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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[Item title], [item date], Shirley Smith papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. 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Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_eda99d8dc0f56d964424ed1310eb80004bae50e1#normalized_title","type":"document_value","attributes":{"value":"Folder 1: Inspirational Writing","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.k-state.edu/catalog/shirley-smith-papers_al_eda99d8dc0f56d964424ed1310eb80004bae50e1#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 4: Art Career","Box 3","Sub-Series 1: Art 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A small portion of the materials relate to student government efforts to save Nichols Gym between 1975 and 1984, and include correspondence, reports, a petition, flyers, clippings, and materials related to the Nichols Hall art competition. People frequently appearing in the collection include Greg Musil, Larry Weigel, Eric Bransby, and many faculty and administrators at the university.  OSAS records include the office newsletter, \"Paper Money Plus,\" from 1972 to 1992, as well as reports, procedures and guidelines, and budget items from 2006 to 2012. Much of the latter content focuses on fiscal procedures, financial reports, and budget allocations for student organizations.  The largest series of records are student organization registration records, which are in alphabetical order. 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Roper papers"],"title_tesim":["Donna C. Roper papers"],"ead_ssi":"donna-c-roper-papers","unitdate_ssm":["1929-2015"],"unitdate_other_ssim":["1929-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016-17.039","288"],"text":["2016-17.039","288","Donna C. Roper papers, 1929-2015","Faculty and staff papers and contributions","25.00 Linear Feet, 20.00 Boxes","No access restrtictions: All materials are open for research.","The collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps. *2024 Note* Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: - 14LY601 ---\u003e 14LY36 - 14LY602 ---\u003e 14LY37 - 14GR601 ---\u003e 14GR55 - 14GR602 ---\u003e 14GR56 - 14GR603 ---\u003e 14GR57 - 14GR604 ---\u003e 14GR46 - 14GR605 ---\u003e 14GR58 - 14GR606 ---\u003e 14GR59 - 14GR607 ---\u003e 14GR60 [Above notes by Lauren W. Ritterbush 9/19/2024]","Donna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975. Donna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988. Her projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas. Donna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles. Donna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society. In 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession. Donna Roper died on August 1, 2015, in Manhattan, Kansas.","Published","[Item title], [item date], Donna C. Roper papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The processing of the collection was made possible through a Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc","Processing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc.","The Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015.","The research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/","*2024 Note*  Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:  - 14LY601 ---\u003e 14LY36  - 14LY602 ---\u003e 14LY37  - 14GR601 ---\u003e 14GR55  - 14GR602 ---\u003e 14GR56  - 14GR603 ---\u003e 14GR57  - 14GR604 ---\u003e 14GR46  - 14GR605 ---\u003e 14GR58  - 14GR606 ---\u003e 14GR59  - 14GR607 ---\u003e 14GR60  [Above notes by Lauren W. Ritterbush 9/19/2024]","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roper, Donna C.","Roper, Donna C.","English","Latin"],"unitid_tesim":["2016-17.039","288"],"normalized_date_ssm":["1929-2015"],"normalized_title_ssm":["Donna C. Roper papers, 1929-2015"],"collection_title_tesim":["Donna C. Roper papers, 1929-2015"],"collection_ssim":["Donna C. 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Roper donated the papers in 2017."],"access_subjects_ssim":["Faculty and staff papers and contributions"],"access_subjects_ssm":["Faculty and staff papers and contributions"],"has_online_content_ssim":["false"],"physdesc_tesim":["25.00 Linear Feet, 20.00 Boxes"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrtictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrtictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e*2024 Note*\u003clb\u003e\u003c/lb\u003eNine archaeological sites were recorded during this survey in Greenwood \u0026amp; Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:\u003clb\u003e\u003c/lb\u003e- 14LY601 ---\u0026gt; 14LY36\u003clb\u003e\u003c/lb\u003e- 14LY602 ---\u0026gt; 14LY37\u003clb\u003e\u003c/lb\u003e- 14GR601 ---\u0026gt; 14GR55\u003clb\u003e\u003c/lb\u003e- 14GR602 ---\u0026gt; 14GR56\u003clb\u003e\u003c/lb\u003e- 14GR603 ---\u0026gt; 14GR57\u003clb\u003e\u003c/lb\u003e- 14GR604 ---\u0026gt; 14GR46\u003clb\u003e\u003c/lb\u003e- 14GR605 ---\u0026gt; 