003cp\u003eThe Charles L. Marshall Sr. papers primarily document his involvement in promoting art in Kansas through his association with several art organizations in the state and at Kansas State University. Materials in this portion of the collection include correspondence, newsletters, reports, meeting information, printed materials, and newspaper clippings. Additional portions of the papers document examples of his artwork and touch on his time as an architect in the state.\u003clb\u003e\u003c/lb\u003e he predominant correspondence deals with his involvement in the KSFA and includes originals, carbon copies, and photocopies. Marshall corresponded with John F. Helm, Jr., Mildred E. Hunter, Francis David Farrell, Russell Thackrey, James McCain, Birger Sandzen (photocopies only), Charles Stroh, Don Louthian, Herschel C. Logan (photocopies only), Ward Lockwood, Charles B. Rogers, Bernard (Poco) Frazier (photocopies only), Zona Wheeler, Oscar Larmer, Bruce Reed, J. Cranston Heintzelman, Dorothy Barfoot, Mrs. Charles Sanderson, Priscilla Pastrick, Joy Jacobs, and Peggy Greene. A 1963 biographical sketch of Marshall is included, as are personal notes, receipts for paintings, newspaper clippings, and exhibition booklets.\u003clb\u003e\u003c/lb\u003e The KSU Friends of Art series primarily covers the time period of 1982\u0026#x2013;1990. Correspondents include Mandy Doolittle, Jessica Reichman, and Charles Stroh. Also included are Friends of Art newsletters and an Executive Committee Report (1985\u0026#x2013;1986). The printed material (1950\u0026#x2013;1990) contains flyers, an invitation, and biographies of Evan Lindquist and Edward Starr.\u003clb\u003e\u003c/lb\u003e The Kansas State Art Center series deals with the campaign for an art museum at KSU covering the years 1963 to 1991. It consists primarily of correspondence with Charles Stroh, Jon Wefald, Jerome Frieman, Gilbert E. Johnson, Mrs. John F. Helm, Russell Thackrey, John F. Helm, John E. Brink, Raymond Spilman, Kenneth M. Heywood, and Larry Weigel. It contains notes, a proposal for the art museum, minutes from the board of directors with a worksheet to augment the brochure A New Resource, art center foundation and committee meetings, an executive report, and art center fund report. Printed materials include newspaper clippings, a page from the K-Stater printer's copy of the flyer for KSU art center and foundation contributions, a copy of the flyer never mailed, and a suggested program for the proposed art center are contained in the printed material section. Several booklets were also included: Summary of Fund Raising Survey Report for Washburn, The Need for an Art Center at Kansas State University, and A New Resource at One of the Cultural Crossroads of Kansas.\u003clb\u003e\u003c/lb\u003e The Kansas State Federation of Art series is the largest in the collection and covers the years 1940\u0026#x2013;1985. It deals with Marshall's time as trustee, president, and board member and extends up to the disbanding of the KSFA. It contains correspondence with J. Cranston Heintzelman, Robert W. Cooke, Winston A. Schmidt, Ronald L. Reid, Margaret Pelham Greenough, Oscar Larmer, Gordon Zahradnik, Sue Jean Boys, Dan F. Howard, Margaret Hammel, Don Smischny, Margo Kren, Mary Wing, Donna Foster, Zona Wheeler, and Daniel E. Bernard. This series also contains general information about the organization, by-laws, and two bank statements (1973 and 1976). Meetings, membership lists, bulletin of exhibits, and other exhibition information make up the rest of this series.\u003clb\u003e\u003c/lb\u003e The Kansas Society of Artists series covers the time period of 1957 to 1960. It deals with the Society and Marshall's involvement. It contains membership lists, minutes, and correspondence with J. Cranston Heintzelman, John F. Helm, Jr., and William Dickerson.\u003clb\u003e\u003c/lb\u003e The Zona Wheeler series is made up of photocopies of her files covering the years 1943 to 1978. It contains correspondence from Ronald L. Reid, Judy Reid, Evelyn A. De Graw, J. Cranston Heintzelman, and John F. Helm, Jr. It also contains exhibition lists.\u003clb\u003e\u003c/lb\u003e Additionally, there is one envelope of negatives documenting some of Marshall's time as a K-State student in the 1920s. Included are social situations and Roughneck Days.\u003clb\u003e\u003c/lb\u003e Three folders include materials mostly from Charles L. Marshall, Sr., including copies and original sketches and artwork, clippings, exhibit publications, property deed, 1987 booklet Let\u0026#x2019;s Start from Scratch and 1979 booklet Thumbnail\u0026#x2019;s by Marshall, death certificate, funeral services program, KSC engineers\u0026#x2019; open house button, KSC Air Force ROTC patch, 1954 Royal Purple, and photos. The latter three items are from when Charles L. Marshall, Jr., attended K-State. Photos include the elder in a 1923 ROTC uniform, as child and adult, Ahearn Field House construction, 1951 basketball game, and on project sites.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-l-marshall-sr-papers_al_92b81a94bb5ec3d6ed99fac56952c9d53b7b6509#normalized_title","type":"document_value","attributes":{"value":"Folder 24: Correspondence, 1952-70","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-l-marshall-sr-papers_al_92b81a94bb5ec3d6ed99fac56952c9d53b7b6509#parent_labels","type":"document_value","attributes":{"value":["Charles L. 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Anthony Crawfords, Curator, reviewed the finding aid.  Publication Date: 2013-11-12"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents Lewis\u0026#x2019;s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field).\u003c/p\u003e"],"scopecontent_tesim":["This collection documents Lewis’s career as an internationally known pioneer, researcher, and scholar in horticulture therapy, and author of the landmark book Green Nature, Human Nature: The Meaning of Plants in Our Lives. The collection contains correspondence, speeches, research material, files associated with his employment, community and institutional projects, research, writing, lectures, and service with numerous national organizations and councils, unpublished and published manuscripts and reports, photographs and slides, and publications (his and those of other leaders in the field)."],"userestrict_html_tesm":["\u003cp\u003eRestrictions may apply to the VHS tape and the cassette tape. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["Restrictions may apply to the VHS tape and the cassette tape. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Lewis, Charles A.","Lewis, Charles A."],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Lewis, Charles A.","Lewis, Charles A."],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2402,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eCharles A. Lewis papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[Item title], [item date], Charles A. Lewis papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eCharles A. Lewis papers\u003c/unittitle\u003e, 1952-2003"],"hashed_id_ssi":"a7417855bc20a18a","_root_":"charles-a-lewis-papers","timestamp":"2026-04-18T11:31:38.445Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eCharles A. Lewis (1924-2003), known as the \"Father of Horticultural Therapy,\" was a pioneer in the field of people-plant interaction and innovative horticultural programs. He held a deep-seated belief in the positive effects of nature on people, and throughout his distinguished career he sought to share that beliefe with others.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Over more than 30 years in the horticulture field, Lewis was a plant breeder, a garden center operator, director of Sterling Forest Gardens in Tuxedo, New York, an administrator of collections and research fellow at the Morton Arboretum in Lisle, Illinois, and a consultant in people-plant interactions.