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Folder 27: Letnes, Lawrence John

Fern Letnes gave the photograph and news clippings to Judy Horsch, daughter of Joseph M. Tucker.

This includes a mini-biography of Lawrence John Letnes who was in charge of the Harvest Brigade during the summer of 1944. The story states that Letnes "was the aerial liaison man who kept a fleet of 20 self-propelled combines rolling across the state of Kansas northward to the Canadian border to harvest grain that may have remained uncut because of the critical shortage of manpower and machines during WWII."

The photograph is of John Letnes standing in front of his airplane. The side of the airplane reads, "Self-Propelled Combines, L. J. Letness, Representative, Grand Forks, N. D."

Box 19

Industrial Engineering faculty files with last names D-J. General information included in files is name of employee, salary, dates of employment, and previous work experience/qualifications as well.

Box 20

Industrial Engineering faculty files with last names L-R. General information included in files is name of employee, salary, dates of employment, and previous work experience/qualifications as well.

Folder 13: 1944-1945 Harvest Brigade...keyed to the wartime harvest emergency

This pamphlet explains America's dwindling food stock in 1943 and how "Massey-Harris foresaw the critical situation of the 1944 harvest - a record crop production with too few men and combines to handle the vast acreages." Recognizing the seriousness of the situation the government approved the plan for a Harvest Brigade (a fleet of 500 Self-Propelled Combines) that "pledged to harvest more acres with less fuel, manpower and equipment than ever before in the history of the world."

Box 21

Industrial Engineering faculty files with last names S-Z. General information included in files is name of employee, salary, dates of employment, and previous work experience/qualifications as well.

War Training Program

The War Training Program series contains report cards of various training programs of war preparation through the War Training Program offered at Kansas State University. The date range for this series is 1920-1945.

Edna Worthley Underwood papers

  • US US kmk P1993.05
  • Collection
  • 1889-1946

The Edna Worthley Underwood Papers (1889-1946) covers the period of her most active publishing. Underwood wrote original works of plays, poetry, prose, short stories, and news articles. She also translated various author's works into English.
The first series, Correspondence (1910-1944), is divided into Personal Correspondence, letters from friends and admirers; Business Correspondence, letters regarding the publishing of books and reviews; Postcards; Telegram; Robert Earl Underwood's Correspondence; and a Letterbook, letters, and poems used for background information for her book of translation of poets of Haiti. The poets include Madame D. Viard, M. Leon Laleau, Victor Mangones, and Maurice A. Casseus. She corresponded with many of the authors, often asking for a biographical sketch and a photograph. After 1938, not much is known of her life. She did not publish but traveled within the U.S.  Photographs have been transferred to the photograph collection of the University Archives. 
Literary Works (1927-1938) is divided into several sub-series. Original Works contains works by Underwood; criticism of other authors; news articles on points of interest; notes; poems; prose; play, A Petersburg Night; short stories, "The Shudder of Don Giovanni", "Madame Dorette and Nature", and three untitled. The sub-series: 1) Translations, includes translations of short stories put into the book Flemish Short Stories; 2) plays, The Yellow Tent and Improvisations in June poems; 3) short stories, "The Van Helmers", "The Beggar Minar", "Tramp and Peasant", "Vaudrevil", "If Life is White", "Exile", "A Game of Chess", "Martha Timar", "Father, A Portrait", "The Trick", "Christmas Eve", and "The Wedding". Also included are original works by Aberto Zum Felde, Fernand Knopf, Robert Earl Underwood, and works by unknown authors. The last sub series contains miscellaneous items.
The series Individuals (1918-1939) contains folders on individuals that Underwood corresponded with and whose works she translated. The folders contain correspondence and original works of poetry and prose. The individuals include Max Dickman, Fabio Fiallo, Germaine Lassara-Bouchecourt, Coelho Netto, Luis Felipe Rodriguez, Daniel Thaly, and Cesar Vallejo.
The series Scrapbooks (1905-1940) contains three scrapbooks. Scrapbook #1 covers 1905-1939. It contains newspaper clippings, letters, and various printed materials. Scrapbook #2 covers the literature of South America. It contains correspondence and original works of poetry. Individuals included are Julio Herrera, Xavier Abril, Carlos Wyld Ospina, Lartigau Lespada, Juan Borch, and Fernando Torregrosa. Scrapbook #3 contains correspondence and poetry from individual poets included in Underwood's translation of poets from Haiti. The poets include Emile Roumer, Clement Magloire, Maurice Casseus, Carl Brouard, Milo Riguad, Jacques Romain, Justinien Ricot, Jean F. Brierre, and Timothee Paret.
The series Notebooks (1889-1924) contains seven notebooks. They cover the time Underwood attended the University of Michigan in Ann Arbor. These are handwritten notes from lectures. Notebook #5 contains prose written in 1924, thirty years after her graduation from the University. The last series, Printed Material, contains booklets, "El Pais Lilac", "Revista de Las Indias", "The Hobart Guild", "De Godsdienstige Keinst Van Rubens", "La Poesia Sorprendida", and "Requiem Por Los Muertos De Europa"; translations: newspaper clippings: and miscellaneous.
Twelve photographs were removed and filed in the University Archives photograph collection under the heading of Underwood. The photographs include Maurice Andre Casseus, Concepcion Monterrosa, Cesar Vallejo (2), Xavier Abril de Viver, Jorge Luis Borges, Germaine Lassara-Bouchecourt, Coelho Netto, Helery, Balleitein de Martin, and unknown.

Underwood, Edna Worthley

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