14GR58\u003clb\u003e\u003c/lb\u003e- 14GR606 ---\u0026gt; 14GR59\u003clb\u003e\u003c/lb\u003e- 14GR607 ---\u0026gt; 14GR60\u003clb\u003e\u003c/lb\u003e[Above notes by Lauren W. Ritterbush 9/19/2024]\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged into the following series and and subseries. Series 1 is Field or Compliance Project Records seperated into subseries a: pre-field activity records, and subseries b: field activity records. Series 2, Research/Interpretation Records, is composed of subseries a: data records; subseries b: research notes; subseries c: collection loan forms; subseries d: photographs; subseries e: maps, charts, and tables; subseries f: preliminary reports; subseries g: final reports; subseries h: unfinished or draft manuscripts; subseries i: published books, book chapters, journal articals, and reviews; subseries j: conference papers/presentations; subseries k: public presentations and exhibits; subseries l: correspondence; and subseries m: references for research. Series 3, Professional Service Records, consists of subseries a: published book reviews; subseries b: unpublished reivews of grants, proposals, manuscripts, articles, nominations; subseries c: Graduate Committee correspondence and notes; subseries d: recommendation letter/forms; subseries e: professional organization service records/notes; subseries f: membership record for professional organizations; and subseries g: teaching records. Series 4, Personal, contains subseries a: vita; subseries b: awards and nominations for awards; subseries c: business records; subseries d: personal correspondence; subseries e: personal interests; and subseries f: diplomas. Series 5 is the Bound Publications series and Series 6 is Oversized Maps. *2024 Note* Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: - 14LY601 ---\u003e 14LY36 - 14LY602 ---\u003e 14LY37 - 14GR601 ---\u003e 14GR55 - 14GR602 ---\u003e 14GR56 - 14GR603 ---\u003e 14GR57 - 14GR604 ---\u003e 14GR46 - 14GR605 ---\u003e 14GR58 - 14GR606 ---\u003e 14GR59 - 14GR607 ---\u003e 14GR60 [Above notes by Lauren W. Ritterbush 9/19/2024]"],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eDonna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eHer projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eDonna Roper died on August 1, 2015, in Manhattan, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Donna C. Roper, professional archeologists, was born to Norman E. and Laura (Dietz) Roper in Oneonta, New York, June 20, 1947. She became involved with archaeology at Hartwick College in Oneonta where she earned a B.A. in History with Departmental Honors in 1968. She completed her Master's and Doctoral degrees, respectively, in Anthropology with an emphasis in archaeology at Indiana University, Bloomington, in 1970 and the University of Missouri, Columbia, in 1975. Donna Roper was a dedicated and prolific archaeologist. She directed projects in Illinois, Iowa, Missouri, Ohio, Nebraska, Kansas, and other states. She held research positions at the American Archaeology Division of the University of Missouri and the Illinois State Museum in the1970s. In 1980 she joined Gilbert/Commonwealth Inc. of Jackson, Michigan, as Senior Archaeologist and Project Manager, becoming a partner with Commonwealth Cultural Resources Group of Jackson, Michigan, in 1988. Her projects for Commonwealth took her to Nebraska, where Donna developed a true love for the Great Plains. In 1991 she fulfilled her dream to live and work regularly in the region by moving to Manhattan, Kansas. She appreciated the environment, the town, and Kansas State University, where she became an avid fan of K-State women's basketball. She served as Research Associate Professor with the Department of Sociology, Anthropology, and Social Work and also worked regularly as an independent researcher and consultant. In 2015, she also became an adjunct research associate with the Archaeological Research Center at the University of Kansas. Donna not only stayed active with regional archaeological research, but occasionally taught classes at K-State and KU. She also was an integral graduate committee member for nine Master's and Doctoral students of archaeology. She employed and influenced many students in the field and lab leading to a number of careers in archaeology. Her curiosity, broad knowledge, and keen mind stimulated not only students, but her colleagues in the Plains, Midwest, and beyond. She presented research in two edited books, as well as five book-length monographs, and numerous professional journal articles, book chapters, and technical reports. She was active with various regional professional organizations for which she often served in leadership roles. Donna Roper regularly looked forward to professional meetings where she presented her research, caught up with colleagues, and vigorously debated ideas. She loved to share her knowledge and learn from others through public venues. She was invited regularly to share her insights with public groups in Kansas and Nebraska and always elicited valuable conversations with others about the Native prehistory of this region. She also co-led public archaeology projects in Kansas though the Kansas Archaeological Training Program sponsored by the Kansas Anthropological Association and the Kansas Historical Society. In 2015, Donna Roper was awarded the Distinguished Service Award of the Plains Anthropological Society and the W. Duncan Strong Memorial Award presented by the Nebraska Association of Professional Archaeologists. Through these she joined a select group of renowned recipients marking exemplary contributions to her profession. Donna Roper died on August 1, 2015, in Manhattan, Kansas."