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1924, Born on May 24 at Wilkes-Barre, Pennsylvania\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1942, Enlisted in the Army and served as a weatherman in the Azores, Portugal\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1949, Recieved a Bachelor's of Science Degree in Floriculture from the University of Maryland\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1951, Received a Master's of Science Degree in Floriculture with a Minor in Genetics from Cornell University; Master's Thesis won an award from Ohio State University\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952, Lewis won the Alex Laurie Award from the American Society for Horticulture Science\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952-1956, Worked as a Plant Breeder at Yoder Brothers, Barberton, Ohio\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1956-1960, Worked as a Grower and Garden Center Operator at Syosset, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1960-1972, Worked as Horticulturist and Director at Sterling Forest Gardens in Tuxedo, New York\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1961, Married Sherrie Rabbino\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1963-1972, Was an Advisor for the New York City Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1967-1968, Was a Consultant to First Lady's (Claudia Alta 'Lady Bird' Taylor Johnson) Committee for a More Beautiful Capitol at the National Park Service\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1976, Was a Coordinator for the American Horticulture Society People/Plant Program\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1972-1989, Worked asa Horticulturist and Administrator of Collection Programs at the Morton Arboretum in Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1973-1987, Was an Advisor for the Chicago Housing Authority Garden Contest\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977, Was an Advisor for the British Columbia Housing Management Commission\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1977-1980, Received a Certificate of Achievement from Vancouver Housing, British Columbia Housing Management\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1978, Was a B. Y. Morrison Memorial Lecturer for the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1982, Was the recipient to receive the First Service Award from the Chicago Housing Authority\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1983, Was a Visiting Instructor who taught a Horticultural Therapy Short Course at Kansas State University in Manhattan, Kansas\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1984, Received the Alice Burlingame Award for Humanitarian Service from the National Council for Therapy and Rehabilitation through Horticulture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1985, Received the G. B. Gunlogson Medal from the American Horticultural Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1987, Received a Special Recognition Award from the New York City Housing Authority Tenant Gardening Competition 25th Anniversariy\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1989-1992, Was a Research Fellow in Horticulture at the Morton Arboretum, Lisle, Illinois\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1990-1993, Was the Chair of the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1991-1998, Was a Member of the Xeriscape Council of New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992, Retired; Received the Arthur Hoyt Scott Award from Swarthmore College and the Bryn Mawr PA Award from the United States Department of Agriculture\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1994, Was Chair of the Human Issues in Horticulture (HIH) Committee, a sub-committee within the American Association of Botanical Gardens and Arboreta (AABGA)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1992-1998, Was a Member of the American Community Gardening Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1994, Co-Founder of People-Plant Council\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1996, Published, Green Nature, Human Nature: The Meaning of Plants in Our Lives through University of Illinois Press; Received a Horticultural Therapy Award through the American Horticulture Society\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1997, Received an Award from the American Horticultural Therapy Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1998, Received an Award of Merit from the American Association of Botanical Gardens and Arboreta\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 2003, Died on December 18 from acute pancreatitis and heart complications at Albuquerque, New Mexico\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Lewis published many articles on people-plant interactions in professional journals as well as in popular magazine and newspapers. His 1996 book, Green Nature, Human Nature: The Meaning of Plants in Our Lives, is still required reading for every horticultural therapist.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_1e357ff31060dfaade89fba69589f2f8cead98ab#normalized_title","type":"document_value","attributes":{"value":"Folder 25: 1999","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/charles-a-lewis-papers_al_1e357ff31060dfaade89fba69589f2f8cead98ab#parent_labels","type":"document_value","attributes":{"value":["Charles A. 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She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking.","Materials in the collection are arranged by subject.  Series:  1) Articles, 1976-2009  2) Cookbook Materials, undated  3) Cooking Schools, 1998-2006, undated  4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated  5) JBA (Jane Butel Associates), 1980, 2001, undated  6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated  7) Correspondence1965-2009, undated  8) Early Career, 1971-1980, 1997, undated  9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated  10) K-State Years, 1956-1958, undated  11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated  12) Publicity, 1981-1989, 1991-2009, undated  13) Cooking Shows, 1993-2008, undated  14) Sponsors, 1999-2005, undated  15) Potential Sponsors, 1994-2005, undated  16) Photographs, 1982, 1995, 2000, undated  17) Audiovisuals, 1990 - 2000, 2002, 2004, undated","Born in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition.   In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women’s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods.   From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world’s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel’s radio and television success continued as she hosted a weekly radio program, “All About Energy,” in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA).   Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel’s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating.   During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman’s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City’s Upper East Side called Pecos River Café. The café was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel’s Quick \u0026 Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell.   From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. She also has the intention to write more books and an autobiography.","The accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013.","Published","Preferred Citation: [Item title], [item date], Jane Butel papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Processing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014.  Publication Date: 2014-08-05","Related Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections.","The collection was created by Jane Franz Butel during her college education and her career.  Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.  Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel’s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.  Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.  Series 4 contains documents on Butel’s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.  Series 5 has limited documentation about JBA, Jane Butel Associates.  Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.  Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.  Series 8 documents the early years of Butel’s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.  Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.  Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.  Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.  Series 12 contains extensive documentation about Butel’s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.  Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel’s cooking show, as well as television show scripts and outlines.  Series 14 contains correspondence and contracts with Jane Butel’s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.  Series 15 contains correspondences with potential sponsors for Jane Butel’s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.  Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.  Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes.","Restrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Butel, Jane","Butel, Jane","English","Latin"],"unitid_tesim":["P2013.08","88"],"normalized_date_ssm":["1956-2014"],"normalized_title_ssm":["Jane Butel papers, 1956-2014"],"collection_title_tesim":["Jane Butel papers, 1956-2014"],"collection_ssim":["Jane Butel papers, 1956-2014"],"creator_ssm":["Butel, Jane"],"creator_ssim":["Butel, Jane"],"creator_persname_ssim":["Butel, Jane"],"creators_ssim":["Butel, Jane"],"access_terms_ssm":["Restrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Jane Franz Butel Acqusition Method: Donation Acqusition Date: 20100226"],"access_subjects_ssim":["Cookery"],"access_subjects_ssm":["Cookery"],"has_online_content_ssim":["false"],"physdesc_tesim":["12.00 Cubic Feet, 13.00 Boxes"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eJane Franz Butel is a 1959 graduate of Kansas State University. She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking.\u003c/p\u003e"],"appraisal_tesim":["Jane Franz Butel is a 1959 graduate of Kansas State University. She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the collection are arranged by subject.\u003clb\u003e\u003c/lb\u003e Series:\u003clb\u003e\u003c/lb\u003e 1) Articles, 1976-2009\u003clb\u003e\u003c/lb\u003e 2) Cookbook Materials, undated\u003clb\u003e\u003c/lb\u003e 3) Cooking Schools, 1998-2006, undated\u003clb\u003e\u003c/lb\u003e 4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated\u003clb\u003e\u003c/lb\u003e 5) JBA (Jane Butel Associates), 1980, 2001, undated\u003clb\u003e\u003c/lb\u003e 6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated\u003clb\u003e\u003c/lb\u003e 7) Correspondence1965-2009, undated\u003clb\u003e\u003c/lb\u003e 8) Early Career, 1971-1980, 1997, undated\u003clb\u003e\u003c/lb\u003e 9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated\u003clb\u003e\u003c/lb\u003e 10) K-State Years, 1956-1958, undated\u003clb\u003e\u003c/lb\u003e 11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated\u003clb\u003e\u003c/lb\u003e 12) Publicity, 1981-1989, 1991-2009, undated\u003clb\u003e\u003c/lb\u003e 13) Cooking Shows, 1993-2008, undated\u003clb\u003e\u003c/lb\u003e 14) Sponsors, 1999-2005, undated\u003clb\u003e\u003c/lb\u003e 15) Potential Sponsors, 1994-2005, undated\u003clb\u003e\u003c/lb\u003e 16) Photographs, 1982, 1995, 2000, undated\u003clb\u003e\u003c/lb\u003e 17) Audiovisuals, 1990 - 2000, 2002, 2004, undated\u003c/p\u003e"],"arrangement_tesim":["Materials in the collection are arranged by subject.  Series:  1) Articles, 1976-2009  2) Cookbook Materials, undated  3) Cooking Schools, 1998-2006, undated  4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated  5) JBA (Jane Butel Associates), 1980, 2001, undated  6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated  7) Correspondence1965-2009, undated  8) Early Career, 1971-1980, 1997, undated  9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated  10) K-State Years, 1956-1958, undated  11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated  12) Publicity, 1981-1989, 1991-2009, undated  13) Cooking Shows, 1993-2008, undated  14) Sponsors, 1999-2005, undated  15) Potential Sponsors, 1994-2005, undated  16) Photographs, 1982, 1995, 2000, undated  17) Audiovisuals, 1990 - 2000, 2002, 2004, undated"],"bioghist_tesim":["Born in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition.   In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women’s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods.   From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world’s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel’s radio and television success continued as she hosted a weekly radio program, “All About Energy,” in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA).   Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel’s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating.   During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman’s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City’s Upper East Side called Pecos River Café. The café was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel’s Quick \u0026 Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell.   From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. She also has the intention to write more books and an autobiography."],"custodhist_html_tesm":["\u003cp\u003eThe accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013.\u003c/p\u003e"],"custodhist_tesim":["The accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Jane Butel papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Jane Butel papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2014-08-05\u003c/p\u003e"],"processinfo_tesim":["Processing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014.  Publication Date: 2014-08-05"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections.\u003c/p\u003e"],"relatedmaterial_tesim":["Related Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection was created by Jane Franz Butel during her college education and her career.\u003clb\u003e\u003c/lb\u003e Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.\u003clb\u003e\u003c/lb\u003e Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel\u0026#x2019;s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.\u003clb\u003e\u003c/lb\u003e Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.\u003clb\u003e\u003c/lb\u003e Series 4 contains documents on Butel\u0026#x2019;s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.\u003clb\u003e\u003c/lb\u003e Series 5 has limited documentation about JBA, Jane Butel Associates.\u003clb\u003e\u003c/lb\u003e Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.\u003clb\u003e\u003c/lb\u003e Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.\u003clb\u003e\u003c/lb\u003e Series 8 documents the early years of Butel\u0026#x2019;s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.\u003clb\u003e\u003c/lb\u003e Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.\u003clb\u003e\u003c/lb\u003e Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.\u003clb\u003e\u003c/lb\u003e Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.\u003clb\u003e\u003c/lb\u003e Series 12 contains extensive documentation about Butel\u0026#x2019;s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.\u003clb\u003e\u003c/lb\u003e Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel\u0026#x2019;s cooking show, as well as television show scripts and outlines.\u003clb\u003e\u003c/lb\u003e Series 14 contains correspondence and contracts with Jane Butel\u0026#x2019;s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.\u003clb\u003e\u003c/lb\u003e Series 15 contains correspondences with potential sponsors for Jane Butel\u0026#x2019;s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.\u003clb\u003e\u003c/lb\u003e Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.\u003clb\u003e\u003c/lb\u003e Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes.\u003c/p\u003e"],"scopecontent_tesim":["The collection was created by Jane Franz Butel during her college education and her career.  Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.  Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel’s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.  Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.  Series 4 contains documents on Butel’s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.  Series 5 has limited documentation about JBA, Jane Butel Associates.  Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.  Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.  Series 8 documents the early years of Butel’s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.  Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.  Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.  Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.  Series 12 contains extensive documentation about Butel’s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.  Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel’s cooking show, as well as television show scripts and outlines.  Series 14 contains correspondence and contracts with Jane Butel’s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.  Series 15 contains correspondences with potential sponsors for Jane Butel’s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.  Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.  Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes."],"userestrict_html_tesm":["\u003cp\u003eRestrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["Restrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Butel, Jane","Butel, Jane"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Butel, Jane","Butel, Jane"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":664,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJane Butel papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003ePreferred Citation: [Item title], [item date], Jane Butel papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJane Butel papers\u003c/unittitle\u003e, 1956-2014"],"hashed_id_ssi":"d389613cfd5d4cfd","_root_":"jane-butel-papers","timestamp":"2026-04-18T11:24:39.331Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eBorn in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition. \u003clb\u003e\u003c/lb\u003e In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women\u0026#x2019;s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods. \u003clb\u003e\u003c/lb\u003e From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world\u0026#x2019;s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel\u0026#x2019;s radio and television success continued as she hosted a weekly radio program, \u0026#x201C;All About Energy,\u0026#x201D; in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA). \u003clb\u003e\u003c/lb\u003e Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel\u0026#x2019;s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating. \u003clb\u003e\u003c/lb\u003e During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman\u0026#x2019;s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City\u0026#x2019;s Upper East Side called Pecos River Caf\u0026#xE9;. The caf\u0026#xE9; was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel\u0026#x2019;s Quick \u0026amp; Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell. \u003clb\u003e\u003c/lb\u003e From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. 