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[Item title], [item date], Donna C. 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Roper papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","The processing of the collection was made possible through a Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc"],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc.\u003c/p\u003e"],"processinfo_tesim":["Processing Info: The acquisition and processing of the collection was made possible through an Historical Archives Program grant from the Wenner-Gren Foundation for Anthropological Research, Inc."],"scopecontent_html_tesm":["\u003cp\u003eThe Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015.\u003c/p\u003e"],"scopecontent_tesim":["The Donna C. Roper papers includes the research documents and publications of Dr. Donna C. Roper, prolific archaeologist who made major research contributions, particularly in the Central Plains region of North America. This collection is separated into six series. The first series, field of compliance project records, containing print and electronic copies of documents such as proposals, project correspondence, site survey forms, field notes, and maps of sites. The second series is research and interpretation records, containing preliminary and final reports, data records such as artifact catalogs and dating, photographs, unfinished or draft manuscripts, published works such as journal articles, and conference papers. Professional service records include graduate committee correspondence, published book reviews, nominations for National Historic Landmarks, recommendation letters, teaching records, etc. the fourth series is for personal records, containing vitae, awards, and other things such as personal correspondence and diplomas. The fifth series contains bound publications, such as bound archaeological journals and published reports. The sixth series are oversized maps that could not fit with the rest of the collection. An estimated 2,000 slides and 500 print negatives are included in the second series with research records. The collection covers a temporal range from 1929 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/\u003c/p\u003e"],"userestrict_tesim":["The research assumes full responsibility for observing all copyright, property, and libel laws as they apply. Creative Commons copyright license: Attribution-ShareAlike (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/"],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003e*2024 Note* \u003clb/\u003eNine archaeological sites were recorded during this survey in Greenwood \u0026amp; Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows: \u003clb/\u003e- 14LY601 ---\u0026gt; 14LY36 \u003clb/\u003e- 14LY602 ---\u0026gt; 14LY37 \u003clb/\u003e- 14GR601 ---\u0026gt; 14GR55 \u003clb/\u003e- 14GR602 ---\u0026gt; 14GR56 \u003clb/\u003e- 14GR603 ---\u0026gt; 14GR57 \u003clb/\u003e- 14GR604 ---\u0026gt; 14GR46 \u003clb/\u003e- 14GR605 ---\u0026gt; 14GR58 \u003clb/\u003e- 14GR606 ---\u0026gt; 14GR59 \u003clb/\u003e- 14GR607 ---\u0026gt; 14GR60 \u003clb/\u003e[Above notes by Lauren W. Ritterbush 9/19/2024]\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["*2024 Note*  Nine archaeological sites were recorded during this survey in Greenwood \u0026 Lyon Counties, KS. However, the site numbers assigned by Donna C. Roper were never filed with the Kansas Historical Society archeological site inventory. Those original site numbers were then assigned to other sites. Therefore, all the original site numbers assigned by Roper, have since been changed as follows:  - 14LY601 ---\u003e 14LY36  - 14LY602 ---\u003e 14LY37  - 14GR601 ---\u003e 14GR55  - 14GR602 ---\u003e 14GR56  - 14GR603 ---\u003e 14GR57  - 14GR604 ---\u003e 14GR46  - 14GR605 ---\u003e 14GR58  - 14GR606 ---\u003e 14GR59  - 14GR607 ---\u003e 14GR60  [Above notes by Lauren W. Ritterbush 9/19/2024]"],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Roper, Donna C.","Roper, Donna C."],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Roper, Donna C.","Roper, Donna C."],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eDonna C. 