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32|A83412019710","Box 33|A83412019702","Box 34|A83412019655","Box 35|A83412019671","Box 36|A83412019663","Box 37|A83412056097","Box 38|A83412018104","Box 40|A83412018099","Box 41|A83412018112","Box 42|A83412019647","Box 37|A83412053269"],"barcode_tesim":["A83412019613","A83412019451","A83412019582","A83412019697","A83412019590","A83412019605","A83412019639","A83412019621","A83412017784","A83412017899","A83412017776","A83412018049","A83412018057","A83412017865","A83412019689","A83412053803","A83412053942","A83412019566","A83412017831","A83412017823","A83412017881","A83412017768","A83412017873","A83412017792","A83412017807","A83412017815","A83412018081","A83412018073","A83412018065","A83412019574","A83412019710","A83412019702","A83412019655","A83412019671","A83412019663","A83412056097","A83412018104","A83412018099","A83412018112","A83412019647","A83412053269"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 25: January\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 25: January\u003c/unittitle\u003e, 1850"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#0/components#0/components#0/components#24","_nest_parent_":"page-family-collection_al_4874bcdf898d3d88c6bba7c9a19f0163d1cd3795","_root_":"page-family-collection","timestamp":"2026-04-18T11:19:49.731Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"page-family-collection","title_ssm":["Page Family collection"],"title_tesim":["Page Family collection"],"ead_ssi":"page-family-collection","unitdate_ssm":["1780-2004"],"unitdate_other_ssim":["1780-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2003.01","89"],"text":["P2003.01","89","Page Family collection, 1780-2004","Kansas agriculture and rural life","Military history","Cookery","20.79 Linear Feet, 42.00 Boxes Post-Fire Oversize Extent: Box 16, 18 (10x15); 509S: 19/1/3","No access restriction: All materials are open for research.","Boxes 19-42 are additions","There are twenty-six Series in the Page Family Collection: 1) Correspondence, 1834, 1845-1966; 2) Art (1851-1852); 3) Cookery (undated, ca. 1910-1920); 4) Education (undated, 1844-1929); 5) Family (undated, 1817, 1843-195[2]); 6) Financial (undated, 1821-1948); 7) Legal (undated, 1780-1947); 8) Literary (undated, 1823-1923); 9) Medical, 1840s-1885; 10) Military (1861-1863); 11) Printed Material (1839-1927); 12) Oversize, (1817, 1839, 1861-1865, 1889-1898, 1916-1918, 1922); 13) Diaries (1854-1988); 14) Memo Notebooks (1874-1881; 1909; 1973; undated); 15) CorrespondenceII, Alphabetical (1972-2004, undated); 16) Correspondence II, Chronological (1834-1946, undated); 17) Subject (1851-2002, undated); 18) Financial (1850-1947, undated); 19) Legal Documents II (1822-1912); 20) Literary Works II (undated); 21) Printed Materials II (1827-2000, undated); 22) Photograph (1897, 1905, undated); 23) Art II (1930, undated); 24) Media (undated); 25) Oversize II (1865-1889, 1986, undated); 26) Artifacts (1889-1890, 1915, undated).","The collection is rich in medical history as one of the Page’s five children, William, graduated from Harvard Medical School in 1852 and practiced in Boston before becoming the resident physician at a resort hotel and hot springs in Las Vegas, New Mexico that was affiliated with the Atchison, Topeka \u0026 Santa Fe Railroad, and Fred Harvey (there are numerous letters from the Santa Fe headquarters in Topeka to Dr. Page). There is significant information about his medical work, including his involvement with troops during the Civil War. The experience of the twin daughters, Mary and Olive, of Benjamin and Huldah provide much insight into the lives of women, both personal and professional, during the mid to late 1800s. The educational experiences of males and females are well documented because the five children attended Phillips Exeter Academy, Mount Holyoke, Wellesley College, Bowdoin College and Harvard. For example, the twins received notes from classmates at Mount Holyoke encouraging them to become more Christian like in their beliefs! Daniel Page migrated to Kansas where he became a prominent settler in the Lindsborg area, serving in the Kansas House of Representatives, and daughter, Mary, settled in Missouri. Letters of both family members describe life in this region of the country. Agriculture practices are documented through the lives of several members, and military history is an important segment of the collection because of family members’ involvement in the Civil War and War World I. Cookery is represented by such items as a manuscript cookbook. While the previous descriptions cover the years 1845-1899, the letters of Nina Page (daughter of William and Nancy Page) describe her travels and employment in several European countries. She died in Nazi-occupied France in 1943.","It received the accession number P2003.01.","Published","Preferred Citation: [Item title], [item date], Page Family papers, Box [nmber], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Anthony R. Crawford and Cynthia A. Harris  Processing Info: Boxes 1-18 were processed by Tony Crawford, Curator of Manuscripts in 2003. The addition, boxes 19-42 were processed by Cynthia Harris, Collections Processor in 2013.  Publication Date: 2014-06-12","The Correspondence Series (1834, 1845-1966) consists of twelve boxes and four sub-series.  The first sub-series are correspondence between family members and friends between the years 1834, and 1845 and 1966. It consists of nine boxes and twenty additional file folders in box 10.  The second sub-series is Education and made up of one file folder. Correspondence in this sub-series contains “pressure notes” to Olive and Mary Page when they attended Mt. Holyoke-Female Seminary wanting the twins to change their religious beliefs.  The third sub-series is Medical and is comprised of 33 file folders that contains correspondence that deal with Dr. William H. Page’s medical practice.  The fourth sub-series, Military, contains two file folders of World War I letters to Olive Page between 1918 and 1919.  The Art Series (1851-1852) consists of one cartoon that was created by Daniel Page when he was sent home from the Phillips Exeter Academy “because he did not know enough to enter the academy.”  The Cookery Series (ca. 1910-1920, undated) includes Mary Page Hastings undated manuscript cookbook. This cookbook includes recipes for cream pies, feed for 40 hens and washing fluid. Also in this series is a score card when Olive Page Rogers judged butter contests between 1910 and 1920.  The Education Series (1844-1929, undated) consists of school transcripts for Daniel Page from Phillips Exeter Academy, Florence Page from Newark Art School of Fine \u0026 Industrial Arts and Kingman Page from Bowdoin College. Essays by Mary Page, Nina Page, and William Page are included.  The Family Series (1817, 1943-195[2], undated) consists of eighteen file folders. These folders include genealogical information, garden records, church membership, wedding gifts, funerals, marriages and school medical examination.  The Financial Series (1821-1948) is housed in fourteen file folders contains ledger books with minutes and legal information, receipts for payments to teachers, individual accounts, and financial documents pertaining to organizations and society pins. A flat box includes an account book for pigs/hogs, horses, cattle, hens, sheep, wall paper for the Portland Street House, feed supplies, clothing, utilities, labor expenses, etc.  The Legal Series (1789-1947, undated) is comprised of real estate documents, deeds, a law suit that Alice Page filed against Daniel Page and Benjamin Page in the 1840s, and wills and estates.  The Literary Series (1823-1923, undated) consists of essays by William H. Page, Poetry by Beatrice Page, Mary Page Hastings and Minnie Hastings and Valentines to William Page and Huldah Page.  The Medical Series (1840s-1885) is made up of documents from William H. Page’s medical practice. Items included are record books of patients, records of military recruits examined by Page at Boston during the Civil War, prescriptions, cures, and documents Page’s eye injury.  The Military Series (1861-1863) contains a discharge record book of Civil War soldiers from Massachusetts and New Hampshire. This book provides the rank, company, regiment, state, residence, date of discharge, volume number and page number.  Printed Material (1839-1927) includes advertisement, announcements, annual reports, booklets about agriculture, medical, mining, silver ware and travel; a New Testament Bible belonging to Daniel Page; broadsides; calling card; invitations, and newspaper clippings.  Diaries Series (1854-1988) consists of 26 diaries. The most prominent diaries in the collection were written by Nina E. Page, daughter of Dr. William H. Page, from 1911 to 1942.  Memo Notebooks Series (1874-1881; 1909; 1973; undated) is comprised of two Page family address books (1909 and 1973), an undated events book, and an autograph book.  