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The Goodnows adopted Parkerson in 1857 after her mother died and only two years after her birth. Parkerson lived in Manhattan with the Goodnows for many years of her life, and she was involved at K-State through the Domestic Science Club.","It received accession number P2007.01.","Published","Preferred Citation: [Item title], [item date], Harriet Parkerson papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.","Finding Aid Author: Mallory Peterson  Processing Info: Mallory Peterson, student assistant in Speciall Collections processed this collection under the direction of University Archivist, Anthony Crawford in 2007.  Publication Date: 2008-09-11","The Harriet Parkerson papers contain writings for the Domestic Science Club (some were not presented), financial records in the forms of receipts and cancelled checks and a copy of the published version of her sister's, Julie Etta Parkerson Reynolds 1874 journal. The papers are housed in two boxes.  Literary Works makes up the bulk of the collection and contains papers Harriet wrote to present to the Domestic Science Club and one paper written by Ellen Goodnow. For the most part, these presentations are random topics that the women appear to have picked themselves. They bridge a wide array of subject matter and are all not focused on the matters of what people would tend to think of as Domestic Science. While Harriet wrote about topics such as baking, soaps and soap making, and wardrobe maintenance, she also wrote about historical figures like Anne Louise Germaine Necker, Leo Tolstoy, and Michael Faraday. One of the more interesting items from this series is the story of Soonboonagen Ammal, a female martyr from India.  The Financial Series contain receipts and canceled checks. The receipts are organized chronologically and are mostly from the years between 1909 and 1912. Many of the receipts are for magazine subscriptions and the rental of a post office box. Other receipts are for necessities and items such as landscaping, flowers, and oats. The canceled checks are from three different banks and sorted alphabetically by the bank. The checks are from the financial institutions First National Bank, Manhattan State Bank, and Union National Bank. The checks are mostly made out to individuals including her nephew Louis and herself (checks labeled \"myself\"); a few are also written out to institutions or businesses like Kansas State Agricultural College, Montgomery Wards, and Kimball Printing Co.  Printed Material is made up of Harriet's sister's, Julie Etta Parkerson Reynolds 1874 Journal, an agricultural magazine, the 1936-1937 Domestic Science Club booklet, and a few newspaper clippings.  The Department of Special Collections has Harriet Parkerson's journal on microfilm and the original is located at the Kansas State Historical Society in Topeka, Kansas. Additional information about Harriet can be found in the History Index located in Special Collections.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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The Goodnows adopted Parkerson in 1857 after her mother died and only two years after her birth. Parkerson lived in Manhattan with the Goodnows for many years of her life, and she was involved at K-State through the Domestic Science Club.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Harriet Parkerson was the adopted daughter of Isaac Goodnow, one of the founders of both Manhattan and K-State, and his wife Ellen. The Goodnows adopted Parkerson in 1857 after her mother died and only two years after her birth. Parkerson lived in Manhattan with the Goodnows for many years of her life, and she was involved at K-State through the Domestic Science Club."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2007.01.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2007.01."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003ePreferred Citation: [Item title], [item date], Harriet Parkerson papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","Preferred Citation: [Item title], [item date], Harriet Parkerson papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Mallory Peterson \u003clb\u003e\u003c/lb\u003eProcessing Info: Mallory Peterson, student assistant in Speciall Collections processed this collection under the direction of University Archivist, Anthony Crawford in 2007. \u003clb\u003e\u003c/lb\u003ePublication Date: 2008-09-11\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Mallory Peterson  Processing Info: Mallory Peterson, student assistant in Speciall Collections processed this collection under the direction of University Archivist, Anthony Crawford in 2007.  Publication Date: 2008-09-11"],"scopecontent_html_tesm":["\u003cp\u003eThe Harriet Parkerson papers contain writings for the Domestic Science Club (some were not presented), financial records in the forms of receipts and cancelled checks and a copy of the published version of her sister's, Julie Etta Parkerson Reynolds 1874 journal. The papers are housed in two boxes.