Correspondence Series, Alphabetical, 1972-2004 and undated consists of correspondence to Carolyn Page and Roy Zarucchi and their business The Nightshade Press.  Correspondence Series, Chronological, 1834-1946 and undated is made up of handwritten correspondence between Page Family members. These letters were not included in the original collection as Carolyn Page was using them for research. This series also includes correspondence, 1847-1878 and undated, that are typewritten because they had been transcribed onto a CD.  Subject, 1851-2002 and undated, is comprised of information relating to some of the Page family members and information pertaining to The Nightshade Press such as press releases, poetry book reviews, and some authors who wrote for the journal.  The Financial Series, 1850-1947, is made up of Account and Note Books and financial information kept by Victor E. Page and Olive Page Rogers. These accounts include prices of food, clothing and other household items purchased as well as crops and livestock bought and sold.  Legal Documents II, 1822-1912, consists of real estate records and deed, marriage records, wills, and estate records. The most interesting items in this series are the wills and estate documents of Benjamin and Huldah Page.  Literary Works II consists of an incomplete manuscript by Carolyn Page titled Homesteading in Desperate Times. It was to be a book about the twins, Mary and Olive Page. Mary married and moved to Missouri, while Olive taught school in Boston. Often Mary wrote home asking Olive to send her old clothes so that she could sew clothes for her children.  Printed Material II, 1839-2000, includes articles, books published by The Nightshade Press, book reviews, hymn lyrics, The Nightshade Press journals from 1989 to 2000.  The Photograph Series consist of three (3) photographs: Daniel and Maggie Page, Dannie, Lilli and Nettie, and an unidentified person.  The Media Series consists of one Compact Disk (CD, undated). This CD contains Page Family correspondence that has been transcribed. Researchers should try to match the transcribed letter to the original handwritten if all possible for accuracy.  The Art Series II, 1930 and undated, consists of artwork by Carolyn Page, Anne Croom, Wilma Fulkerson, Ray Gengenbach, Florence Page Woodes, and Roy Zarucchi.  The Oversize Series, 1865-1889, 1986 and undated, is made up of three Physician Record books belonging to Dr. William H. Page and to Nina A. Page and some art work by Anne Croom, Ray Gengenback, Joe McLendon and Carolyn Page.  The Artifacts Series, 1889-1890, 1915 and undated includes a birthday card, calling card case, a medical prescription pad, two wallets – one black and one brown, and a wooden letter box. There are also empty envelopes in this series that did not have correspondence attached.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Page Family","Page Family","English","Latin"],"unitid_tesim":["P2003.01","89"],"normalized_date_ssm":["1780-2004"],"normalized_title_ssm":["Page Family collection, 1780-2004"],"collection_title_tesim":["Page Family collection, 1780-2004"],"collection_ssim":["Page Family collection, 1780-2004"],"creator_ssm":["Page Family"],"creator_ssim":["Page Family"],"creator_famname_ssim":["Page Family"],"creators_ssim":["Page Family"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Method: Purchased by the Friends of the K-State Libraries Acqusition Date: 20021001"],"access_subjects_ssim":["Kansas agriculture and rural life","Military history","Cookery"],"access_subjects_ssm":["Kansas agriculture and rural life","Military history","Cookery"],"has_online_content_ssim":["false"],"physdesc_tesim":["20.79 Linear Feet, 42.00 Boxes Post-Fire Oversize Extent: Box 16, 18 (10x15); 509S: 19/1/3"],"date_range_isim":[1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"accruals_html_tesm":["\u003cp\u003eBoxes 19-42 are additions\u003c/p\u003e"],"accruals_tesim":["Boxes 19-42 are additions"],"arrangement_html_tesm":["\u003cp\u003eThere are twenty-six Series in the Page Family Collection: 1) Correspondence, 1834, 1845-1966; 2) Art (1851-1852); 3) Cookery (undated, ca. 1910-1920); 4) Education (undated, 1844-1929); 5) Family (undated, 1817, 1843-195[2]); 6) Financial (undated, 1821-1948); 7) Legal (undated, 1780-1947); 8) Literary (undated, 1823-1923); 9) Medical, 1840s-1885; 10) Military (1861-1863); 11) Printed Material (1839-1927); 12) Oversize, (1817, 1839, 1861-1865, 1889-1898, 1916-1918, 1922); 13) Diaries (1854-1988); 14) Memo Notebooks (1874-1881; 1909; 1973; undated); 15) CorrespondenceII, Alphabetical (1972-2004, undated); 16) Correspondence II, Chronological (1834-1946, undated); 17) Subject (1851-2002, undated); 18) Financial (1850-1947, undated); 19) Legal Documents II (1822-1912); 20) Literary Works II (undated); 21) Printed Materials II (1827-2000, undated); 22) Photograph (1897, 1905, undated); 23) Art II (1930, undated); 24) Media (undated); 25) Oversize II (1865-1889, 1986, undated); 26) Artifacts (1889-1890, 1915, undated).\u003c/p\u003e"],"arrangement_tesim":["There are twenty-six Series in the Page Family Collection: 1) Correspondence, 1834, 1845-1966; 2) Art (1851-1852); 3) Cookery (undated, ca. 1910-1920); 4) Education (undated, 1844-1929); 5) Family (undated, 1817, 1843-195[2]); 6) Financial (undated, 1821-1948); 7) Legal (undated, 1780-1947); 8) Literary (undated, 1823-1923); 9) Medical, 1840s-1885; 10) Military (1861-1863); 11) Printed Material (1839-1927); 12) Oversize, (1817, 1839, 1861-1865, 1889-1898, 1916-1918, 1922); 13) Diaries (1854-1988); 14) Memo Notebooks (1874-1881; 1909; 1973; undated); 15) CorrespondenceII, Alphabetical (1972-2004, undated); 16) Correspondence II, Chronological (1834-1946, undated); 17) Subject (1851-2002, undated); 18) Financial (1850-1947, undated); 19) Legal Documents II (1822-1912); 20) Literary Works II (undated); 21) Printed Materials II (1827-2000, undated); 22) Photograph (1897, 1905, undated); 23) Art II (1930, undated); 24) Media (undated); 25) Oversize II (1865-1889, 1986, undated); 26) Artifacts (1889-1890, 1915, undated)."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe collection is rich in medical history as one of the Page\u0026#x2019;s five children, William, graduated from Harvard Medical School in 1852 and practiced in Boston before becoming the resident physician at a resort hotel and hot springs in Las Vegas, New Mexico that was affiliated with the Atchison, Topeka \u0026amp; Santa Fe Railroad, and Fred Harvey (there are numerous letters from the Santa Fe headquarters in Topeka to Dr. Page). There is significant information about his medical work, including his involvement with troops during the Civil War. The experience of the twin daughters, Mary and Olive, of Benjamin and Huldah provide much insight into the lives of women, both personal and professional, during the mid to late 1800s. The educational experiences of males and females are well documented because the five children attended Phillips Exeter Academy, Mount Holyoke, Wellesley College, Bowdoin College and Harvard. For example, the twins received notes from classmates at Mount Holyoke encouraging them to become more Christian like in their beliefs! Daniel Page migrated to Kansas where he became a prominent settler in the Lindsborg area, serving in the Kansas House of Representatives, and daughter, Mary, settled in Missouri. Letters of both family members describe life in this region of the country. Agriculture practices are documented through the lives of several members, and military history is an important segment of the collection because of family members\u0026#x2019; involvement in the Civil War and War World I. Cookery is represented by such items as a manuscript cookbook. While the previous descriptions cover the years 1845-1899, the letters of Nina Page (daughter of William and Nancy Page) describe her travels and employment in several European countries. She died in Nazi-occupied France in 1943.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The collection is rich in medical history as one of the Page’s five children, William, graduated from Harvard Medical School in 1852 and practiced in Boston before becoming the resident physician at a resort hotel and hot springs in Las Vegas, New Mexico that was affiliated with the Atchison, Topeka \u0026 Santa Fe Railroad, and Fred Harvey (there are numerous letters from the Santa Fe headquarters in Topeka to Dr. Page). There is significant information about his medical work, including his involvement with troops during the Civil War. The experience of the twin daughters, Mary and Olive, of Benjamin and Huldah provide much insight into the lives of women, both personal and professional, during the mid to late 1800s. The educational experiences of males and females are well documented because the five children attended Phillips Exeter Academy, Mount Holyoke, Wellesley College, Bowdoin College and Harvard. For example, the twins received notes from classmates at Mount Holyoke encouraging them to become more Christian like in their beliefs! Daniel Page migrated to Kansas where he became a prominent settler in the Lindsborg area, serving in the Kansas House of Representatives, and daughter, Mary, settled in Missouri. Letters of both family members describe life in this region of the country. Agriculture practices are documented through the lives of several members, and military history is an important segment of the collection because of family members’ involvement in the Civil War and War World I. Cookery is represented by such items as a manuscript cookbook. While the previous descriptions cover the years 1845-1899, the letters of Nina Page (daughter of William and Nancy Page) describe her travels and employment in several European countries. She died in Nazi-occupied France in 1943."],"custodhist_html_tesm":["\u003cp\u003eIt received the accession number P2003.01.\u003c/p\u003e"],"custodhist_tesim":["It received the accession number P2003.01."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Page Family papers, Box [nmber], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Page Family papers, Box [nmber], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2003-01.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2003-01.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Anthony R. Crawford and Cynthia A. Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: Boxes 1-18 were processed by Tony Crawford, Curator of Manuscripts in 2003. The addition, boxes 19-42 were processed by Cynthia Harris, Collections Processor in 2013. \u003clb\u003e\u003c/lb\u003ePublication Date: 2014-06-12\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Anthony R. Crawford and Cynthia A. Harris  Processing Info: Boxes 1-18 were processed by Tony Crawford, Curator of Manuscripts in 2003. The addition, boxes 19-42 were processed by Cynthia Harris, Collections Processor in 2013.  Publication Date: 2014-06-12"],"scopecontent_tesim":["The Correspondence Series (1834, 1845-1966) consists of twelve boxes and four sub-series.  The first sub-series are correspondence between family members and friends between the years 1834, and 1845 and 1966. It consists of nine boxes and twenty additional file folders in box 10.  The second sub-series is Education and made up of one file folder. Correspondence in this sub-series contains “pressure notes” to Olive and Mary Page when they attended Mt. Holyoke-Female Seminary wanting the twins to change their religious beliefs.  The third sub-series is Medical and is comprised of 33 file folders that contains correspondence that deal with Dr. William H. Page’s medical practice.  The fourth sub-series, Military, contains two file folders of World War I letters to Olive Page between 1918 and 1919.  The Art Series (1851-1852) consists of one cartoon that was created by Daniel Page when he was sent home from the Phillips Exeter Academy “because he did not know enough to enter the academy.”  The Cookery Series (ca. 1910-1920, undated) includes Mary Page Hastings undated manuscript cookbook. This cookbook includes recipes for cream pies, feed for 40 hens and washing fluid. Also in this series is a score card when Olive Page Rogers judged butter contests between 1910 and 1920.  The Education Series (1844-1929, undated) consists of school transcripts for Daniel Page from Phillips Exeter Academy, Florence Page from Newark Art School of Fine \u0026 Industrial Arts and Kingman Page from Bowdoin College. Essays by Mary Page, Nina Page, and William Page are included.  The Family Series (1817, 1943-195[2], undated) consists of eighteen file folders. These folders include genealogical information, garden records, church membership, wedding gifts, funerals, marriages and school medical examination.  The Financial Series (1821-1948) is housed in fourteen file folders contains ledger books with minutes and legal information, receipts for payments to teachers, individual accounts, and financial documents pertaining to organizations and society pins. A flat box includes an account book for pigs/hogs, horses, cattle, hens, sheep, wall paper for the Portland Street House, feed supplies, clothing, utilities, labor expenses, etc.  The Legal Series (1789-1947, undated) is comprised of real estate documents, deeds, a law suit that Alice Page filed against Daniel Page and Benjamin Page in the 1840s, and wills and estates.  The Literary Series (1823-1923, undated) consists of essays by William H. Page, Poetry by Beatrice Page, Mary Page Hastings and Minnie Hastings and Valentines to William Page and Huldah Page.  The Medical Series (1840s-1885) is made up of documents from William H. Page’s medical practice. Items included are record books of patients, records of military recruits examined by Page at Boston during the Civil War, prescriptions, cures, and documents Page’s eye injury.  The Military Series (1861-1863) contains a discharge record book of Civil War soldiers from Massachusetts and New Hampshire. This book provides the rank, company, regiment, state, residence, date of discharge, volume number and page number.  Printed Material (1839-1927) includes advertisement, announcements, annual reports, booklets about agriculture, medical, mining, silver ware and travel; a New Testament Bible belonging to Daniel Page; broadsides; calling card; invitations, and newspaper clippings.  Diaries Series (1854-1988) consists of 26 diaries. The most prominent diaries in the collection were written by Nina E. Page, daughter of Dr. William H. Page, from 1911 to 1942.  Memo Notebooks Series (1874-1881; 1909; 1973; undated) is comprised of two Page family address books (1909 and 1973), an undated events book, and an autograph book.  Correspondence Series, Alphabetical, 1972-2004 and undated consists of correspondence to Carolyn Page and Roy Zarucchi and their business The Nightshade Press.  Correspondence Series, Chronological, 1834-1946 and undated is made up of handwritten correspondence between Page Family members. These letters were not included in the original collection as Carolyn Page was using them for research. This series also includes correspondence, 1847-1878 and undated, that are typewritten because they had been transcribed onto a CD.  Subject, 1851-2002 and undated, is comprised of information relating to some of the Page family members and information pertaining to The Nightshade Press such as press releases, poetry book reviews, and some authors who wrote for the journal.  The Financial Series, 1850-1947, is made up of Account and Note Books and financial information kept by Victor E. Page and Olive Page Rogers. These accounts include prices of food, clothing and other household items purchased as well as crops and livestock bought and sold.  Legal Documents II, 1822-1912, consists of real estate records and deed, marriage records, wills, and estate records. The most interesting items in this series are the wills and estate documents of Benjamin and Huldah Page.  Literary Works II consists of an incomplete manuscript by Carolyn Page titled Homesteading in Desperate Times. It was to be a book about the twins, Mary and Olive Page. Mary married and moved to Missouri, while Olive taught school in Boston. Often Mary wrote home asking Olive to send her old clothes so that she could sew clothes for her children.  Printed Material II, 1839-2000, includes articles, books published by The Nightshade Press, book reviews, hymn lyrics, The Nightshade Press journals from 1989 to 2000.  The Photograph Series consist of three (3) photographs: Daniel and Maggie Page, Dannie, Lilli and Nettie, and an unidentified person.  The Media Series consists of one Compact Disk (CD, undated). This CD contains Page Family correspondence that has been transcribed. Researchers should try to match the transcribed letter to the original handwritten if all possible for accuracy.  The Art Series II, 1930 and undated, consists of artwork by Carolyn Page, Anne Croom, Wilma Fulkerson, Ray Gengenbach, Florence Page Woodes, and Roy Zarucchi.  The Oversize Series, 1865-1889, 1986 and undated, is made up of three Physician Record books belonging to Dr. William H. Page and to Nina A. Page and some art work by Anne Croom, Ray Gengenback, Joe McLendon and Carolyn Page.  The Artifacts Series, 1889-1890, 1915 and undated includes a birthday card, calling card case, a medical prescription pad, two wallets – one black and one brown, and a wooden letter box. There are also empty envelopes in this series that did not have correspondence attached."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Page Family","Page Family"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"famname_ssim":["Page Family","Page Family"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003ePage Family collection\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003ePreferred Citation: [Item title], [item date], Page Family papers, Box [nmber], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003ePage Family collection\u003c/unittitle\u003e, 1780-2004"],"hashed_id_ssi":"8b6b5e22c58b6aab","_root_":"page-family-collection","timestamp":"2026-04-18T11:19:49.731Z","scopecontent_html_tesm":["\u003cp\u003eThe Correspondence Series (1834, 1845-1966) consists of twelve boxes and four sub-series.