\u003clb\u003e\u003c/lb\u003e Literary Works makes up the bulk of the collection and contains papers Harriet wrote to present to the Domestic Science Club and one paper written by Ellen Goodnow. For the most part, these presentations are random topics that the women appear to have picked themselves. They bridge a wide array of subject matter and are all not focused on the matters of what people would tend to think of as Domestic Science. While Harriet wrote about topics such as baking, soaps and soap making, and wardrobe maintenance, she also wrote about historical figures like Anne Louise Germaine Necker, Leo Tolstoy, and Michael Faraday. One of the more interesting items from this series is the story of Soonboonagen Ammal, a female martyr from India.\u003clb\u003e\u003c/lb\u003e The Financial Series contain receipts and canceled checks. The receipts are organized chronologically and are mostly from the years between 1909 and 1912. Many of the receipts are for magazine subscriptions and the rental of a post office box. Other receipts are for necessities and items such as landscaping, flowers, and oats. The canceled checks are from three different banks and sorted alphabetically by the bank. The checks are from the financial institutions First National Bank, Manhattan State Bank, and Union National Bank. The checks are mostly made out to individuals including her nephew Louis and herself (checks labeled \"myself\"); a few are also written out to institutions or businesses like Kansas State Agricultural College, Montgomery Wards, and Kimball Printing Co.\u003clb\u003e\u003c/lb\u003e Printed Material is made up of Harriet's sister's, Julie Etta Parkerson Reynolds 1874 Journal, an agricultural magazine, the 1936-1937 Domestic Science Club booklet, and a few newspaper clippings.\u003clb\u003e\u003c/lb\u003e The Department of Special Collections has Harriet Parkerson's journal on microfilm and the original is located at the Kansas State Historical Society in Topeka, Kansas. Additional information about Harriet can be found in the History Index located in Special Collections.\u003c/p\u003e"],"scopecontent_tesim":["The Harriet Parkerson papers contain writings for the Domestic Science Club (some were not presented), financial records in the forms of receipts and cancelled checks and a copy of the published version of her sister's, Julie Etta Parkerson Reynolds 1874 journal. The papers are housed in two boxes.  Literary Works makes up the bulk of the collection and contains papers Harriet wrote to present to the Domestic Science Club and one paper written by Ellen Goodnow. For the most part, these presentations are random topics that the women appear to have picked themselves. They bridge a wide array of subject matter and are all not focused on the matters of what people would tend to think of as Domestic Science. While Harriet wrote about topics such as baking, soaps and soap making, and wardrobe maintenance, she also wrote about historical figures like Anne Louise Germaine Necker, Leo Tolstoy, and Michael Faraday. One of the more interesting items from this series is the story of Soonboonagen Ammal, a female martyr from India.  The Financial Series contain receipts and canceled checks. The receipts are organized chronologically and are mostly from the years between 1909 and 1912. Many of the receipts are for magazine subscriptions and the rental of a post office box. Other receipts are for necessities and items such as landscaping, flowers, and oats. The canceled checks are from three different banks and sorted alphabetically by the bank. The checks are from the financial institutions First National Bank, Manhattan State Bank, and Union National Bank. The checks are mostly made out to individuals including her nephew Louis and herself (checks labeled \"myself\"); a few are also written out to institutions or businesses like Kansas State Agricultural College, Montgomery Wards, and Kimball Printing Co.  Printed Material is made up of Harriet's sister's, Julie Etta Parkerson Reynolds 1874 Journal, an agricultural magazine, the 1936-1937 Domestic Science Club booklet, and a few newspaper clippings.  The Department of Special Collections has Harriet Parkerson's journal on microfilm and the original is located at the Kansas State Historical Society in Topeka, Kansas. 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Specializing in unfair lending practices, these papers contain the memos, reports, web data administration, correspondence (emails and letters), grant proposals, meeting minutes, legal agreements, artifacts, publicity (print and electronic), trademark certificates, and research of a non-profit organization (NPO). Some of the subjects include specious credit card payment schemes, mortgage lending, refund anticipation loans, and pay-day loans as well as both student and military family loans. The papers also include the organization's relationship with the Association of Community Organizations for Reform Now (ACORN), NCLC, Housing and Economic Rights Advocates (HERA), Care 2, the Consumer Federation of America (CFA), the Annie Casey Foundation, AARP, Americans for Financial Reform (AFR), the Sunlight Foundation, the National Endowment for Financial Education (NEFE), the Ford Foundation, the National Council of La Raza, the Federal Reserve Board, the National Association for the Advancement of Colored People (NAACP), the National Association of Consumer Advocates (NACA), Travis Plunket, and Elizabeth Warren.","The collection is organized into four series: 1) Administrative Files; 2) Meetings; 3) Research; 4) Publicity.","The Americans for Fairness in Lending Records has been assigned Accession Number P2011.03","Published","Preferred Citation: [Item title], [item date], Americans for Fairness in Lending Practices papers, Box [number], Folder [number or title], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: P Thomsen (April 2011)  Processing Info: Archon Processing by Edward Nagurny, graduate research assistant, April 2015.   