\u003clb\u003e\u003c/lb\u003e The first sub-series are correspondence between family members and friends between the years 1834, and 1845 and 1966. It consists of nine boxes and twenty additional file folders in box 10.\u003clb\u003e\u003c/lb\u003e The second sub-series is Education and made up of one file folder. Correspondence in this sub-series contains \u0026#x201C;pressure notes\u0026#x201D; to Olive and Mary Page when they attended Mt. Holyoke-Female Seminary wanting the twins to change their religious beliefs.\u003clb\u003e\u003c/lb\u003e The third sub-series is Medical and is comprised of 33 file folders that contains correspondence that deal with Dr. William H. Page\u0026#x2019;s medical practice.\u003clb\u003e\u003c/lb\u003e The fourth sub-series, Military, contains two file folders of World War I letters to Olive Page between 1918 and 1919.\u003clb\u003e\u003c/lb\u003e The Art Series (1851-1852) consists of one cartoon that was created by Daniel Page when he was sent home from the Phillips Exeter Academy \u0026#x201C;because he did not know enough to enter the academy.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e The Cookery Series (ca. 1910-1920, undated) includes Mary Page Hastings undated manuscript cookbook. This cookbook includes recipes for cream pies, feed for 40 hens and washing fluid. Also in this series is a score card when Olive Page Rogers judged butter contests between 1910 and 1920.\u003clb\u003e\u003c/lb\u003e The Education Series (1844-1929, undated) consists of school transcripts for Daniel Page from Phillips Exeter Academy, Florence Page from Newark Art School of Fine \u0026amp; Industrial Arts and Kingman Page from Bowdoin College. Essays by Mary Page, Nina Page, and William Page are included.\u003clb\u003e\u003c/lb\u003e The Family Series (1817, 1943-195[2], undated) consists of eighteen file folders. These folders include genealogical information, garden records, church membership, wedding gifts, funerals, marriages and school medical examination.\u003clb\u003e\u003c/lb\u003e The Financial Series (1821-1948) is housed in fourteen file folders contains ledger books with minutes and legal information, receipts for payments to teachers, individual accounts, and financial documents pertaining to organizations and society pins. A flat box includes an account book for pigs/hogs, horses, cattle, hens, sheep, wall paper for the Portland Street House, feed supplies, clothing, utilities, labor expenses, etc.\u003clb\u003e\u003c/lb\u003e The Legal Series (1789-1947, undated) is comprised of real estate documents, deeds, a law suit that Alice Page filed against Daniel Page and Benjamin Page in the 1840s, and wills and estates.\u003clb\u003e\u003c/lb\u003e The Literary Series (1823-1923, undated) consists of essays by William H. Page, Poetry by Beatrice Page, Mary Page Hastings and Minnie Hastings and Valentines to William Page and Huldah Page.\u003clb\u003e\u003c/lb\u003e The Medical Series (1840s-1885) is made up of documents from William H. Page\u0026#x2019;s medical practice. Items included are record books of patients, records of military recruits examined by Page at Boston during the Civil War, prescriptions, cures, and documents Page\u0026#x2019;s eye injury.\u003clb\u003e\u003c/lb\u003e The Military Series (1861-1863) contains a discharge record book of Civil War soldiers from Massachusetts and New Hampshire. This book provides the rank, company, regiment, state, residence, date of discharge, volume number and page number.\u003clb\u003e\u003c/lb\u003e Printed Material (1839-1927) includes advertisement, announcements, annual reports, booklets about agriculture, medical, mining, silver ware and travel; a New Testament Bible belonging to Daniel Page; broadsides; calling card; invitations, and newspaper clippings.\u003clb\u003e\u003c/lb\u003e Diaries Series (1854-1988) consists of 26 diaries. The most prominent diaries in the collection were written by Nina E. Page, daughter of Dr. William H. Page, from 1911 to 1942.\u003clb\u003e\u003c/lb\u003e Memo Notebooks Series (1874-1881; 1909; 1973; undated) is comprised of two Page family address books (1909 and 1973), an undated events book, and an autograph book.\u003clb\u003e\u003c/lb\u003e Correspondence Series, Alphabetical, 1972-2004 and undated consists of correspondence to Carolyn Page and Roy Zarucchi and their business The Nightshade Press.\u003clb\u003e\u003c/lb\u003e Correspondence Series, Chronological, 1834-1946 and undated is made up of handwritten correspondence between Page Family members. These letters were not included in the original collection as Carolyn Page was using them for research. This series also includes correspondence, 1847-1878 and undated, that are typewritten because they had been transcribed onto a CD.\u003clb\u003e\u003c/lb\u003e Subject, 1851-2002 and undated, is comprised of information relating to some of the Page family members and information pertaining to The Nightshade Press such as press releases, poetry book reviews, and some authors who wrote for the journal.\u003clb\u003e\u003c/lb\u003e The Financial Series, 1850-1947, is made up of Account and Note Books and financial information kept by Victor E. Page and Olive Page Rogers. These accounts include prices of food, clothing and other household items purchased as well as crops and livestock bought and sold.\u003clb\u003e\u003c/lb\u003e Legal Documents II, 1822-1912, consists of real estate records and deed, marriage records, wills, and estate records. The most interesting items in this series are the wills and estate documents of Benjamin and Huldah Page.\u003clb\u003e\u003c/lb\u003e Literary Works II consists of an incomplete manuscript by Carolyn Page titled Homesteading in Desperate Times. It was to be a book about the twins, Mary and Olive Page. Mary married and moved to Missouri, while Olive taught school in Boston. Often Mary wrote home asking Olive to send her old clothes so that she could sew clothes for her children.\u003clb\u003e\u003c/lb\u003e Printed Material II, 1839-2000, includes articles, books published by The Nightshade Press, book reviews, hymn lyrics, The Nightshade Press journals from 1989 to 2000.\u003clb\u003e\u003c/lb\u003e The Photograph Series consist of three (3) photographs: Daniel and Maggie Page, Dannie, Lilli and Nettie, and an unidentified person.\u003clb\u003e\u003c/lb\u003e The Media Series consists of one Compact Disk (CD, undated). This CD contains Page Family correspondence that has been transcribed. Researchers should try to match the transcribed letter to the original handwritten if all possible for accuracy.\u003clb\u003e\u003c/lb\u003e The Art Series II, 1930 and undated, consists of artwork by Carolyn Page, Anne Croom, Wilma Fulkerson, Ray Gengenbach, Florence Page Woodes, and Roy Zarucchi.\u003clb\u003e\u003c/lb\u003e The Oversize Series, 1865-1889, 1986 and undated, is made up of three Physician Record books belonging to Dr. William H. Page and to Nina A. Page and some art work by Anne Croom, Ray Gengenback, Joe McLendon and Carolyn Page.\u003clb\u003e\u003c/lb\u003e The Artifacts Series, 1889-1890, 1915 and undated includes a birthday card, calling card case, a medical prescription pad, two wallets \u0026#x2013; one black and one brown, and a wooden letter box. There are also empty envelopes in this series that did not have correspondence attached.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#normalized_title","type":"document_value","attributes":{"value":"Folder 25: January, 1850","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#parent_labels","type":"document_value","attributes":{"value":["Page Family collection, 1780-2004","Series 1: Correspondence, 1834, 1845-1966","Sub-Series 1: Chronological, 1834, 1845-1966","Box 1"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#parent_ids","type":"document_value","attributes":{"value":["page-family-collection","page-family-collection_al_9c4e84c284385184b7e3548ebe2a81a9df522a67","page-family-collection_al_73760c5f85d3691b9f537a5ca3d887825e6e0ee9","page-family-collection_al_4874bcdf898d3d88c6bba7c9a19f0163d1cd3795"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#collection_name","type":"document_value","attributes":{"value":"Page Family collection, 1780-2004","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#eadid","type":"document_value","attributes":{"value":"page-family-collection","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.k-state.edu/catalog/page-family-collection_al_1e357ff31060dfaade89fba69589f2f8cead98ab"}},{"id":"donna-c-roper-papers_al_1e357ff31060dfaade89fba69589f2f8cead98ab","type":"File","attributes":{"title":"Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\", 1990","breadcrumbs":{"id":"https://findingaids.lib.k-state.edu/catalog/donna-c-roper-papers_al_1e357ff31060dfaade89fba69589f2f8cead98ab#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_1e357ff31060dfaade89fba69589f2f8cead98ab","ref_ssm":["al_1e357ff31060dfaade89fba69589f2f8cead98ab","al_1e357ff31060dfaade89fba69589f2f8cead98ab"],"id":"donna-c-roper-papers_al_1e357ff31060dfaade89fba69589f2f8cead98ab","title_filing_ssi":"Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\"","title_ssm":["Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\""],"title_tesim":["Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\""],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\", 1990"],"text":["Folder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\", 1990","Donna C. 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Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/\u003c/p\u003e"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"barcode_ssim":["Box 1|A83412154798","Box 2|A83412154780","Box 3|A83412154837","Box 4|A83412154918","Box 5|A83412154900","Box 6|A83412154730","Box 7|A83412154764","Box 8|A83412154879","Box 9|A83412154845","Box 10|A83412154811","Box 11|A83412154772","Box 12|A83412154722","Box 13|A83412028840","Box 14|A83412154829","Box 15|A83412154887","Box 16|A83412154748","Box 17|A83412154895","Box 18|A83412154803","Box 19|A83412154853","Box 20|A83412154861"],"barcode_tesim":["A83412154798","A83412154780","A83412154837","A83412154918","A83412154900","A83412154730","A83412154764","A83412154879","A83412154845","A83412154811","A83412154772","A83412154722","A83412028840","A83412154829","A83412154887","A83412154748","A83412154895","A83412154803","A83412154853","A83412154861"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\"\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 25: \"Request by the Native American Rights Fund for Possession of Central Plains Tradition Skeletal Remains and Associated Burial Goods in the Collections of the Nebraska State Historical State\"\u003c/unittitle\u003e, 1990"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#0/components#0/components#0/components#24","_nest_parent_":"donna-c-roper-papers_al_4874bcdf898d3d88c6bba7c9a19f0163d1cd3795","_root_":"donna-c-roper-papers","timestamp":"2026-04-18T11:06:00.731Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"donna-c-roper-papers","title_ssm":["Donna C. Roper papers"],"title_tesim":["Donna C. Roper papers"],"ead_ssi":"donna-c-roper-papers","unitdate_ssm":["1929-2015"],"unitdate_other_ssim":["1929-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016-17.039","288"],"text":["2016-17.039","288","Donna C. Roper papers, 1929-2015","Faculty and staff papers and contributions","25.00 Linear Feet, 20.00 Boxes","No access restrtictions: All materials are open for research.","The collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps. *2024 Note* Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: - 14LY601 ---\u003e 14LY36 - 14LY602 ---\u003e 14LY37 - 14GR601 ---\u003e 14GR55 - 14GR602 ---\u003e 14GR56 - 14GR603 ---\u003e 14GR57 - 14GR604 ---\u003e 14GR46 - 14GR605 ---\u003e 14GR58 - 14GR606 ---\u003e 14GR59 - 14GR607 ---\u003e 14GR60 [Above notes by Lauren W. Ritterbush 9/19/2024]","Donna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975. Donna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988. Her projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas. Donna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles. Donna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society. In 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession. Donna Roper died on August 1, 2015, in Manhattan, Kansas.","Published","[Item title], [item date], Donna C. Roper papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The processing of the collection was made possible through a Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc","Processing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc.","The Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015.","The research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/","*2024 Note*  Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:  - 14LY601 ---\u003e 14LY36  - 14LY602 ---\u003e 14LY37  - 14GR601 ---\u003e 14GR55  - 14GR602 ---\u003e 14GR56  - 14GR603 ---\u003e 14GR57  - 14GR604 ---\u003e 14GR46  - 14GR605 ---\u003e 14GR58  - 14GR606 ---\u003e 14GR59  - 14GR607 ---\u003e 14GR60  [Above notes by Lauren W. Ritterbush 9/19/2024]","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roper, Donna C.","Roper, Donna C.","English","Latin"],"unitid_tesim":["2016-17.039","288"],"normalized_date_ssm":["1929-2015"],"normalized_title_ssm":["Donna C. Roper papers, 1929-2015"],"collection_title_tesim":["Donna C. Roper papers, 1929-2015"],"collection_ssim":["Donna C. Roper papers, 1929-2015"],"creator_ssm":["Roper, Donna C."],"creator_ssim":["Roper, Donna C."],"creator_persname_ssim":["Roper, Donna C."],"creators_ssim":["Roper, Donna C."],"access_terms_ssm":["The research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/"],"acqinfo_ssim":["The estate of Donna C. Roper donated the papers in 2017."],"access_subjects_ssim":["Faculty and staff papers and contributions"],"access_subjects_ssm":["Faculty and staff papers and contributions"],"has_online_content_ssim":["false"],"physdesc_tesim":["25.00 Linear Feet, 20.00 Boxes"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrtictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrtictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e*2024 Note*\u003clb\u003e\u003c/lb\u003eNine archaeological sites were recorded during this survey in Greenwood \u0026amp; Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:\u003clb\u003e\u003c/lb\u003e- 14LY601 ---\u0026gt; 14LY36\u003clb\u003e\u003c/lb\u003e- 14LY602 ---\u0026gt; 14LY37\u003clb\u003e\u003c/lb\u003e- 14GR601 ---\u0026gt; 14GR55\u003clb\u003e\u003c/lb\u003e- 14GR602 ---\u0026gt; 14GR56\u003clb\u003e\u003c/lb\u003e- 14GR603 ---\u0026gt; 14GR57\u003clb\u003e\u003c/lb\u003e- 14GR604 ---\u0026gt; 14GR46\u003clb\u003e\u003c/lb\u003e- 14GR605 ---\u0026gt; 14GR58\u003clb\u003e\u003c/lb\u003e- 14GR606 ---\u0026gt; 14GR59\u003clb\u003e\u003c/lb\u003e- 14GR607 ---\u0026gt; 14GR60\u003clb\u003e\u003c/lb\u003e[Above notes by Lauren W. Ritterbush 9/19/2024]\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps. *2024 Note* Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: - 14LY601 ---\u003e 14LY36 - 14LY602 ---\u003e 14LY37 - 14GR601 ---\u003e 14GR55 - 14GR602 ---\u003e 14GR56 - 14GR603 ---\u003e 14GR57 - 14GR604 ---\u003e 14GR46 - 14GR605 ---\u003e 14GR58 - 14GR606 ---\u003e 14GR59 - 14GR607 ---\u003e 14GR60 [Above notes by Lauren W. Ritterbush 9/19/2024]"],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eDonna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eHer projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper died on August 1, 2015, in Manhattan, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Donna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975. Donna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988. Her projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas. Donna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles. Donna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society. In 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession. Donna Roper died on August 1, 2015, in Manhattan, Kansas."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Donna C. 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Roper papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The processing of the collection was made possible through a Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc"],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc.\u003c/p\u003e"],"processinfo_tesim":["Processing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc."],"scopecontent_html_tesm":["\u003cp\u003eThe Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015.\u003c/p\u003e"],"scopecontent_tesim":["The Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/\u003c/p\u003e"],"userestrict_tesim":["The research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/"],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003e*2024 Note* \u003clb/\u003eNine archaeological sites were recorded during this survey in Greenwood \u0026amp; Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: \u003clb/\u003e- 14LY601 ---\u0026gt; 14LY36 \u003clb/\u003e- 14LY602 ---\u0026gt; 14LY37 \u003clb/\u003e- 14GR601 ---\u0026gt; 14GR55 \u003clb/\u003e- 14GR602 ---\u0026gt; 14GR56 \u003clb/\u003e- 14GR603 ---\u0026gt; 14GR57 \u003clb/\u003e- 14GR604 ---\u0026gt; 14GR46 \u003clb/\u003e- 14GR605 ---\u0026gt; 14GR58 \u003clb/\u003e- 14GR606 ---\u0026gt; 14GR59 \u003clb/\u003e- 14GR607 ---\u0026gt; 14GR60 \u003clb/\u003e[Above notes by Lauren W. Ritterbush 9/19/2024]\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["*2024 Note*  Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:  - 14LY601 ---\u003e 14LY36  - 14LY602 ---\u003e 14LY37  - 14GR601 ---\u003e 14GR55  - 14GR602 ---\u003e 14GR56  - 14GR603 ---\u003e 14GR57  - 14GR604 ---\u003e 14GR46  - 14GR605 ---\u003e 14GR58  - 14GR606 ---\u003e 14GR59  - 14GR607 ---\u003e 14GR60  [Above notes by Lauren W. Ritterbush 9/19/2024]"],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roper, Donna C.","Roper, Donna C."],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Roper, Donna C.","Roper, Donna C."],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eDonna C. 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Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. 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