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The records, collected into seven boxes, have been arranged to reflect the organization's multifaceted public relations campaign against unfair lending practices in tandem with consumer state and national-level events, including the release of independent film documentaries, the rise of social media programs, the 2008 presidential election, the 2009 Credit Card Accountability Responsibility and Disclosure (CARD) Act and the 2010 passage of the Dodd-Frank Bill, which created the federal Consumer Protection Bureau. The Administrative Files Series (2004-2010) consists of two boxes of correspondence (print and email), handbooks, grant applications, meeting minutes, letters of agreement, and employee notes relating to organizational growth. They are arranged in alphabetical order by subject. Some noteworthy items relating to the internal structure of the organization, including the \"All About AFFIL\" handbook, the search for outside funders, notes relating to conference calls with consumer movement experts, and the organization's strategic plan for the 2008 election cycle. Another key feature of this series includes AFFIL's agreements with the Ford Foundation, the public relations firm of Benesen Jansen Advertizing, the National Consumer Law Center, and Public Interest Research Group (PIRG) project agreements. Finally, researchers of social media, such as Youtube and blogs, will also find several topics in this series of special interest, including the development of the organization's website, the tracking of web statistics, the creation of electronic contented targeting internet users, and the on-line outreach initiatives. The Meetings Series (2005-2010) spans two boxes arranged in alphabetical order by subject and by date, containing correspondence, notes, and annotated research utilized in the planning and execution of discussions concerning different issues concerning the organization. The majority of the files in this series concern the formulation and execution of AFFIL's public interest policies. Several folders relate to the division of administrative tasks and the formation of business policies for committee assignments, partners, contractors, consultants, the press, and the general consumer movement community, including AFFIL's general principles, field outreach strategy sessions as well as staff meetings and periodic discussions with the National Consumer Law Center. Other files contain documentation related to the organization's periodic updates to funders concerning their ongoing activities, including the Ford Foundation and the Annie Casey Foundation. Still, other files concern conversations between the organization and Magnolia Studios in trying to create a public relations campaign to promote AFFIL issues through the release of their documentary on American predatory lending business practices, Maxed Out. Other sections of this series include files relating to conversations between employees and the Federal Reserve Board, whistle-blowers, lending victims, and members of the military. Finally, this series also collects material and advice provided in conversations with outside firms, such as Benesen Jensen, focus groups reviewing advertising campaigns, the National Council of La Raza, and web-based providers. The Research Series encompasses two boxes of reports, newsletters, internet data, court documents, whistleblower, witness, and victim case files, government documents, and internally generated public relations campaign data. Arranged in alphabetical order by date, these files comprise the heart of the collection, revealing the sources, data, and political focus of the Americans for Fairness in Lending. Some folders contain information generated by the United States government, including the Federal Reserve Board, National Usury Cap Legislation, S.500, 2009, and the California Reinvestment Act. Other folders collect documents relating to different aspects of credit card and intermediary lending company operations, including Fannie Mae, Freddie Mac, medical debt, the Navy Federal Credit Union, the case files of a whistleblower, witnesses, and victims, Ritzen v Chase court files, and a brief history of the practice of usury. 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